Period: 18th century / Subject Terms: sky - YCBA Collections Search Search Results

1. Turf, with Jockey up, at Newmarket

Creator:: George Stubbs, 1724–1806
Date:: ca. 1766
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 46 1/2 × 56 1/2 × 2 7/8 inches (118.1 × 143.5 × 7.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. A Church in the Trees

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 10 15/16 x 14 1/4 inches (27.8 x 36.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Countess of Coningsby in the Costume of the Charlton Hunt

Creator:: George Stubbs, 1724–1806
Date:: ca. 1760
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 29 1/4 inches (63.5 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course

Creator:: George Stubbs, 1724–1806
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 16 inches (30.5 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Pumpkin with a Stable-lad

Creator:: George Stubbs, 1724–1806
Date:: 1774
Materials & Techniques:: beeswax and oil on panel
Dimensions:: 32 3/8 × 39 7/8 inches (82.2 × 101.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Foxhound

Creator:: George Stubbs, 1724–1806
Date:: ca. 1760
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Bulls Fighting

Creator:: George Stubbs, 1724–1806
Date:: 1786
Materials & Techniques:: beeswax and oil on panel
Dimensions:: 24 1/4 x 32 1/2 inches (61.6 x 82.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Limekiln at Coalbrookdale

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Castel Sant'Angelo, Rome

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Captain Vincenzo Lunardi with his Assistant George Biggin, and Mrs. Letitia Anne Sage, in a Balloon

Creator:: John Francis Rigaud, 1742–1810
Date:: 1785
Materials & Techniques:: Oil on copper
Dimensions:: 19 x 14 inches (48.3 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

Creator:: Thomas Roberts, 1748–1778
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland

Creator:: Thomas Roberts, 1748–1778
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Lake Albano

Creator:: Thomas Jones, 1742–1803
Date:: 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 47 1/8 x 65 1/4 inches (119.7 x 165.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Winter Landscape with Figures

Creator:: George Morland, 1763–1804
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Anne Seymour Damer

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1773
Materials & Techniques:: Oil on canvas
Dimensions:: 49 1/2 x 39 inches (125.7 x 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Mrs. Harry Payne Bingham
On View:: Not on view

16. Landscape, with Dover Castle in the Distance

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. A Distant View of Hythe Village and Church, Kent

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Windsor Castle Seen from the Thames

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Mausoleum with Stone Elephants

Creator:: Francis Swain Ward, ca. 1734–1794
Date:: 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 30 1/4 inches (50.8 x 76.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Haycart Passing a Ruined Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Rievaulx Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Classical Landscape: Morning

Creator:: John Wootton, 1682–1764
Date:: between 1740 and 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 43 inches (109.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. The Death of the Hare

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Creator:: Arthur Devis, 1712–1787
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. West Gate of Pevensey Castle, Sussex

Creator:: John Hamilton Mortimer, 1740–1779
Date:: between 1773 and 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 27 7/8 x 35 3/4 inches (70.8 x 90.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

26. Classical Landscape: Evening

Creator:: John Wootton, 1682–1764
Date:: between 1740 and 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 43 inches (109.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

Creator:: Thomas Stringer, 1722–1790
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Revellers on a Coach

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: between 1785 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 24 3/8 inches (42.2 x 61.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Mrs. Abington as Miss Prue in "Love for Love" by William Congreve

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/4 × 25 1/8 inches (76.8 × 63.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1782
Materials & Techniques:: Oil on canvas
Dimensions:: 93 x 56 inches (236.2 x 142.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Brown Horse in a Hilly Landscape

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Gulliver Addressing the Houyhnhnms

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1769
Materials & Techniques:: Oil on canvas
Dimensions:: 41 x 55 inches (104.1 x 139.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Royal Yacht Becalmed at Anchor

Creator:: Peter Monamy, 1681–1749
Date:: between 1710 and 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 45 1/2 inches (76.5 x 115.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Winter Landscape

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/2 x 35 1/2 inches (69.9 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. The Duke of Rutland's Bonny Black

Creator:: John Wootton, 1682–1764
Date:: ca. 1715
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 48 1/2 inches (76.2 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Sarah Campbell

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1777 to 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/4 x 40 inches (127.6 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. Italian Landscape (Morning)

Creator:: Richard Wilson, 1713/4–1782
Date:: between 1760 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 27 5/8 x 37 1/4 inches (70.2 x 94.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. Portrait of a Gentleman

Creator:: Thomas Bardwell, 1704–1767
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 19 5/8 × 13 5/8 inches (49.8 × 34.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

39. Study of a Clouded Moonlit Sky

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 99, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Poems of Thomas Gray, Design 93, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 95, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Air; Plate 6

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. I Want! I Want!; Plate 11

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Help! Help!; Plate 12

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Roslin Castle, Midlothian

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Gouache on medium laid paper, mounted on board
Dimensions:: Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The River Avon: with Passing Vessels

Creator:: Nicholas Pocock, 1740–1821
Date:: 1785
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Ranger, Private Ship of War, with her Prizes

Creator:: Nicholas Pocock, 1740–1821
Date:: 1780
Materials & Techniques:: Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:: Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Kirkstall Abbey from the N.W.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Near Ambleside

Creator:: Francis Towne, 1740–1816
Date:: 1786
Materials & Techniques:: Watercolor and brown and gray ink with gum on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 9 1/8 inches (15.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Rievaulx Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Modern Bridge at Narni

Creator:: Francis Towne, 1740–1816
Date:: 1795
Materials & Techniques:: Watercolor and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 3/4 inches (21 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills

Creator:: Paul Sandby, 1731–1809
Date:: 1794
Materials & Techniques:: Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:: Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1770
Materials & Techniques:: Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

78. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Country Lane with Gypsies Resting

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1760 and 1765
Materials & Techniques:: Watercolor and gouache over graphite and black chalk; verso: graphite on moderately thick, moderately textured, cream prepared wove paper
Dimensions:: Sheet: 11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Landscape and Cattle

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Watercolor over traces of graphite on medium, slightly textured, cream wove paper laid down on old mount with black ruled lines, in turn laid on card
Dimensions:: Sheet: 11 1/4 x 14 5/8 inches (28.6 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cattle Watering by a Stream

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A General View of the City of Dantzick

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Craig yr Aderyn, near Llanfihangel-y-Pennant

Creator:: Francis Towne, 1740–1816
Date:: 1777
Materials & Techniques:: Watercolor and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Turver's Farm, Wimbish, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Warkworth Castle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Ullswater, Looking toward Patterdale

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Northern Boundary of St. Bride's Bay

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Bay Scene in Moonlight

Creator:: John Warwick Smith, 1749–1831
Date:: 1787
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19 7/8 inches (34 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of Tivoli Looking Towards Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Approach to Belle Grange Park

Creator:: John Warwick Smith, 1749–1831
Date:: 1789
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 20 1/4 inches (34.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Denbigh Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Kingswear Seen from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Pevensey Castle, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

Subject Terms sky

Search Results

1. Turf, with Jockey up, at Newmarket

2. A Church in the Trees

3. The Countess of Coningsby in the Costume of the Charlton Hunt

4. Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course

5. Pumpkin with a Stable-lad

6. Foxhound

7. Bulls Fighting

8. Limekiln at Coalbrookdale

9. Castel Sant'Angelo, Rome

10. Captain Vincenzo Lunardi with his Assistant George Biggin, and Mrs. Letitia Anne Sage, in a Balloon

11. Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland

12. Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland

13. Lake Albano

14. Winter Landscape with Figures

15. Anne Seymour Damer

16. Landscape, with Dover Castle in the Distance

17. A Distant View of Hythe Village and Church, Kent

18. Windsor Castle Seen from the Thames

19. Mausoleum with Stone Elephants

20. Haycart Passing a Ruined Abbey

21. Rievaulx Abbey

22. Classical Landscape: Morning

23. The Death of the Hare

24. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

25. West Gate of Pevensey Castle, Sussex

26. Classical Landscape: Evening

27. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

28. Revellers on a Coach

29. Mrs. Abington as Miss Prue in "Love for Love" by William Congreve

30. Charles Stanhope, third Earl of Harrington and Marcus Richard Fitzroy Thomas

31. Brown Horse in a Hilly Landscape

32. Gulliver Addressing the Houyhnhnms

33. Royal Yacht Becalmed at Anchor

34. Winter Landscape

35. The Duke of Rutland's Bonny Black

36. Sarah Campbell

37. Italian Landscape (Morning)

38. Portrait of a Gentleman

39. Study of a Clouded Moonlit Sky

40. A Procession of the Damned: Study for the Damned in Dante's "Inferno"

41. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

42. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

43. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

44. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

45. The Poems of Thomas Gray, Design 65, "The Bard."

46. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

47. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

48. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

49. The Poems of Thomas Gray, Design 99, "Ode for Music."

50. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

51. The Poems of Thomas Gray, Design 101, "Ode for Music."

52. The Poems of Thomas Gray, Design 93, "Ode for Music."

53. The Poems of Thomas Gray, Design 95, "Ode for Music."

54. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

55. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

56. Air; Plate 6

57. I Want! I Want!; Plate 11

58. Help! Help!; Plate 12

59. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

60. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

61. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

62. Roslin Castle, Midlothian

63. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

64. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

65. The River Avon: with Passing Vessels

66. The Ranger, Private Ship of War, with her Prizes

67. Nîmes from the Tour Magne

68. Rochester, Kent: from the North

69. Kirkstall Abbey from the N.W.

70. Tynemouth Priory, Northumberland

71. Near Ambleside

72. Rievaulx Abbey, Yorkshire

73. Country House

74. The New Walk, York