Period: 18th century / Subject Terms: carriage / Topic subjectplace ss: Europe - YCBA Collections Search Search Results

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Period 18th century

Subject Terms carriage

Topic subjectplace ss Europe

1. The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate

The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate

Creator:: Peter Tillemans, 1684–1734
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/4 × 49 1/2 inches (87 × 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. George I at Newmarket, 4 or 5 October, 1717

George I at Newmarket, 4 or 5 October, 1717

Creator:: John Wootton, 1682–1764
Date:: ca. 1717
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/8 x 67 1/16 inches (127.3 x 170.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on copper
Dimensions:: 18 13/16 x 24 13/16 inches (47.8 x 63 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Gate Toward Bursit, Aix-la-Chappelle

Gate Toward Bursit, Aix-la-Chappelle

Creator:: Charles Gore, 1729–1807
Date:: 1785
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Gateway of Lancaster Castle

The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Oxcart in the Grotto at Posillipo

Oxcart in the Grotto at Posillipo

Creator:: William Marlow, 1740–1813
Date:: ca. 1770
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 10 5/8 x 14 13/16in. (27 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Comforts of Bath: Coaches Arriving

Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Methley Park, Leeds: View of John Carr Entrance Front

Methley Park, Leeds: View of John Carr Entrance Front

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 13 1/2 inches (13.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 3 7/8 inches (13.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Whitehall Showing Holbein's Gate and Banqueting Hall

Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Englishman at Paris, 1767

Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection