The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens
803
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
804
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
805
John Boydell, 1720–1804
St. Clement Danes
1751
806
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
807
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
808
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
809
Thomas Bowles III, ca. 1712–1767
The Inside View of the Rotunda in Renelagh Gardens with the Company at Breakfast
810
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
811
John S. Muller, ca. 1715–1792
A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens
812
Pierre Charles Canot, ca. 1710–1777
A View from one Tree-Hill in Greenwich Park
813
Thomas Bowles III, ca. 1712–1767
The Inside of Westminster Abby
814
Thomas Bowles III, ca. 1712–1767
Ranelagh House & Gardens with the Rotunda at the Time of the Jubilee Ball
815
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
816
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
817
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
818
Thomas Bowles III, ca. 1712–1767
A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
819
unknown artist
A Perspective View of Vauxhall Gardens
undated
820
Isaac Johnson, 1754–1835
A Map of Redenhall Farm or Clyntegate Farm
undated
821
Isaac Johnson, 1754–1835
A Map of the Farm in Mr. Briten's Use
undated
822
Isaac Johnson, 1754–1835
A Map of the Land in Needham
undated
823
Isaac Johnson, 1754–1835
A Map of Hardwick-Hall Farm
undated
824
Isaac Johnson, 1754–1835
A Map of the Land in Starson
undated
825
Isaac Johnson, 1754–1835
A Map of Pulham Farm
undated
826
Isaac Johnson, 1754–1835
Earlham Park, Norfolk
undated
827
Isaac Johnson, 1754–1835
Earlham House, Norfolk
undated
828
Isaac Johnson, 1754–1835
Earlham, Norfolk
undated
829
Isaac Johnson, 1754–1835
Shelton Hall Lands
undated
830
Isaac Johnson, 1754–1835
Earlham House, Norfolk
undated
831
Isaac Johnson, 1754–1835
Earlham House, Elevation Plan with Dimensions
undated
832
Isaac Johnson, 1754–1835
Earlham House, Front Elevation and Footprint
undated
833
Isaac Johnson, 1754–1835
A Plan of the Mansion-house and Paddock of Edward Bacon
undated
834
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
835
Bernard Lens III, 1682–1740
The Entrance to Wookey Hole, Somerset
ca. 1719
836
Charles Reuben Ryley, 1752–1798
A London Riot
undated
837
Print made by Benjamin Green, ca. 1736–ca. 1800
Oxford Physic Garden
1766
838
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794 (Version A)
1794
839
Thomas Rowlandson, 1756–1827
Review of Light Horse Volunteers on Wimbledon Common
1798
840
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
841
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
842
unknown artist
A view of the inside of Westminster Hall
ca. 1700
843
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
844
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
845
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
846
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
847
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
848
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
849
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
850
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
851
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
852
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
853
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
854
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
855
Samuel Ireland, 1744–1800
Westminster Hall
1800
856
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
857
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
858
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
859
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
860
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
861
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
862
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
863
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
864
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
865
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
866
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
867
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
868
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
869
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
870
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
871
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
872
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
873
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
874
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
875
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
876
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
877
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
878
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
879
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
880
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
881
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
882
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
883
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
884
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
885
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
886
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
887
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
888
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
889
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
890
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
891
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
892
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
893
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
894
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
895
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard