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Period 18th century
Remove constraint Period: 18th centuryWidth [cm] 33
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1
- The Squire's Door
- ca. 1790
- Not on view
2
- Rochester
- 1799
- Not on view
3
- A Bridge Over the River Wye
- 1776
- Not on view
4
- A Stage Coach on a Country Road
- 1792
- Not on view
5
- Francis, second Earl of Godolphin
- 1733
- Not on view
6
- A Horse Affrighted by a Lion
- 1788
7
- The First Stage of Cruelty
- ca. 1750
8
- Autumn Sowing of the Grain
- ca. 1794
9
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
10
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
11
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
12
- Night the Third. Narcissa; Title Page
- ca. 1797
13
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
14
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
15
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
16
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
17
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
18
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
19
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
20
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
21
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
22
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
23
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
24
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
25
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
26
- 'We censure nature for a span too short' (Page 23)
- 1797
27
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
28
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
29
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
30
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
31
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
32
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
33
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
34
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
35
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
36
- Night the Third. Narcissa; Title Page
- 1797
37
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
38
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
39
- The Christian Triumph; Title Page
- 1797
40
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
41
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
42
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
43
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
44
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
45
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
46
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
47
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
48
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
49
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
50
- 'Disease invades the chastest temperence' (Page 10)
- 1797
51
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
52
- 'The present moment terminates our sight' (Page 13)
- 1797
53
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
54
- 'The longest night though longer far, would fail' (Page 15)
- 1797
55
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
56
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
57
- Anger, Envy, and Fear
- late 1780s
58
- The Schinderlin
- 1777
59
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
60
- Picturesque Landscape
- undated
61
- Najel
- undated
62
- The West India Washer-Women
- 1779
63
- A Negroes Dance in the Island of Dominica
- 1779
64
- The Slumbers of Ragotin Interrupted
- 1773
65
- The Relief
- 1781
66
- The Cotillion Dance
- 1771
67
- Mrs. Cosway
- 1787
68
- John Henderson
- 1783
69
- Mrs. Henry Bunbury
- 1778
70
- Miss Sarah Campbell
- ca. 1779
71
- Right Hon. John Hely Hutchinson, LL.D
- 1778
72
- Samuel Johnson, L. L. D
- 1779
73
- The Honorable Augustus Keppel, Admiral of the Blue
- 1779
74
- Mrs. Cosway
- 1787
75
- Lady Rushout and Daughter
- 1784
76
- The Hon. Mrs. O'Neill
- 1778
77
- Le Moment de la Reflexion
- 1784
78
- Der Geiz sucht Fäden
- undated
79
- Sigismonda
- between 1769 and 1771
80
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
81
- Ecclesiastical, and, Political, State of the Nation
- 1780
82
- View on the Port Neuf at Paris
- 1771
83
- A Macaroni Dressing Room
- 1772
84
- A View of the Fire in Covent Garden
- 1769
85
- Wooded Landscape with Herdsman and Cows
- 1797
86
- Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
- 1771
87
- Content and Innocence
- 1797
88
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
89
- An Aga of the Janizaries
- 1779
90
- John Hamilton Mortimer, Esq
- 1779
91
- Lear, from King Lear, Act III, Scene ii
- 1776
92
- Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
93
- Christ's Hospital
- ca. 1740
94
- George Nugent Grenville Temple Marquis of Buckingham Lord Leiutenant General & General Governor of the Kingdom of Ireland Knight Companion of the Most Noble Order of the Garter..
- 1788
95
- Mrs.Catherine Bunbury (née Horneck)
- 1778
96
- Edgar, "King Lear", Act III, Scene III
- 1775
97
- York, "Henry IV", Part II, Act V, Scene IV
- 1775
98
- Miss Sarah Campbell
- 1779
99
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
100
- Samuel Dyer
- 1773