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10501. Plundering the Tower

Plundering the Tower
Creator:
Print made by unknown artist
Date:
1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10502. Welladay! Is This my Son Tom!

Welladay! Is This my Son Tom!
Creator:
Print made by unknown artist
Date:
1773
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 3/8 inches (44.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10503. Ha! Ha! Hah! - I've Got the Chink!

Ha! Ha! Hah! - I've Got the Chink!
Creator:
Print made by unknown artist
Date:
between 1770 and 1780
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10504. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

Five Designs for a House in the Gothic Style: Plan of the Chamber Story
Creator:
James Wyatt, 1746–1813
Date:
1791
Materials & Techniques:
Pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 23 3/8 inches (45.1 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10505. The Modern Beau in Distress

The Modern Beau in Distress
Creator:
Print made by unknown artist
Date:
between 1770 and 1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 10 7/8 inches (37.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10506. Boy and a Parrot

Boy and a Parrot
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 9 1/2 inches (28.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10507. A True Town Picture; or an Old Hag of Drury Presenting a Chicken to his Lordship

A True Town Picture; or an Old Hag of Drury Presenting a Chicken to his Lordship
Creator:
Print made by unknown artist
Date:
1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 1/4 inches (44.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10508. Sal Dab giving Monsieur a Receipt in Full

Sal Dab giving Monsieur a Receipt in Full
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10509. Damon and Pastora

Damon and Pastora
Creator:
Print made by unknown artist
Date:
1786
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10510. The Tenant's Daughter

The Tenant's Daughter
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10511. The Fair Penitent

The Fair Penitent
Creator:
Print made by unknown artist
Date:
1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10512. The Moralist

The Moralist
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10513. Heyday! Is This My Daughter Anne!

Heyday! Is This My Daughter Anne!
Creator:
Print made by Francis E. Adams, active ca.1760–1775
Date:
1773
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10514. The Contented Dutchmen

The Contented Dutchmen
Creator:
Print made by Richard Brookshaw, 1736–1804
Date:
1770
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 11/16 inches (24.9 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10515. Making a Cast at a Fault

Making a Cast at a Fault
Creator:
Print made by Thomas Burford, ca. 1710–after 1774
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10516. Constantia

Constantia
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10517. A Flower Piece

A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 9 3/8 inches (34.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10518. Eloisa

Eloisa
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10519. Emma, or the Child of Sorrow

Emma, or the Child of Sorrow
Creator:
Print made by Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10520. The Philosopher in Contemplation

The Philosopher in Contemplation
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
undated
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10521. Morning

Morning
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10522. Seeing

Seeing
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1753
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 10 11/16 inches (37.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10523. Evening

Evening
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10524. Noon

Noon
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10525. High Life Below Stairs

High Life Below Stairs
Creator:
Print made by William Humphrey, 1745–1810
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/16 inches (39.4 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10526. Girl and Pigeons

Girl and Pigeons
Creator:
Print made by Henry Kingsbury, active 1750–1780
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/16 inches (40.6 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10527. The Italian Bird Catcher

The Italian Bird Catcher
Creator:
Print made by Johnson, active 1766
Date:
1766
Materials & Techniques:
Mezzotint on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 11 1/4 inches (44.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10528. A View of Boxhill from Norbury Park, Surrey

A View of Boxhill from Norbury Park, Surrey
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1775
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10529. Political Caricature: "The Spiritualists"

Political Caricature: "The Spiritualists"
Creator:
Anthony Walker, 1726–1765
Date:
undated
Materials & Techniques:
Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10530. Man Standing

Man Standing
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 x 7 5/16in. (22.5 x 18.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10531. Two Sketches of Woman

Two Sketches of Woman
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/8in. (26 x 18.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10532. Two Figures

Two Figures
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 4 3/8 inches (19 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10533. Two Swimmers

Two Swimmers
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 8 inches (21 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10534. Woman in Long Dress

Woman in Long Dress
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 11/16 × 7 inches (19.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10535. Adult and Child

Adult and Child
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 × 7 15/16 inches (28.5 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10536. Woman Surrounded by Children

Woman Surrounded by Children
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 15/16 × 7 1/4 inches (22.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10537. Figure

Figure
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 13/16 × 5 3/8 inches (19.8 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10538. Woman and Infant

Woman and Infant
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 8 1/16 inches (23.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10539. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10540. The Presentation in the Temple

The Presentation in the Temple
Creator:
Richard Earlom, 1743–1822
Date:
1771
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 21 1/16 x 15 9/16in. (53.5 x 39.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10541. Due Filosofi

Due Filosofi
Creator:
Arthur Pond, ca. 1705–1758
Materials & Techniques:
Etching
Dimensions:
Plate: 9 3/4 x 8 1/4in. (24.8 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10542. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10543. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10544. Position pour la Garde en Tierce

Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10545. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10546. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10547. Position de la Garde en Quarte, et le Coup de Quarte Basse

Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10548. Premiere Position du Salut

Premiere Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10549. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10550. Entrance to the House of Lords, with the Office of Ordinance; House of Commons

Entrance to the House of Lords, with the Office of Ordinance; House of Commons
Creator:
T. Simpson, active 1763–1768
Dimensions:
Sheet: 4 x 6 1/16in. (10.2 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

10551. Cinquieme Position du Salut

Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10552. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10553. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10554. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10555. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10556. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10557. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10558. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10559. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10560. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10561. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10562. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10563. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10564. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10565. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10566. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10567. Du Desarmement sur le Coup de Tierce

Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10568. Position Aprés Avoir Désarmé sur le Coup de Tierce

Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10569. Position de la Garde Italienne de L'Epée & Poignard

Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10570. Position Aprés Avoir Desarmé sur le Coup de Quarte

Position Aprés Avoir Desarmé sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10571. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10572. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10573. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10574. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10575. Twelve Illustrations of Robinson Crusoe

Twelve Illustrations of Robinson Crusoe
Creator:
Carington Bowles, 1724–1793
Date:
1783
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10576. Untitled

Untitled
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10577. A View in the Villa Madama, near Rome, called II Teatro

A View in the Villa Madama, near Rome, called II Teatro
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10578. A Prospect of that Beautiful Cascade below Matlock Bath

A Prospect of that Beautiful Cascade below Matlock Bath
Creator:
Francois Vivares, 1709–1780
Date:
1743
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10579. Untitled

Untitled
Creator:
John Taylor, 1739–1838
Date:
1775
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10580. The Forest

The Forest
Creator:
John Browne Walworth, active 1800
Date:
1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10581. La Retour du Marche

La Retour du Marche
Creator:
Robert Strange, 1721–1792
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10582. The Death of Arcite

The Death of Arcite
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10583. Untitled

Untitled
Creator:
John Brown, 1749–1787
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10584. Mercury and Battus

Mercury and Battus
Creator:
James Peak, 1703–1782
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10585. Jacques discovered by the Duke

Jacques discovered by the Duke
Creator:
John Chapman, active ca. 1792–1823
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10586. Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10587. Falstaff reproved by King Henry

Falstaff reproved by King Henry
Creator:
unknown artist
Date:
1792
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10588. Black-George

Black-George
Creator:
John Chapman, active ca. 1792–1823
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10589. Celadon and Amelia

Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

10590. A View from Durdham-Down near Bristol looking down the Avon

A View from Durdham-Down near Bristol looking down the Avon
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

10591. Caricature of Three Men at a Table

Caricature of Three Men at a Table
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 2 1/8 x 3 3/8 inches (5.4 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John A. Gee, from the Estate of Chauncey B. Tinker

10592. 'Baronet'

'Baronet'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
stipple engraving
Dimensions:
Sheet: 15 7/8 x 19 3/4in. (40.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10593. Goldsmith's "Deserted Village"

Goldsmith's "Deserted Village"
Creator:
Anker Smith, 1759–1819
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10594. Goldsmith's "Deserted Village"

Goldsmith's "Deserted Village"
Creator:
Anker Smith, 1759–1819
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10595. 'Dungannon'

'Dungannon'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Stipple with etching, first state
Dimensions:
Sheet: 15 7/8 x 21 1/8in. (40.3 x 53.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10596. 'Baronet'

'Baronet'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Hand colored stipple with etching, second state
Dimensions:
Sheet: 15 13/16 x 19 3/4in. (40.1 x 50.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10597. 'Mambrino'

'Mambrino'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Stipple, second state
Dimensions:
Sheet: 16 1/4 x 20 1/16in. (41.2 x 51cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10598. Sharke

Sharke
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Stipple with etching first state
Dimensions:
Sheet: 16 1/4 x 20in. (41.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10599. 'Protector'

'Protector'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Stipple with etching, first state
Dimensions:
Sheet: 15 3/4 x 19 5/8in. (40 x 49.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10600. 'Sweetbrier'

'Sweetbrier'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Hand colored stipple engraving
Dimensions:
Sheet: 15 7/8 x 19 3/4in. (40.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection