Landscape, with Castle Ruins on Top of a Rocky Hill
ca. 1791
207
James Moore, 1762–1799
Study of Tress and Vegetaion Growing Over Ruins
ca. 1791
208
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
209
James Moore, 1762–1799
Study of the Ruins of an Abbey
ca. 1791
210
James Moore, 1762–1799
East End of Tynemouth Priory
1792
211
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
212
James Moore, 1762–1799
Kelso Abbey, Scotland
1792
213
Print made by James S. Storer, 1771–1853
Chepstow
1794
214
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
215
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
216
style of Paul Sandby, 1731–1809
Ruins of Newark Castle
undated
217
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
218
Print made by Robert Dunkarton, 1744–1811
Sisters Contemplating on Mortality
1770
219
Rev. William Gilpin, 1724–1804
Landscape with Two Men and a Castle Ruin on the Riverbank
1783
220
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
221
Rev. William Gilpin, 1724–1804
Landscape with River, Castle and Mountains
between 1762 and 1783
222
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
223
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
224
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
225
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
226
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
227
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
228
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
229
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
230
Joseph Wright of Derby, 1734–1797
Landscape with Ruins
undated
231
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
232
William Byrne, 1743–1805
Untitled
1765
233
William Byrne, 1743–1805
A View in the Villa Madama, near Rome, called II Teatro
1765
234
James Peak, 1703–1782
Mercury and Battus
235
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
236
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
237
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
238
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
239
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
240
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
241
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
242
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
243
John Robert Cozens, 1752–1797
Baths of Diocletian
undated
244
John Robert Cozens, 1752–1797
Unknown Ruins
undated
245
John Robert Cozens, 1752–1797
Perpendicular Rock and Trees
ca. 1780
246
John Robert Cozens, 1752–1797
Baroque Arch and Roman Aqueduct Ruins
undated
247
John Robert Cozens, 1752–1797
Temple of Jupiter Tonans
undated
248
John Robert Cozens, 1752–1797
Temple of Janus
undated
249
John Robert Cozens, 1752–1797
Statues and Ruins
undated
250
John Robert Cozens, 1752–1797
Temple of Venus near Baia
undated
251
John Robert Cozens, 1752–1797
Baths of Dioclesian
undated
252
John Robert Cozens, 1752–1797
Part of the Walls of Naples near Ponte Nuovo, 17 October
undated
253
John Robert Cozens, 1752–1797
A Sepulchre in the Road near Capua
undated
254
John Robert Cozens, 1752–1797
View of the Arno Between Florence and Arezzo
undated
255
John Robert Cozens, 1752–1797
Santa Francesca at La Cava, September 20
undated
256
Print made by Richard Earlom, 1743–1822
View of a Portico by the Side of a River, with Herdsmen and Cattle
1774
257
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
258
Willey Reveley, 1760–1799
Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
ca. 1785
259
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
260
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
261
William Pars, 1742–1782
Landscape with Temple Ruins at Sunium
undated
262
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Ruined Flat Archway
ca. 1785
263
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
264
Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
265
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
266
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
267
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
268
John Robert Cozens, 1752–1797
The Temple of Venus on the Bay of Baia, December 2
undated
269
John Robert Cozens, 1752–1797
The Euganean Hills
undated
270
John Robert Cozens, 1752–1797
Convent near Ponte Nuovo, October 16
undated
271
John Robert Cozens, 1752–1797
Scuola di Virgilio, October 18
undated
272
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
273
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
274
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
275
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
276
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
277
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
278
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
279
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
280
Giovanni Battista Borra, 1713–1770
View of Hill Towns or Ruins near Damascus
1751
281
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
282
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
283
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
284
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
285
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
286
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
287
John Robert Cozens, 1752–1797
The Bridge of Augustus near Narni
undated
288
John Robert Cozens, 1752–1797
Ruins
undated
289
John Robert Cozens, 1752–1797
Bridge at Narni
undated
290
William Woollett, 1735–1785
Solitude
1778
291
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
292
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire
undated
293
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
294
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
295
William Ellis, 1747–1810
The New Meeting
1792
296
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
297
Capt. Francis Grose, 1731–1791
Folio of Views in Norfolk and Suffolk Flixton Old Chapel, near Lowestoft, Suffolk