Period: 18th century / Subject Terms: sheep - YCBA Collections Search Search Results

1. Coastal Landscape with a Shepherd and His Flock

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1783 and 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Wooded Landscape with a Cottage and Shepherd

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1748 to 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 3/8 inches (43.2 x 54.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Old Water Mill

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/2 x 49 1/8 inches (100.3 x 124.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lake Albano

Creator:: George Lambert, 1700–1765
Date:: ca. 1760
Materials & Techniques:: Oil on canvas
Dimensions:: 30 3/8 x 48 1/8 inches (77.2 x 122.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. An Imaginary Landscape with a Wagon and a Distant View of a Town

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: ca. 1749
Materials & Techniques:: Oil on copper
Dimensions:: 4 7/8 x 7 3/16 inches (12.4 x 18.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Landscape with Stream and Weir

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1750 and 1753
Materials & Techniques:: Oil on canvas
Dimensions:: 31 1/2 x 37 1/4 inches (80 x 94.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Dinas Bran from Llangollen

Creator:: Richard Wilson, ca. 1712–1782
Date:: 1770 to 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 71 × 96 3/8 inches (180.3 × 244.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. View on the River Thames at Richmond

Creator:: William Marlow, 1740–1813
Date:: ca. 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 19 1/4 inches (33.7 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland

Creator:: Thomas Roberts, 1748–1778
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Winter Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 26 inches (42.5 × 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape with a Shepherd

Creator:: Charles Towne, 1763–1840
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 32 1/4 inches (62.2 × 81.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Creator:: Sir Godfrey Kneller, 1646–1723
Date:: between 1697 and 1716
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 26 inches (78.7 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. A Panoramic View of Florence from Bellosguardo

Creator:: Thomas Patch, 1725–1782
Date:: 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 37 1/4 x 62 1/4 inches (94.6 x 158.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Haycart Passing a Ruined Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Landscape, with Dover Castle in the Distance

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

16. Borlase Cokayne as a Boy riding Sultana

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: 1751
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 25 3/8 inches (47 x 64.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Landscape with Cattle and Peasant

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1781
Materials & Techniques:: Oil on canvas
Dimensions:: 26 1/2 x 41 1/2 inches (67.3 x 105.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Landscape with Horse and Oxen Cart

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1770 to 1780
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 18 3/4 inches (31.8 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Landscape with Haymakers and a Distant View of a Georgian House

Creator:: William Ashford, 1746–1824
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 42 inches (76.2 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Morning: Landscape with Mares and Sheep

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 26 inches (45.7 × 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Powerscourt, County Wicklow, Ireland

Creator:: George Barret, ca. 1728/32–1784
Date:: between 1760 and 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 28 7/8 × 38 1/4 inches (73.3 × 97.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Mountain Valley with Figures and Distant Village

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1773 and 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Sheep and Lambs by a Fence

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: Overall: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Lowell Libson & Jonny Yarker in honor of Amy R. W. Meyers, Director of the Yale Center for British Art
On View:: Not on view

24. Shrewsbury Abbey

Creator:: unknown artist
Date:: ca. 1720
Materials & Techniques:: Oil on canvas
Dimensions:: 26 1/2 x 71 1/2 inches (67.3 x 181.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Hob Taken Out of Ye Well

Creator:: John Laguerre, 1688–1746
Date:: between 1720 and 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/4 x 36 1/2 inches (89.5 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Saltwood Castle

Creator:: George Lambert, 1700–1765
Date:: 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 36 3/4 inches (50.2 x 93.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

28. The Clod & the Pebble (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Shepherd (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Chimney Sweeper (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Spring (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor; verso: relief and white-line etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Infant Joy (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. On Anothers Sorrow (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Spring (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Shepherd, from Songs of Innocence

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Spring, from Songs of Innocence

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Shepherdess Cutting an Inscription on a Tree

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

48. The Judgment of Paris

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: 1771
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/16 × 8 3/8 inches (18.2 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lady Hamilton as The Sempstress

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Lady Mary Leslie

Creator:: Print made by John Spilsbury, 1730–1795
Date:: ca. 1766
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/4 × 14 inches (48.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. A Shepherdess

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. North East View of a House at Ringmer with Cattle and Sheep by a Pond

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1787
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 20 15/16 inches (37.9 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Shepherdess

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1747
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Exposition of Cyrus

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. South View of Bath

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Miss Mary Palmer as "The Young Shepherdess"

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 × 13 7/8 inches (44.9 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Kielder Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Sheep, and Three Animals

Creator:: Richard Brookes, 1721–1763
Date:: ca. 1760
Materials & Techniques:: Pen and black ink with gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Celadon and Amelia

Creator:: Engraved by William Woollett, 1735–1785
Date:: 1766
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

61. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Ham Court, the Seat of John Martin, Esq.

Creator:: Print made by James Caldwall, 1739–1819
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Shepherd and Flock Outside a Village

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Plate: 5 11/16 x 8 11/16 inches (14.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Reapers

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Line engraving and stipple engraving with hand coloring
Dimensions:: Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hampton Court Palace, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of a Portico by the Side of a River, with Herdsmen and Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

68. Prudhoe Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Bridge at Alnwick Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Adelaide

Creator:: Francis Wheatley, 1747–1801
Date:: between 1785 and 1786
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Couple in a Farmyard

Creator:: Paul Sandby, 1731–1809
Date:: 1782
Materials & Techniques:: Watercolor and pen with black and brown ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 26 1/8 x 19 5/8 inches (66.4 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hampton Court Palace, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Farmyard Animals: Tribulation

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1797
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View from Skiddaw over Derwentwater

Creator:: Thomas Hearne, 1744–1817
Date:: between 1772 and 1782
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. North East View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Ruins of Newark Castle

Creator:: style of Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 9/16 inches (14.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

80. Ipswich from the Grounds of Christchurch Mansion

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Italianate Landscape with Travelers, No. 1

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Italianate Landscape with Travellers no. 2

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Landscape with beech trees and man driving cattle and sheep

Creator:: style of Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Artist Sketching Mlle. de St. Legier as a Shepherdess

Creator:: James Moore, 1762–1799
Date:: 1787
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Roslin Castle, Midlothian

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Gouache on medium laid paper, mounted on board
Dimensions:: Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Rocca del Papa, with Monte Cavo

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1770
Materials & Techniques:: Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

91. An Arcadian Landscape

Creator:: George Lambert, 1700–1765
Date:: 1742
Materials & Techniques:: Pastel on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 x 25 7/8 inches (49.5 x 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art (1993-2012)

92. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. In the Camp Vaccinio at Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1777
Materials & Techniques:: Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Lake of Albano and Castle Gandolfo

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1779
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 25 1/8 inches (44.5 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Lake of Nemi

Creator:: John Robert Cozens, 1752–1797
Date:: between 1783 and 1785
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/8 inches (37.1 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Thames from Richmond Hill Looking Southwest

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1791
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 x 20 5/8 inches (36.2 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Design for a Frontispiece: Shepherds with Flock

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen in black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 3/8 × 11 1/8 inches (28.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Wooded Landscape with Shepherd and Sheep

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1765 and 1770
Materials & Techniques:: Pen and brown ink with black and gray wash, heavily varnished on medium, slightly textured, cream laid paper, laid down on laid paper
Dimensions:: Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mountain Landscape with Figures, Sheep and Fountain

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:: Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

Subject Terms sheep

Search Results

1. Coastal Landscape with a Shepherd and His Flock

2. Wooded Landscape with a Cottage and Shepherd

3. The Old Water Mill

4. Lake Albano

5. An Imaginary Landscape with a Wagon and a Distant View of a Town

6. Landscape with Stream and Weir

7. Dinas Bran from Llangollen

8. View on the River Thames at Richmond

9. Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland

10. Winter Landscape

11. Landscape with a Shepherd

12. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

13. A Panoramic View of Florence from Bellosguardo

14. Haycart Passing a Ruined Abbey

15. Landscape, with Dover Castle in the Distance

16. Borlase Cokayne as a Boy riding Sultana

17. Landscape with Cattle and Peasant

18. Landscape with Horse and Oxen Cart

19. Landscape with Haymakers and a Distant View of a Georgian House

20. Morning: Landscape with Mares and Sheep

21. Powerscourt, County Wicklow, Ireland

22. Mountain Valley with Figures and Distant Village

23. Sheep and Lambs by a Fence

24. Shrewsbury Abbey

25. Hob Taken Out of Ye Well

26. Saltwood Castle

27. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

28. The Clod & the Pebble (Plate 36)

29. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

30. 'Disease invades the chastest temperence' (Page 10)

31. The Shepherd (Plate 4)

32. The Chimney Sweeper (Plate 10)

33. Spring (Plate 12)

34. The Lamb (Plate 18)

35. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

36. Songs of Innocence, Frontispiece (Plate 1)

37. Infant Joy (Plate 14)

38. On Anothers Sorrow (Plate 24)

39. Spring (Plate 26)

40. The Lamb (Plate 8)

41. 'Swift on his downy pinion flies from woe' (Page 1)

42. 'Disease invades the chastest temperence' (Page 10)

43. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

44. The Shepherd, from Songs of Innocence

45. Spring, from Songs of Innocence

46. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

47. Shepherdess Cutting an Inscription on a Tree

48. The Judgment of Paris

49. Lady Hamilton as The Sempstress

50. Lady Mary Leslie

51. A Shepherdess

52. North East View of a House at Ringmer with Cattle and Sheep by a Pond

53. Shepherdess

54. The Exposition of Cyrus

55. South View of Bath

56. The City of Bath taken from the London Road

57. Miss Mary Palmer as "The Young Shepherdess"

58. Kielder Castle, Northumberland

59. Sheep, and Three Animals

60. Celadon and Amelia

61. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

62. Ham Court, the Seat of John Martin, Esq.

63. Shepherd and Flock Outside a Village

64. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

65. Reapers

66. Hampton Court Palace, Herefordshire

67. View of a Portico by the Side of a River, with Herdsmen and Cattle

68. Prudhoe Castle, Northumberland

69. Bridge at Alnwick Castle, Northumberland

70. Adelaide

71. Couple in a Farmyard

72. Hampton Court Palace, Herefordshire

73. Elgin Cathedral, Morayshire

74. The Ruins of the College of Lincluden, Near Dumfries