His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
4
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
5
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
6
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
7
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
8
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
9
John Harris, active 1686–1740
The Revolt of the Fleet, 1642
ca. 1710
10
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
11
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
12
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
13
Print made by Edward Fisher, 1722–1785
John Viscount Ligonier
after 1761
14
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
15
Print made by William Dickinson, 1746–1823
Duchess of York
1795
16
Print made by unknown artist
Helene Apollonie Princesse de Ligne
1795
17
John Alexander, 1686–before 1768
Jacob and the Heavenly Ladder
1718
18
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
19
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
20
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
21
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
22
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
23
Jan J. van den Bergh, active 1793–1800
Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV
1794
24
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
25
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
26
John Chapman, active ca. 1792–1823
Jacques discovered by the Duke- "As You Like It," Act II, Scene I
1795
27
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
28
unknown artist
Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
1795
29
Jan J. van den Bergh, active 1793–1800
Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI
1794
30
Benjamin Duterreau, 1767–1851
Florizel and Autolicus - "Winter's Tale"
1794
31
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
32
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
33
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
34
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
35
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
36
John Maurer, active 1713–1761
Royal Exchange, London
1741
37
Print made by John Browne, 1741–1801
The Sportsman
1775
38
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
39
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
40
unknown artist
The West Prospect of the Cathedral Church of St. Pauls London
undated
41
Print made by John Finlayson, 1730–1776
The Tinker
1770
42
Print made by Thomas Malton the Younger, 1748–1804
The Bank
1781
43
unknown artist
Prospectus Westmonasteriensis Londini
undated
44
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
45
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
46
James Gillray, 1756–1815
Evacuation Before Resignation
1782
47
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
48
Richard Cooper the Younger, 1740–1814
View Across the Campo Vaccino, Rome
ca. 1790
49
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
50
Print made by William Pether, ca. 1738–1821
Drawing Academy
ca. 1772
51
Thomas Malton the Younger, 1748–1804
Hall's Library at Margate
1789
52
Isaac Cruikshank, 1764–1811
The Quornites Disturb'd or Startling the Game
1791
53
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
54
William Ward, 1766–1826
Industry and Economy
1794
55
J. Wells, active 1780–1791
A View of Margate with the Bathing Place
1786
56
Print made by Francesco Bartolozzi, 1728–1815
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers
1788
57
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
58
Print made by James Basire II, 1769–1822
South View of Christ Church, &c. from the Meadows
1799
59
unknown artist
Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791
1791
60
Print made by William Holland, 1757–1815
Puritanical Amusements Revived
1790
61
Print made by William Holland, 1757–1815
Battle of the Angels; Celestial and Infernal
1790
62
unknown artist
Shades of Opposition; or, More Ghosts!!
1798
63
Richard Newton, 1777–1798
Summer Amusement at Farmer G-----'s Near Windsor
1791
64
unknown artist
A Race on the Sands at Weymouth
1791
65
Print made by Henry Hulsberg, active 1700s–died 1729
Design for a House in a "Theatrical Style" for Paul Methuen
undated
66
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
67
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
68
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
69
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
70
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
71
James Gillray, 1756–1815
The Injured Countess
1786-1788
72
James Gillray, 1756–1815
Junction of Parties
1783
73
James Gillray, 1756–1815
Sawney in the Bog-House
1779
74
James Gillray, 1756–1815
Wouski
1788
75
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
76
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
77
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
78
James Gillray, 1756–1815
The Castle in the Moon
1782
79
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
80
James Gillray, 1756–1815
The Fall of Phaeton
1788
81
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
82
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
83
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
84
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
85
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
86
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
87
James Gillray, 1756–1815
Patience on a Monument
1791
88
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
89
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
90
James Gillray, 1756–1815
Wha Wants Me?
1792
91
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
92
James Gillray, 1756–1815
National Conveniences
1796
93
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
94
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
95
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
96
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
97
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
98
James Gillray, 1756–1815
Fashionable Jockeyship
1796
99
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent