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Period 18th century

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Subject Terms procession

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1. Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company

Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Creator:
Samuel Scott, 1701/2–1772
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
31 1/4 x 59 1/4 inches (79.4 x 150.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Westminster Bridge, with the Lord Mayor's Procession on the Thames

Westminster Bridge, with the Lord Mayor's Procession on the Thames
Creator:
Canaletto, 1697–1768
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 43 5/8 x 56 x 3 inches (110.8 x 142.2 x 7.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Restoration Procession of Charles II at Cheapside

Restoration Procession of Charles II at Cheapside
Creator:
unknown artist
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 40 inches (127 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

A Procession of the Damned: Study for the Damned in Dante's "Inferno"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Burial at Carisbrooke, Isle of Wight

A Burial at Carisbrooke, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Illustration to Pilgrim's Progress

Illustration to Pilgrim's Progress
Creator:
John Flaxman, 1755–1826
Date:
1792
Materials & Techniques:
Black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Procession of the Knights of the Most Noble Order of the Garter

The Procession of the Knights of the Most Noble Order of the Garter
Creator:
Richard Cooper the Younger, 1740–1814
Date:
1782
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection