Period: 18th century - YCBA Collections Search Search Results

1001. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1002. Benjamin Read

Creator:: William Hogarth, 1697–1764
Date:: ca. 1757
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1003. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1004. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1005. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1006. Study for the Foundlings

Creator:: William Hogarth, 1697–1764
Date:: ca. 1739
Materials & Techniques:: Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1007. View of Ely Cathedral

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1008. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1792–1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1009. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1010. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

1011. A Three Storied Georgian House in a Park

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 10 7/8 inches (11.1 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1012. South Porch and Tower of an Unidentified Church

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1790 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 5 inches (20.6 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1013. The Bridge over the River Rye at Helmsley, with the Castle Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1014. Villa in a Valley near Vietri sul Mare

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1015. Villa Salviati on the Arno

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1016. Sir William Hamilton's Villa

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper
Dimensions:: Sheet: 6 3/4 x 9 1/4 inches (17.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1017. Santa Lucia, A Convent near Caserta

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8in. (15.2 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1018. A River View near Grindelwald, Looking towards the Wetterhorn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794–7
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1019. From the Isola Borromena, Lago Maggiore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1020. Landscape with Waterfall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/8 inches (27.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1021. Landscape with Trees and Figures

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 12 3/4 x 16 5/8 inches (32.4 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1022. Dent de Lion, near Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1023. Villa d'Este

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1024. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1025. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1026. Autumn Sowing of the Grain

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1027. Newark-upon-Trent

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1028. The Hurries: Coal Boats Loading, Whitehaven

Creator:: attributed to Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1029. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1030. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1031. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1032. Tivoli with the Temple of the Sybil and the Cascades

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794–97
Materials & Techniques:: Watercolor, graphite, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1033. The Angler

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1034. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1035. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1036. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1037. Simon, Lord Lovat

Creator:: after William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1038. Album Collection of Sixty-six Engravings after William Hogarth

Creator:: after William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Dimensions:: Sheet: 27 1/8in. (68.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1039. False Perspective Exemplified

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1040. Tail Piece, or the Bathos

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1041. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1042. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1043. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1044. Crowns, Mitres, Maces, Etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

1045. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

1046. A Rake's Progress, Plate 8

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 15 1/8 inches (31.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

1047. The Invasion, Plate 2: England

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 5/8 × 15 1/4 inches (32.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1048. The Invasion, Plate 1: France

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/4 × 15 3/8 inches (32.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1049. A Harlot's Progress, Plate 1

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 5/8 × 15 1/2 inches (32.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1050. A Harlot's Progress, Plate 2

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 14 7/8 inches (31.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1051. A Harlot's Progress, Plate 3

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/4 × 14 7/8 inches (32.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1052. A Harlot's Progress, Plate 4

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 15 1/4 inches (31.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1053. A Harlot's Progress, Plate 5

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/4 × 15 1/4 inches (32.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1054. A Harlot's Progress, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 1/2 × 15 1/4 inches (31.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1055. Emerald Vessel

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1723
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 4 3/4 × 15 1/2 inches (12.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1056. Four Heads from the Raphael Cartoons at Hampton Court

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1781
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 8 1/2 × 14 inches (21.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1057. Paul Before Felix

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1058. Paul Before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching with line engraving and mezzotint
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1059. The Stage-Coach, or the Country Inn Yard

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1060. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1061. Before

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1062. After

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1063. Frontispiece: A Seated Roman General on a Camp Stool

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1064. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1065. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1066. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1067. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1068. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1069. Banishment

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1070. Freemen Degraded and Sold into Slavery

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1071. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1072. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1073. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1074. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1075. Degrading Punishments

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

1076. The Angel (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1077. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1078. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1079. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1080. The Book of Thel, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1081. II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1082. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1083. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1084. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1085. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1086. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1087. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1088. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1089. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1090. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1091. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1092. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1093. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1094. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1095. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1096. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1097. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1098. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1099. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1100. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Period 18th century

Search Results

1001. Study of a Female Nude

1002. Benjamin Read

1003. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

1004. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

1005. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

1006. Study for the Foundlings

1007. View of Ely Cathedral

1008. Christ Church Gate, Canterbury

1009. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

1010. Landscape with Barn

1011. A Three Storied Georgian House in a Park

1012. South Porch and Tower of an Unidentified Church

1013. The Bridge over the River Rye at Helmsley, with the Castle Beyond

1014. Villa in a Valley near Vietri sul Mare

1015. Villa Salviati on the Arno

1016. Sir William Hamilton's Villa

1017. Santa Lucia, A Convent near Caserta

1018. A River View near Grindelwald, Looking towards the Wetterhorn

1019. From the Isola Borromena, Lago Maggiore

1020. Landscape with Waterfall

1021. Landscape with Trees and Figures

1022. Dent de Lion, near Margate

1023. Villa d'Este

1024. Fisherman's Cottage, Dover

1025. Man with Horse and Cart Entering a Quarry

1026. Autumn Sowing of the Grain

1027. Newark-upon-Trent

1028. The Hurries: Coal Boats Loading, Whitehaven

1029. St. Augustine's Gate, Canterbury

1030. St. Augustine's Gate, Canterbury

1031. Interior of St. John's Palace, Eltham

1032. Tivoli with the Temple of the Sybil and the Cascades

1033. The Angler

1034. North East View of Grantham Church, Lincolnshire

1035. Windsor

1036. A Great Tree

1037. Simon, Lord Lovat

1038. Album Collection of Sixty-six Engravings after William Hogarth

1039. False Perspective Exemplified

1040. Tail Piece, or the Bathos

1041. Issued Barley Instead of Wheat

1042. Cutting off the Nose

1043. Issued Barley Instead of Wheat

1044. Crowns, Mitres, Maces, Etc.

1045. Hanging by the Thumbs

1046. A Rake's Progress, Plate 8

1047. The Invasion, Plate 2: England

1048. The Invasion, Plate 1: France

1049. A Harlot's Progress, Plate 1

1050. A Harlot's Progress, Plate 2

1051. A Harlot's Progress, Plate 3

1052. A Harlot's Progress, Plate 4

1053. A Harlot's Progress, Plate 5

1054. A Harlot's Progress, Plate 6

1055. Emerald Vessel

1056. Four Heads from the Raphael Cartoons at Hampton Court

1057. Paul Before Felix

1058. Paul Before Felix Burlesqued

1059. The Stage-Coach, or the Country Inn Yard

1060. A Midnight Modern Conversation

1061. Before

1062. After

1063. Frontispiece: A Seated Roman General on a Camp Stool

1064. Fustigatio

1065. Decimation

1066. Beheading

1067. Dismemberment, etc.

1068. Crucifixion, etc.

1069. Banishment

1070. Freemen Degraded and Sold into Slavery

1071. Breaking the Legs

1072. Fustium Admonitio

1073. Taking Away the Military Belt or Girdle

1074. Shameful Discharge

1075. Degrading Punishments