An English Flagship Under Easy Sail in a Moderate Breeze
ca. 1750
Not on view
7
Charles Brooking, 1723–1759
A Smack Under Sail in a Light Breeze in a River
between 1756 and 1759
Not on view
8
George Stubbs, 1724–1806
Tygers at Play
1780
9
William Hogarth, 1697–1764
Southwark Fair
1733
10
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
11
George Romney, 1734–1802
The Two Friends
undated
12
George Romney, 1734–1802
Howard Visiting a Prison
undated
13
George Romney, 1734–1802
Pamela
undated
14
George Romney, 1734–1802
Howard Visiting a Prison
undated
15
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
16
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
18
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
20
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
22
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
24
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
31
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
32
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
33
Richard Cooper the Elder, 1701–1764
View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo
1779
34
Richard Cooper the Elder, 1701–1764
View of Part of Tivoli and Adjacent Hills
35
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Anteroom
ca. 1790
36
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
37
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
38
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
39
George Barret, ca. 1728/32–1784
Tree Study
undated
40
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
41
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room
ca. 1790
42
James Bruce, 1730–1794
Unidentified Ungulate
undated
43
Sir John Vanbrugh, 1664–1726
Kings Weston, Bristol: Entrance Front Elevation
ca. 1710
44
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
45
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
46
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
47
Francois Boitard, ca. 1670–1715
A Design of Masks
1710
48
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway with Four Doors
ca. 1790
49
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Library
ca. 1790
50
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Colonnade with Balustraded Parapet
ca. 1790
51
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall
ca. 1790
52
James Wyatt, 1746–1813
Cobham Hall, Kent: Alternate Designs for Ceiling Decoration
ca. 1790
53
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of Unidentified Room
ca. 1790
54
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
55
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
56
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
57
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
58
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
59
William Marlow, 1740–1813
Rochester
1780
60
Jacob More, 1740–1793
A View at Terracina
1778
61
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
62
James Wyatt, 1746–1813
Design for a Ceiling
undated
63
Benjamin Cole, 1697–1783
The West Prospect of the Parish Church of St. Michael, Cornhill
undated
64
Robert Laurie, 1755?–1836
Court of Equity, Belle Savage Inn, Ludgate Hill
1778
65
William Henry Toms, ca. 1700–ca. 1750
St. Brigit alias St. Brides Church
1739
66
unknown artist
Bow Steeple, Cheapside
1798
67
George Vertue, 1684–1756
The Monument in Westminster Abbey of King Henry V
between 1699-1756
68
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
69
unknown artist
South Front of St. Mary's Church, Strand
1796
70
unknown artist
St. Bennet's Fink, Threadneedle St
1797
71
Anthony Walker, 1726–1765
Outside Northwest View of St. Giles Church in the Fields
1753
72
Thomas Malton, 1726–1801
King Street, Guildhall
1783
73
unknown artist
St. Barts the Greater
1800
74
George Barret, ca. 1728/32–1784
Landscape with Trees and Sheep (Park Landscape with Sheep)
undated
75
Attributed to James Bruce, 1730–1794
Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
1769–73
76
James Bruce, 1730–1794
Unidentified Temple Faustana (?)
undated
77
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
78
John Webber, 1752–1793
View of Cracatoa (sic), China Seas
undated
79
John Vanderbank, 1694–1739
Portrait Study of a Divine
1738
80
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
81
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
82
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
83
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
84
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
85
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
86
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
87
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
88
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
89
John Raphael Smith, 1752–1812
The Charmer
ca. 1780
90
Anthony Cardon, 1772–1813
A New Love Song only Ha' Penny a Piece
1796
91
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
92
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
93
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
94
John Michael Rysbrack, 1694–1770
A Monument (male bust with military emblems)
undated
95
Print made by John Raphael Smith, 1752–1812
Like Mistress, Like Maid
1781
96
George Vertue, 1684–1756
Procession of Queen Elizabeth
1742
97
John Young, 1755–1825
The Right Honourable William Pitt
1797
98
Edward Dayes, 1763–1804
Queen Square, London
1786
99
John Emes, 1762–1810
Matlock High Tor, Derbyshire
ca. 1786
100
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II