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Period 18th century

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William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
William Hogarth Benjamin Read
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
ca. 1792–1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Landscape with Barn
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner South Porch and Tower of an Unidentified Church
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner A River View near Grindelwald, Looking towards the Wetterhorn
Joseph Mallord William Turner, 1775–1851
A River View near Grindelwald, Looking towards the Wetterhorn
ca. 1794–7
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Landscape with Waterfall
Joseph Mallord William Turner, 1775–1851
Landscape with Waterfall
ca. 1796
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Dent de Lion, near Margate
Joseph Mallord William Turner, 1775–1851
Dent de Lion, near Margate
ca. 1791
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Newark-upon-Trent
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1794
Joseph Mallord William Turner The Hurries: Coal Boats Loading, Whitehaven
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
ca. 1794–97
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Hogarth Simon, Lord Lovat
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
William Hogarth Album Collection of Sixty-six Engravings after William Hogarth
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
William Hogarth False Perspective Exemplified
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
William Hogarth Issued Barley Instead of Wheat
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
William Hogarth Cutting off the Nose
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
William Hogarth Issued Barley Instead of Wheat
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
William Hogarth Crowns, Mitres, Maces, Etc.
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
William Hogarth Hanging by the Thumbs
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
William Hogarth A Rake's Progress, Plate 8
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
William Hogarth The Invasion, Plate 2: England
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
William Hogarth The Invasion, Plate 1: France
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
William Hogarth A Harlot's Progress, Plate 1
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
William Hogarth A Harlot's Progress, Plate 2
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
William Hogarth A Harlot's Progress, Plate 3
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
William Hogarth A Harlot's Progress, Plate 4
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
William Hogarth A Harlot's Progress, Plate 5
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
William Hogarth A Harlot's Progress, Plate 6
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
William Hogarth Emerald Vessel
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
William Hogarth Four Heads from the Raphael Cartoons at Hampton Court
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
William Hogarth Paul Before Felix
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
William Hogarth The Stage-Coach, or the Country Inn Yard
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
William Hogarth A Midnight Modern Conversation
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
William Hogarth Before
Print made by William Hogarth, 1697–1764
Before
1736
William Hogarth After
Print made by William Hogarth, 1697–1764
After
1736
William Hogarth Frontispiece: A Seated Roman General on a Camp Stool
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
William Hogarth Fustigatio
Print made by William Hogarth, 1697–1764
Fustigatio
1725
William Hogarth Decimation
Print made by William Hogarth, 1697–1764
Decimation
1725
William Hogarth Beheading
Print made by William Hogarth, 1697–1764
Beheading
1725
William Hogarth Dismemberment, etc.
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
William Hogarth Crucifixion, etc.
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
William Hogarth Banishment
Print made by William Hogarth, 1697–1764
Banishment
1725
William Hogarth Freemen Degraded and Sold into Slavery
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
William Hogarth Breaking the Legs
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
William Hogarth Fustium Admonitio
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
William Hogarth Taking Away the Military Belt or Girdle
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
William Hogarth Shameful Discharge
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
William Hogarth Degrading Punishments
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake The Book of Thel, Title Page (Plate 2)
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797