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1. Headfort House, Ireland: Elevation of the Eating Parlor

Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Bay of Naples from Capodimonte

The Bay of Naples from Capodimonte
Creator:
John Robert Cozens, 1752–1797
Date:
1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:
Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Tremal Naig's Choultry, Madura

Tremal Naig's Choultry, Madura
Creator:
Thomas Daniell, 1749–1840
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

4. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Rubens' Son and Nurse

Rubens' Son and Nurse
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1785
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 24 1/4 inches (51.4 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Design of a Ruineous Bridge for the Garden at Sion

Design of a Ruineous Bridge for the Garden at Sion
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Perspective View of the Bridge at Sion

Perspective View of the Bridge at Sion
Creator:
Edward Rooker, 1724–1774
Date:
1768
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Carnarvon Castle

Carnarvon Castle
Creator:
William Byrne, 1743–1805
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection