Period: 18th century / Subject Terms: sunrise - YCBA Collections Search Search Results

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Period 18th century

Subject Terms sunrise

1. A View of the Tiber with Rome in the Distance

A View of the Tiber with Rome in the Distance

Creator:: Richard Wilson, 1713/4–1782
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 38 3/4 x 53 3/4 inches (98.4 x 136.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Italian Landscape (Morning)

Italian Landscape (Morning)

Creator:: Richard Wilson, 1713/4–1782
Date:: between 1760 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 27 5/8 x 37 1/4 inches (70.2 x 94.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A View of Several Palaces at Naples at Sun Rise

A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Morning

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection