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11601. Caricature of Baron Stosch and Marcantonio Sabbatini

Caricature of Baron Stosch and Marcantonio Sabbatini
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1739
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11602. Wanzey

Wanzey
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11603. Rack 1789

Rack 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11604. Caricature of Sir Thomas Dereham

Caricature of Sir Thomas Dereham
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1741
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11605. Caricature of Francesco Baglioni

Caricature of Francesco Baglioni
Creator:
Print made by Arthur Pond, ca. 1705–1758
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11606. Caricature of Dr. Robert Bragge

Caricature of Dr. Robert Bragge
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1735 and 1750
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11607. A Travelling Governour

A Travelling Governour
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1737
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11608. Rack 1789

Rack 1789
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11609. Polcinello Keeping School in a Barn (La Scuola di Pulcinella)

Polcinello Keeping School in a Barn (La Scuola di Pulcinella)
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11610. Caricature portrait

Caricature portrait
Creator:
Marcus Tuscher, 1705–1751
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11611. Caricature of William Conolly

Caricature of William Conolly
Creator:
Print made by Arthur Pond, ca. 1705–1758
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11612. Polcinello Invalided with Gout

Polcinello Invalided with Gout
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11613. Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11614. November

November
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1788
Materials & Techniques:
Stipple engraving and etching with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 x 13 5/16 inches (41.6 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11615. A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval)

A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval)
Creator:
Isaac Cruikshank, 1764–1811
Date:
ca. 1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 9/16 x 14 7/8in. (26.8 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11616. [One of a ] Set of 12 engravings

[One of a ] Set of 12 engravings
Creator:
unknown artist
Date:
ca. 1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 11 3/8in. (19.1 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11617. The Claudian Aquaduct, Rome

The Claudian Aquaduct, Rome
Creator:
Francis Towne, 1740–1816
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11618. Sir Nathaniel Bacon

Sir Nathaniel Bacon
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1793
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/8 x 9 5/8 inches (30.8 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11619. Sir Balthazar Gerbier

Sir Balthazar Gerbier
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11620. A Flower Piece

A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 9 7/16 inches (34.1 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11621. John Greenhill

John Greenhill
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
1762
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11622. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
Creator:
William Pether, ca. 1738–1821
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11623. The Housewife's Employment

The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11624. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1769 and 1787
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11625. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11626. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11627. Dr. John Fothergill

Dr. John Fothergill
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11628. For Japanning, Plate 3

For Japanning, Plate 3
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 × 11 3/16 inches (20.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11629. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11630. For Japanning, Plate 4

For Japanning, Plate 4
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11631. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

11632. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11633. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11634. For Japanning, Plate 6

For Japanning, Plate 6
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11635. For Japanning, Plate 2

For Japanning, Plate 2
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 13/16 × 10 13/16 inches (17.3 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11636. For Japanning, Plate 5

For Japanning, Plate 5
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 10 9/16 inches (17.7 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11637. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

11638. The Ascent of Vesuvius

The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11639. View of Arundel, Sussex

View of Arundel, Sussex
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1720
Materials & Techniques:
Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11640. Bust of a Woman Looking upwards to left

Bust of a Woman Looking upwards to left
Creator:
Bernard Lens III, 1682–1740
Date:
1703
Materials & Techniques:
Red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11641. The Entrance to Wookey Hole, Somerset

The Entrance to Wookey Hole, Somerset
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1719
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11642. Studies of Human Head with Canine Features

Studies of Human Head with Canine Features
Creator:
Peter Paul Lens, 1714–1750
Date:
1728
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11643. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11644. Sketchbook of Portrait Studies

Sketchbook of Portrait Studies
Creator:
Thomas Patch, 1725–1782
Date:
1760s
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:
Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11645. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Creator:
Print made by workshop of Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11646. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
Creator:
Print made by Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11647. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
Creator:
Print made by Adam Ludwig Wirsing, 1733–1797
Date:
1768
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11648. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11649. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Creator:
Print made by James Caldwall, 1739–1819
Date:
1800
Materials & Techniques:
Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11650. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
1800
Materials & Techniques:
Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11651. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11652. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11653. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

11654. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome
Creator:
Sir William Chambers, 1723–1796
Date:
between 1750 and 1755
Materials & Techniques:
Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11655. Studies of Two Women's Heads

Studies of Two Women's Heads
Creator:
John Russell, 1745–1806
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 11 3/8 x 13 3/4 inches (28.9 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11656. A Monument (male bust with military emblems)

A Monument (male bust with military emblems)
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2in. (36.8 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11657. A Drawing of a Part for the Map of the Moon

A Drawing of a Part for the Map of the Moon
Creator:
John Russell, 1745–1806
Date:
1794
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 6 1/8 inches (20.3 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11658. Study of a Horse's Head

Study of a Horse's Head
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Black ink, gray and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11659. Admiral Vernon's Monument in Westminster Abbey

Admiral Vernon's Monument in Westminster Abbey
Creator:
John Michael Rysbrack, 1694–1770
Date:
ca. 1763
Materials & Techniques:
Pen and brown ink, black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper mounted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 11/16 x 6 13/16in. (29.7 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11660. Italian sketchbook

Italian sketchbook
Creator:
Richard Wilson, ca. 1712–1782
Date:
1754
Materials & Techniques:
Graphite with white chalk and black chalk on medium, rough, gray wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11661. An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper mounted thin, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11662. Sweet China Oranges, Sweet China!

Sweet China Oranges, Sweet China!
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11663. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
between 1667 and 1723
Materials & Techniques:
Mezzotint with hand-coloring in watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:
Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

11664. New Mackrel

New Mackrel
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 3/8 inches (43.8 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11665. Do you want any Matches?

Do you want any Matches?
Creator:
Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 3/8 inches (43.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11666. Knives, Sissors and Razors to Grind

Knives, Sissors and Razors to Grind
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 1/2 inches (42.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11667. Milk Below Maids

Milk Below Maids
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 1/2 inches (43.2 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11668. Round and Sound Five Pence a Pund Duke Cherry's

Round and Sound Five Pence a Pund Duke Cherry's
Creator:
Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 3/8 inches (42.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11669. Old Chair to Mend

Old Chair to Mend
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 3/4 inches (43.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11670. Two bunches a penny Primroses, two bunches a penny

Two bunches a penny Primroses, two bunches a penny
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11671. Fresh gathered Peas. Young Hastings

Fresh gathered Peas. Young Hastings
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11672. Strawberries's Scarlet Strawberries

Strawberries's Scarlet Strawberries
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 5/8 inches (43.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11673. Turnips and Carrots

Turnips and Carrots
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11674. A New Love Song only Ha' Penny a Piece

A New Love Song only Ha' Penny a Piece
Creator:
Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11675. A London Riot

A London Riot
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11676. Portrait of a Man

Portrait of a Man
Creator:
Archibald Rutherford, 1743–1779
Date:
1774
Materials & Techniques:
Pen and black ink, pen and gray ink, brown wash, gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11677. Hot Spice Gingerbread, Smoking Hot

Hot Spice Gingerbread, Smoking Hot
Creator:
Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11678. Oxford Physic Garden

Oxford Physic Garden
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1766
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

11679. Mrs. Musters

Mrs. Musters
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 24 1/2 × 15 1/16 inches (62.2 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11680. Mrs. Wright of New York, the Remarkable Modeller in Wax

Mrs. Wright of New York, the Remarkable Modeller in Wax
Creator:
Print made by unknown artist
Date:
after 1775
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/4 x 4 3/4 inches (19.7 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Nancy Stiner

11681. A Lady and Her Children Relieving a Cottager

A Lady and Her Children Relieving a Cottager
Creator:
Engraved by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 21 3/4 inches (44 × 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11682. Mrs. Payne Galwey and Her son Charles

Mrs. Payne Galwey and Her son Charles
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
ca. 1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 13/16 × 11 inches (35.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11683. A Lady at Haymaking

A Lady at Haymaking
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11684. Love in Her Eyes Sits Playing

Love in Her Eyes Sits Playing
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 17 15/16 inches (41 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11685. A Man-Trap

A Man-Trap
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
c.1780
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11686. Proverbs, Chapter VII, verses 7, 10, 13

Proverbs, Chapter VII, verses 7, 10, 13
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11687. Like Mistress, Like Maid

Like Mistress, Like Maid
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11688. The Promenade at Carlisle House

The Promenade at Carlisle House
Creator:
John Raphael Smith, 1752–1812
Date:
1781
Materials & Techniques:
Mezzotint, proof on wove paper
Dimensions:
Plate: 12 3/4 x 15 3/8in. (32.4 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11689. George the Third King of Great Britain &c &c &c

George the Third King of Great Britain &c &c &c
Creator:
Print made by William Woollett, 1735–1785
Date:
1763-1764
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

11690. Credulous Lady and Astrologer

Credulous Lady and Astrologer
Creator:
Peter Simon, 1750–1810
Date:
1786
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 18 1/4 × 15 inches (46.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11691. A Lecture on Gadding

A Lecture on Gadding
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 15 1/16 inches (46.9 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11692. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11693. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11694. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11695. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11696. Review of Light Horse Volunteers on Wimbledon Common

Review of Light Horse Volunteers on Wimbledon Common
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11697. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11698. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11699. A Pastoral Scene with Donkey

A Pastoral Scene with Donkey
Creator:
Victor Marie Picot, 1744–1805
Date:
1777
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 17 inches (54.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11700. Geshe el Aube

Geshe el Aube
Creator:
James Heath, 1757–1834
Date:
ca. 1789
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection