Period: 18th century / Width [cm]: 35 - YCBA Collections Search Search Results

William Hogarth, 1697–1764

William Augustus, Duke of Cumberland

1732

Not on view

Attributed to Thomas Hudson, 1707–1779

Alexander van Aken

ca. 1770

Not on view

Marcellus Laroon the Younger, 1679–1772

The Barber

between 1760 and 1769

Not on view

Charles Reuben Ryley, 1752–1798

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

1786

Not on view

Charles Reuben Ryley, 1752–1798

'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)

1786

Not on view

George Augustus Wallis, 1770–1847

Study of Rocks and Branches

between 1788 and 1806

Not on view

Arthur Devis, 1712–1787

An Unknown Man in a Library

between 1740 and 1741

Not on view

Arthur Devis, 1712–1787

An Unknown Woman in a Drawing Room

between 1740 and 1741

Not on view

Thomas Bardwell, 1704–1767

Portrait of a Gentleman

ca. 1740

Not on view

Thomas Bardwell, 1704–1767

Portrait of a Lady

ca. 1740

Not on view

George Romney, 1734–1802

Mother and Son

late 1770s

On view at YUAG

George Romney, 1734–1802

Study for the Portrait of George Spencer, Fourth Duke of Marlborough

1778–1783

On view at YUAG

Print made by George Stubbs, 1724–1806

A Sleeping Leopard

1791

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

William Hogarth, 1697–1764

Hudibras and the Lawyer (no.7)

Print made by William Hogarth, 1697–1764

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

Print made by William Hogarth, 1697–1764

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

Print made by William Hogarth, 1697–1764

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

Print made by William Hogarth, 1697–1764

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

Print made by William Hogarth, 1697–1764

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

Print made by William Hogarth, 1697–1764

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

Print made by William Hogarth, 1697–1764

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

Print made by William Hogarth, 1697–1764

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Print made by William Hogarth, 1697–1764

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

Joseph Mallord William Turner, 1775–1851

Dent de Lion, near Margate

ca. 1791

George Romney, 1734–1802

Prospero and Miranda

ca. 1787

George Romney, 1734–1802

Classical Male Nude with a Rearing Horse

1773-1774

George Romney, 1734–1802

Lear Awakened by Cordelia

between 1774 and 1775

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Henry Swinburne, 1743–1803

Mountainous Landscape, with a Small Village in its Valley

undated

Henry Swinburne, 1743–1803

Montpellier, France

1775

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

James Watson, 1740–1790

Miss Francis Lascelles

undated

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

George Townly Stubbs, 1748–1815

The Terrible Horse 'Trentham'

1772

unknown artist

Dieppe

undated

Print made by Joseph Grozer, ca. 1755–1798

Lady Charlotte Legge

1794

Print made by John Raphael Smith, 1752–1812

Hon. Henrietta Maria North

1782

Print made by John Raphael Smith, 1752–1812

Louisa, Lady Stormont

1780

Print made by Henry Birche, active 1790–1795

Cottage Girl

between 1790 and 1795

Print made by Thomas Park, ca. 1760–1834

The Honorable Mrs. Watson

ca. 1785

Print made by John Raphael Smith, 1752–1812

Lady Catherine Pelham Clinton

1782

Print made by James McArdell, ca. 1729–1765

Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'

1762

Print made by Joseph Grozer, ca. 1755–1798

The Honorable Miss Harris

1791

Print made by John Raphael Smith, 1752–1812

Master Henry George Herbert as the 'Infant Bacchus'

1776

Print made by William Doughty, 1757–1782

Samuel Johnson, L. L. D

1779

Print made by John Spilsbury, 1730–1795

Miss Jacobs

ca. 1762

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Print made by John Faber the Younger, ca. 1695–1756

Elizabeth, Duchess of Hamilton

1753

Print made by John Faber the Younger, ca. 1695–1756

Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"

1751

Print made by William Ward, 1766–1826

The Pledge of Love

1788

Print made by William Ward, 1766–1826

Suspence

1788

Print made by James McArdell, ca. 1729–1765

St. Francis de Paula

undated

Print made by John Raphael Smith, 1752–1812

The Hon. Mrs. O'Neill

1778

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

Print made by John Finlayson, 1730–1776

Elizabeth, Duchess of Hamilton and Brandon and of Argyll

1770

Print made by William Pether, ca. 1738–1821

Rabbi with a White Turban

1778

Print made by William Pether, ca. 1738–1821

Rabbi with a White Turban

1778

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Print made by William Pether, ca. 1738–1821

Officer of State

1764

Print made by William Wynne Ryland, 1732–1783

Diogenes

1771

Print made by John Raphael Smith, 1752–1812

The Fruit Barrow

1780

Print made by John Finlayson, 1730–1776

The Tinker

1770

Print made by William Pether, ca. 1738–1821

John Ashton

1770

Print made by John Raphael Smith, 1752–1812

Children of Walter Synnot

1782

Print made by unknown artist

Plundering the Tower

1777

Print made by Thomas Burford, ca. 1710–after 1774

The Death of the Fox

1794

Print made by Richard Brookshaw, 1736–1804

The Contented Dutchmen

1770

Print made by Thomas Burford, ca. 1710–after 1774

Making a Cast at a Fault

1794

Print made by Richard Purcell, active 1746–1766

The Departure

undated

Print made by John Simon, 1675–1751

Summer

1758

Print made by Johann Lorenz Haid, 1702–1750

S. Bartholomaeus

early 1750s

Print made by Johann Lorenz Haid, 1702–1750

S. Petrus

early 1750s

Print made by Johann Lorenz Haid, 1702–1750

Portrait of a Woman with Mask

1750s

Johann Lorenz Haid Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Print made by Johann Lorenz Haid, 1702–1750

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

undated

Print made by Thomas Bewick, 1753–1828

The Wild Bull of Chillingham

1781

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Print made by Thomas Burke, 1749–1815

Andromache and Hecuba Weeping over the Ashes of Hector

1771

Valentine Green, 1739–1813

Rinaldo and Armida

1775

Robert Blyth, 1750–1784

Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting

1782

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)