Period: 18th century - YCBA Collections Search Search Results

Pierre Charles Canot, ca. 1710–1777

Burton Constable; page 53 (Volume One)

William Watts, 1752–1851

Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)

1780

unknown artist

Lord Cathcart's House, Whitehall; page 58 (Volume One)

William Angus, 1752–1821

Chester Castle; page 63 (Volume One)

1777

unknown artist

Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)

A. Birrell, ca.1770–ca. 1820

Baynard's Castle (published by Harding); page 28 (Volume One)

1790

unknown artist

Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)

unknown artist

The Hall of Croydon Palace; page 82 (Volume One)

Michael "Angelo" Rooker Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

Michael "Angelo" Rooker, 1746–1801

Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

1777

William Angus, 1752–1821

Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)

1787

unknown artist

The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)

Peter Mazell, active 1761–1797

Rows in Bridge Street, Chester; page 64 (Volume One)

George Barret, ca. 1728/32–1784

Christ Church-College, Oxford; page 68 (Volume One)

unknown artist

Chirk Castle, Denbighshire; page 67 (Volume One)

unknown artist

Craig Hall, Perthshire; page 78 (Volume One)

unknown artist

Residence of Dr. Goldsmith, Green Arbour Court, Old Bailey (with text); page 11 (Volume Two)

Peter Mazell, active 1761–1797

The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)

1789

unknown artist

Biebrich; page 33 (Volume One)

unknown artist

Downing; page 88 (Volume One)

Peter Mazell, active 1761–1797

Dupplin House; page 94 (Volume One)

unknown artist

The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)

1789

Michael "Angelo" Rooker Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)

Michael "Angelo" Rooker, 1746–1801

Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)

1775

unknown artist

Halston; page 22 (Volume Two)

unknown artist

Robin Hood and Clarinda hunting deer in a wooded landscape

undated

Robert Dighton, 1752–1814

A Lesson Westward, or, A Morning Visit to Betsy Cole

1782

Robert Dighton, 1752–1814

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

John Downman, 1750–1824

Mrs. Ives of Catton

1780

Isaac Weld, 1774–1856

View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

between 1795 and 1797

Isaac Weld, 1774–1856

Canadian Calash or Marche-Donc

between 1795 and 1797

Isaac Weld, 1774–1856

View of the Falls of Niagara

between 1795 and 1797

Isaac Weld, 1774–1856

View of Niagara Falls with Two Figures on Rock in Right Foreground

between 1795 and 1797

Isaac Weld, 1774–1856

View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground

between 1795 and 1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Joseph Wright of Derby, 1734–1797

Landscape with Ruins

undated

Thomas Vivares, c.1735–c.1790

View from Nature

unknown artist

Gloucester Cathedral

ca. 1795