An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
ca. 1730
Not on view
3
Dominic Serres, 1722–1793
Captain William Locker
1769
Not on view
4
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
5
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
6
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
7
Marcellus Laroon the Younger, 1679–1772
A Dinner Conversation
between 1735 and 1740
Not on view
8
Joseph Francis Nollekens, 1702–1748
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
9
George Romney, 1734–1802
Sketch for the Portrait of a Lady
late 1770s
On view at YUAG
10
George Stubbs, 1724–1806
A Lion [A Lion resting on a Rock]
1788
11
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
12
William Hogarth, 1697–1764
The Bruiser
1763
13
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
14
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
15
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
16
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
17
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
18
George Romney, 1734–1802
Achilles Wounded
undated
19
George Romney, 1734–1802
Laocoön
ca. 1773
20
George Romney, 1734–1802
Woman at a Column
undated
21
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
22
Luigi Balugani, 1737–1770
Aloe Macrocarpa (aloe): outline of habit, right, rough outline of inflorescence, with floral details
undated
23
Luigi Balugani, 1737–1770
A Secretary Bird
undated
24
Luigi Balugani, 1737–1770
Aloe Pianta 2a
undated
25
Luigi Balugani, 1737–1770
Cynanchum altiscandens and Tacazzea venosa
undated
26
Luigi Balugani, 1737–1770
Azzo (Clemantis hirsuta)
undated
27
Luigi Balugani, 1737–1770
Kummel (Mimusops kummel)
undated
28
Francis Towne, 1740–1816
On the Lake of Como
1781
29
Print made by James Watson, 1740–1790
Miss Julia Bosville
1775
30
Print made by John Jones, ca. 1745–1797
James Boswell of Auchinleck, Esq
1786
31
Print made by William Dickinson, 1746–1823
Emilia, Duchess of Leinster
1796
32
Print made by John Young, 1755–1825
Catherine, Viscountess Hampden
1786
33
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
34
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
35
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
36
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
37
Print made by Valentine Green, 1739–1813
Mrs. Le Maistre
1771
38
Print made by James Watson, 1740–1790
Lady Susan O'Brien
1772
39
Print made by Samuel Cousins, 1801–1887
La Surprise
1827
40
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
41
Print made by John Dixon, ca. 1740–1811
Lady Mary Catharine Bertie
1767
42
Print made by Robert Dunkarton, 1744–1811
Belinda
1777
43
Print made by Charles White, active 1784
Le Moment de la Reflexion
1784
44
Print made by unknown artist
The Striking Likeness or Harlequin Turn'd Painter
1770s to 1790s
45
Print made by unknown artist
The Promenade
1781
46
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
47
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po River and the Bridge from the Road to the Palentine
1764
48
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
49
Benjamin Thomas Pouncey, active 1772–1799
Ulanding of a Cutter
1785
50
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
51
Benjamin Thomas Pouncey, active 1772–1799
Dissolution of a Cutter
1785
52
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
53
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
54
John Raphael Smith, 1752–1812
Lady Beauchamp
1780
55
Joseph Constantine Stadler, active 1780–1812
Battersea, Chelsea and London from Mr. Rucker's Villa
1795
56
unknown artist
The Melancholy Prospect of London Bridge South West, April 12th, 1758
1758
57
James Watson, 1740–1790
Lady Almiria Carpenter
1768
58
John Finlayson, 1730–1776
Mr. Garrick in the Character of Kitely
1769
59
Edward Fisher, 1722–1785
Sir Thomas Harrison
1765
60
John Raphael Smith, 1752–1812
Theophelia Gwatkin (née Palmer)
1778
61
John Jones, ca. 1745–1797
Lady Caroline Price (née Carpenter)
1788
62
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
63
James Watson, 1740–1790
Sir George Brydges Rodney
1778
64
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
65
James Watson, 1740–1790
Caroline Curzon (née Colyear), Lady Scarsdale, and Her Son, Honourable John Curzon
1760
66
John Finlayson, 1730–1776
Lady Charles Spencer
1767
67
Gangaram Chintaman Navgire Tambat, active 1790s
Nandi Shrine and Deepmal at Ganegaon
1795
68
James Wales, 1746 or 1747–1795
A Nautch or Dance
between 1790 and 1795
69
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
74
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
75
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
76
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
77
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb
1736
78
William Henry Toms, ca. 1700–ca. 1750
The Southwest Prospect of the Church of All Hallows Staining
1736
79
William Henry Toms, ca. 1700–ca. 1750
The Northeast Prospect of the Church of St. Martin, Outwich
1736
80
William Henry Toms, ca. 1700–ca. 1750
The Southwest Prospect of the Church of St. Helen
1736
81
William Henry Toms, ca. 1700–ca. 1750
The South Prospect of the Church of St. Olave in Southwark
1736
82
William Henry Toms, ca. 1700–ca. 1750
The South Prospect of the Church of Sepulchre
1737
83
William Henry Toms, ca. 1700–ca. 1750
The Southwest Prospect of the Church of St. Giles Without Cripplegate
1737
84
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the Church of St. Dunstan in the West
1737
85
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the Chapel Royal of St. Peter in the Tower
1737
86
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the King Henry the VII's Chapel at Westminster
1739
87
William Henry Toms, ca. 1700–ca. 1750
The West Prospect of the Church of St. Barts the Great
1737
88
William Henry Toms, ca. 1700–ca. 1750
The Southwest Prospect of the Church of St. Giles without Cripplegate
1737
89
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
90
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
91
Print made by Jan Stolker, 1724–1785
Dutch Interior Kitchen Scene
1762
92
Print made by Johann Jacobus Haid, 1704–1767
La resignation
undated
93
Print made by Johann Jacobus Haid, 1704–1767
La fille éveillée
undated
94
Print made by Frantz Gabriel Fiesinger, German, 1723–1807
The Right Honorable Samuel Lord Hood
1793
95
John Faber the Younger, ca. 1695–1756
Her Grace the duchess of Marlborough
96
Print made by Johann Jacobus Haid, 1704–1767
L'Amoureuse
undated
97
Print made by John Simon, 1675–1751
The Princess Royal (Princess Ann, eldest daughter of George II)
undated
98
Print made by John Simon, 1675–1751
Her Royal Highness, the Princess Amelia
undated
99
Print made by John Smith, the mezzotinter, 1652–1743