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Period 18th century

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William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Blake For Children. The Gates of Paradise; Title Page (Plate 2)
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise; Title Page (Plate 2)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
early 1790s
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
early 1790s
unknown artist Shakespear Chair
unknown artist
Shakespear Chair
1799
Callender Voluntier
Print made by Callender, active mid–18th century
Voluntier
1745
Horace Hone Gentleman in a Blue Coat
Horace Hone, 1756–1825
Gentleman in a Blue Coat
1781
unknown artist Gentleman in a Plum-Colored Coat
unknown artist
Gentleman in a Plum-Colored Coat
ca. 1760
Callender Study of a Man with a Cutlass
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
Samuel Finney Portrait of a Gentleman
Samuel Finney, 1718–1798
Portrait of a Gentleman
undated
James Scouler Portrait of a Cleric
James Scouler, 1741–1812
Portrait of a Cleric
1774
James Scouler Portrait of a Lady
James Scouler, 1741–1812
Portrait of a Lady
1781
unknown artist Sir Christopher Wren
unknown artist
Sir Christopher Wren
undated
Charles Wilson Peale Portrait of a Gentleman
Charles Wilson Peale, 1741–1827
Portrait of a Gentleman
ca. 1785
George Engleheart Portrait of a Gentleman
George Engleheart, 1753–1829
Portrait of a Gentleman
1787
John Bogle Robert Graham of Gartmore, later Cunninghame Graham
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
Henry Bone Robert Cathcart, Esq.
Henry Bone, 1755–1834
Robert Cathcart, Esq
1798
Samuel Cotes Portrait of an Infantry Officer
Samuel Cotes, 1734–1818
Portrait of an Infantry Officer
1767
George Engleheart Lady Grace Burnaby
George Engleheart, 1753–1829
Lady Grace Burnaby
1790
George Engleheart Major André
George Engleheart, 1753–1829
Major André
between 1771 and 1780
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
Thomas Hazlehurst Elizabeth DeQuincey, nee Penson
Follower of Thomas Hazlehurst, active 1740–1821
Elizabeth DeQuincey, nee Penson
undated
Thomas Hazlehurst Brother of Thomas De Quincey
follower of Thomas Hazlehurst, active 1740–1821
Brother of Thomas De Quincey
undated
Nathaniel Hone Portrait of a Gentleman
Nathaniel Hone, 1718–1784
Portrait of a Gentleman
1769
Nathaniel Hone Portrait of a Lady
Nathaniel Hone, 1718–1784
Portrait of a Lady
1750
Nathaniel Hone Portrait of a Lady
Nathaniel Hone, 1718–1784
Portrait of a Lady
1766
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
John Smart Captain Marriott
John Smart, 1741–1811
Captain Marriott
1777
John Smart Portrait of a Young Lady, probably the artist’s daughter Anna Maria Woolf
John Smart, 1741–1811
Portrait of a Young Lady, probably the artist’s daughter Anna Maria Woolf
1788
John Smart Portrait of a Gentleman
John Smart, 1741–1811
Portrait of a Gentleman
1773
John Smart Portrait of an Elderly Lady
John Smart, 1741–1811
Portrait of an Elderly Lady
1767
John Smart Robert, first Baron Clive of Plassey
John Smart, 1741–1811
Robert, first Baron Clive of Plassey
1776
John Smart Portrait of a Lady
John Smart, 1741–1811
Portrait of a Lady
1773
Gervase Spencer Portrait of a Lady
Gervase Spencer, ca. 1715–1763
Portrait of a Lady
1761
Gervase Spencer Portrait of a Lady
Gervase Spencer, ca. 1715–1763
Portrait of a Lady
1754
Ozias Humphry Portrait of a Lady
Ozias Humphry, 1742–1810
Portrait of a Lady
between 1785 and 1787
Bernard Lens III Portrait of a Gentleman
Bernard Lens III, 1682–1740
Portrait of a Gentleman
ca. 1710
Richard Cosway Portrait of an Unknown Lady
Richard Cosway, 1742–1821
Portrait of an Unknown Lady
ca. 1770
Augustin Heckel Shield and Sword
Attributed to Augustin Heckel, 1690–1770
Shield and Sword
undated
Augustin Heckel Scythe and Wheat
Attributed to Augustin Heckel, 1690–1770
Scythe and Wheat
undated
Augustin Heckel Spindles and Thread
Attributed to Augustin Heckel, 1690–1770
Spindles and Thread
undated
Hubert-François Gravelot Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
Valentine Green A Philosopher Shewing an Experiment on the Air Pump
Valentine Green, 1739–1813
A Philosopher Shewing an Experiment on the Air Pump
1769