Period: 18th century / Width [cm]: 33 - YCBA Collections Search Search Results

1. The Squire's Door

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 5/16 x 12 7/8 inches (38.9 x 32.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Rochester

Creator:: Edward Dayes, 1763–1804
Date:: 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 9 7/8 x 12 13/16 inches (25.1 x 32.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Bridge Over the River Wye

Creator:: John Taylor of Bath, 1735–1806
Date:: 1776
Materials & Techniques:: Oil on copper
Dimensions:: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. A Stage Coach on a Country Road

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/4 x 13 inches (26 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Francis, second Earl of Godolphin

Creator:: Peter Gaspar Scheemakers, 1691–1781
Date:: 1733
Materials & Techniques:: Marble
Dimensions:: Overall: 24 1/2 x 13 x 11 inches (62.2 x 33 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette work, third state
Dimensions:: Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Autumn Sowing of the Grain

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Anger, Envy, and Fear

Creator:: George Romney, 1734–1802
Date:: late 1780s
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

58. The Schinderlin

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 3/4 × 13 1/8 inches (47.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Louisa Finch (née Thynne), Countess of Aylesford

Creator:: Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/8 × 14 1/8 inches (48.6 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Picturesque Landscape

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Najel

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/8 inches (22.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The West India Washer-Women

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Slumbers of Ragotin Interrupted

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Relief

Creator:: William Dickinson, 1746–1823
Date:: 1781
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 × 13 3/8 inches (29 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Cotillion Dance

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 13 9/16 inches (25.5 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Mrs. Cosway

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 9/16 x 13 9/16 inches (47.1 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. John Henderson

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/16 × 13 inches (43.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Mrs. Henry Bunbury

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/16 × 14 5/16 inches (49.4 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Miss Sarah Campbell

Creator:: Print made by Valentine Green, 1739–1813
Date:: ca. 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/16 × 13 3/16 inches (43.9 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Right Hon. John Hely Hutchinson, LL.D.

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 13 1/16 inches (46 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Samuel Johnson, L. L. D.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 13 11/16 inches (46.1 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. The Honorable Augustus Keppel, Admiral of the Blue

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 18 1/4 x 13 5/16 inches (46.3 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Mrs. Cosway

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 13 3/4 inches (44.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Lady Rushout and Daughter

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1784
Materials & Techniques:: Stipple engraving, mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 × 13 1/16 inches (43.3 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. The Hon. Mrs. O'Neill

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 13 3/4 inches (47.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Le Moment de la Reflexion

Creator:: Print made by Charles White, active 1784
Date:: 1784
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 12 15/16 inches (30.5 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Der Geiz sucht Fäden

Creator:: Print made by Valentin Daniel Preissler, 1717–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 13 inches (44.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Sigismonda

Creator:: Print made by John Blackmore, active 1740–1780
Date:: between 1769 and 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ecclesiastical, and, Political, State of the Nation

Creator:: unknown artist
Date:: 1780
Dimensions:: Sheet: 9 3/4 x 12 7/8in. (24.8 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View on the Port Neuf at Paris

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 11/16 x 13in. (22.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Macaroni Dressing Room

Creator:: unknown artist
Date:: 1772
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 11/16 x 13in. (22.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Content and Innocence

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1797
Materials & Techniques:: Hand-colored stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/4 inches (51.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 19 5/8 x 14 13/16 inches (49.8 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. An Aga of the Janizaries

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1779
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper, laid on mount
Dimensions:: Sheet: 16 x 13 1/16 inches (40.6 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. John Hamilton Mortimer, Esq.

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 12 7/8 inches (45.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lear, from King Lear, Act III, Scene ii

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Etching, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 11/16 inches (42.9 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

Creator:: John Hamilton Mortimer, 1740–1779
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Christ's Hospital

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. George Nugent Grenville Temple Marquis of Buckingham Lord Leiutenant General & General Governor of the Kingdom of Ireland Knight Companion of the Most Noble Order of the Garter...

George Nugent Grenville Temple Marquis of Buckingham Lord Leiutenant General & General Governor of the Kingdom of Ireland Knight Companion of the Most Noble Order of the Garter...

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1788
Materials & Techniques:: Line engraving
Dimensions:: Plate: 17 x 13in. (43.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Mrs.Catherine Bunbury (née Horneck)

Creator:: James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/2 × 15 5/8 inches (52.1 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Edgar, "King Lear", Act III, Scene III

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1775
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. York, "Henry IV", Part II, Act V, Scene IV

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1775
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 13in. (40.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Miss Sarah Campbell

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 18 × 13 1/4 inches (45.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Barbara Palmer (née Villiers) Countess of Castlemaine

Creator:: Thomas Watson, 1743–1781
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Samuel Dyer

Creator:: Giuseppe Marchi, ca. 1735–1808
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 5/8 × 13 1/8 inches (44.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 18th century

Width [cm] 33

Search Results

1. The Squire's Door

2. Rochester

3. A Bridge Over the River Wye

4. A Stage Coach on a Country Road

5. Francis, second Earl of Godolphin

6. A Horse Affrighted by a Lion

7. The First Stage of Cruelty

8. Autumn Sowing of the Grain

9. 'Like that, the dial speaks; and points to thee' (Page 33)

10. 'Teaching, we learn; and giving, we retain' (Page 35)

11. 'Angels should paint it, angels ever there' (Page 40)

12. Night the Third. Narcissa; Title Page

13. 'Disease invades the chastest temperence' (Page 10)

14. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

15. 'And vapid; sense and reason shew the door' (Page 72)

16. 'His hand the good man fastens on the skies' (Page 86)

17. 'Is lost in love! thou great Philanthropist' (Page 87)

18. 'That touch, with charm celestial heals the soul' (Page 90)

19. 'When faith is virtue, reason makes it so' (Page 92)

20. 'If angels tremble, 'tis at such a sight' (Page 93)

21. 'The Sun beheld it – No, the shocking scene' (Page 75)

22. Night the First. On Life, Death, and Immortality; Title Page

23. 'Oft bursts my song beyond the bounds of life' (Page 16)

24. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

25. 'Emblem of that which shall awake the dead' (Page 19)

26. 'We censure nature for a span too short' (Page 23)

27. 'Time, in advance, behind him hides his wings' (Page 24)

28. 'Behold him, when past by; what then is seen' (Page 25)

29. 'Measuring his motions by revolving spheres' (Page 26)

30. 'Tis greatly wise to talk with our past hours' (Page 31)

31. 'Like that, the dial speaks; and points to thee' (Page 33)

32. 'Swift on his downy pinion flies from woe' (Page 1)

33. 'Love, and love only, is the loan for love' (Page 37)

34. 'Angels should paint it, angels ever there' (Page 40)

35. 'One radiant mark, – the death-bed of the just' (Page 41)

36. Night the Third. Narcissa; Title Page

37. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

38. 'What, though my soul fantastick measures trod' (Page 4)

39. The Christian Triumph; Title Page

40. 'Till death, that mighty hunter, earths them all' (Page 70)

41. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

42. 'The thunder, if in that the Almighty dwells' (Page 80)

43. 'His hand the good man fastens on the skies' (Page 86)

44. 'That touch, with charm celestial heals the soul' (Page 90)

45. 'When faith is virtue, reason makes it so' (Page 92)

46. 'Till at Death's toll, whose restless iron tongue' (Page 7)

47. 'If angels tremble, 'tis at such a sight' (Page 93)

48. 'Death! great proprietor of all! 'tis thine' (Page 8)

49. 'The goddess bursts in thunder and in flame' (Page 95)

50. 'Disease invades the chastest temperence' (Page 10)

51. 'Its favours here are trials, not rewards' (Page 12)

52. 'The present moment terminates our sight' (Page 13)

53. 'Teaching, we learn; and giving, we retain' (Page 35)

54. 'The longest night though longer far, would fail' (Page 15)

55. The Complaint, and the Consolation; or, Night Thoughts

56. 'Till at Death's toll, whose restless iron tongue' (Page 7)

57. Anger, Envy, and Fear

58. The Schinderlin

59. Louisa Finch (née Thynne), Countess of Aylesford

60. Picturesque Landscape

61. Najel

62. The West India Washer-Women

63. A Negroes Dance in the Island of Dominica

64. The Slumbers of Ragotin Interrupted

65. The Relief

66. The Cotillion Dance

67. Mrs. Cosway

68. John Henderson

69. Mrs. Henry Bunbury

70. Miss Sarah Campbell

71. Right Hon. John Hely Hutchinson, LL.D.

72. Samuel Johnson, L. L. D.

73. The Honorable Augustus Keppel, Admiral of the Blue

74. Mrs. Cosway