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1. Man with Horse and Cart Entering a Quarry

Man with Horse and Cart Entering a Quarry
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Evening Landscape with Castle and Bridge in Yorkshire

Evening Landscape with Castle and Bridge in Yorkshire
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. America. A Prophecy, Plate 14, "So Cried He...."

America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. America. A Prophecy, Plate 16, "In the Flames Stood...."

America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. America. A Prophecy, Plate 18, "Over the Hills...."

America. A Prophecy, Plate 18, "Over the Hills...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 4, "Silent as despairing love...."

America. A Prophecy, Plate 4, "Silent as despairing love...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Road from Santa Maria de Monte to Naples

The Road from Santa Maria de Monte to Naples
Creator:
Thomas Jones, 1742–1803
Date:
1781
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Humble Rock

The Humble Rock
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. East Side of Mr. Hare's New House

East Side of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. North East View of Mr. Hare's New House

North East View of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Lambeth Palace from Across the River

Lambeth Palace from Across the River
Creator:
Thomas Priest, active 1738–1750
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Mail Coach

Mail Coach
Creator:
James Fittler, 1758–1835
Date:
ca. 1787
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 11 5/16 inches (25 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View looking towards St. Margaret's, Rochester, Kent

View looking towards St. Margaret's, Rochester, Kent
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 5/8 inches (21.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Banks of the Avon at Hotwells

The Banks of the Avon at Hotwells
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1773
Materials & Techniques:
Pen and black ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:
Sheet: 6 1/4 x 10 1/2 inches (15.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Battle of Culloden, near Inverness in Scotland...

The Battle of Culloden, near Inverness in Scotland...
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Dosing a Racehorse

Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Craig yr Aderyn, near Llanfihangel-y-Pennant

Craig yr Aderyn, near Llanfihangel-y-Pennant
Creator:
Francis Towne, 1740–1816
Date:
1777
Materials & Techniques:
Watercolor and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Rye, Sussex

Rye, Sussex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Tonbridge Bridge and Castle, Kent

Tonbridge Bridge and Castle, Kent
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Landscape with Classical Ruins

Landscape with Classical Ruins
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 16 9/16 inches (29.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. The Bird Cage

The Bird Cage
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 10 11/16 inches (40 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Miss Ann Parry

Miss Ann Parry
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Viscountess Duncannon

Viscountess Duncannon
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1785
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Lady Rushout and Daughter

Lady Rushout and Daughter
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1784
Materials & Techniques:
Stipple engraving, mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 13 1/16 inches (43.3 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Marchioness of Townshend and Child

Marchioness of Townshend and Child
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1792
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Content and Innocence

Content and Innocence
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1797
Materials & Techniques:
Hand-colored stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 20 3/8 x 15 1/4 inches (51.7 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Nice

Nice
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 10 1/2 inches (14.6 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Bordesley Hall, the Seat of John Taylor, Esq.

Bordesley Hall, the Seat of John Taylor, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Watering Place of Nauka Islands, off Banca, 1 May

No cover image available
Creator:
Henry William Parish, active 1792
Date:
1793
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Mercury

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 x 12 5/16 inches (43.2 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund