John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
6
Thomas Jones, 1742–1803
The Vale of Pencerrig
1776
Not on view
7
unknown artist
Kidbrooke Park, Kent
ca. 1745
Not on view
8
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
9
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
10
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
11
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
12
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
14
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
15
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
16
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
17
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
18
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
19
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
20
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
21
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
22
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
23
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
24
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
26
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
27
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
28
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
29
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
30
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
31
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
32
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
33
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
34
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
35
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
36
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
37
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
38
Print made by Francis Haward, 1759–1797
Master Bunbury
1781
39
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
40
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
41
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
42
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
43
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
44
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
45
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
46
Robert Dighton, 1752–1814
A Jack in Office
1793
47
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
48
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
49
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
50
unknown artist
Unidentified Country House
between 1700 and 1715
51
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
52
Print made by Anthony Cardon, 1772–1813
Credulity
1796
53
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
54
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
55
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
56
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
57
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
58
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
59
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
60
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
61
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
62
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
63
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
64
unknown artist
A Donkey
1756
65
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
66
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
67
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
68
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
69
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
70
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
71
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
72
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
73
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
74
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
75
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
76
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
77
Peter Tillemans, 1684–1734
From Hampstead
1730
78
unknown artist
Design for Wall Paper
ca. 1760
79
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
80
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
81
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
82
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
83
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
84
Thomas Girtin, 1775–1802
View of Rochester
1791
85
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
86
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
87
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
88
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
89
Thomas Girtin, 1775–1802
Jedburgh Abbey, Roxburghshire
ca. 1793
90
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
91
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
92
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
93
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
94
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
95
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
96
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west