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11801. Plate XII: St Stephen's Chapel

Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11802. Capparis tomentosa Lam. (Caper): finished drawing of flowering and fruiting shoot

Capparis tomentosa Lam. (Caper): finished drawing of flowering and fruiting shoot
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11803. Jasminum abyssinicum DC. (Ethiopian Jasmine): finished drawing

Jasminum abyssinicum DC. (Ethiopian Jasmine): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11804. Desmodium (ticktrefoil): finished drawing

Desmodium (ticktrefoil): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11805. Forty-one Botanical Drawings with Notes in Three Dark Green cloth Volumes

Forty-one Botanical Drawings with Notes in Three Dark Green cloth Volumes
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11806. Cyperus species 2: finished drawing of flowering plant and root

Cyperus species 2: finished drawing of flowering plant and root
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11807. Canna bidentata Bertol. (Canna Lily; Indian Shot Plant): finished drawing

Canna bidentata Bertol. (Canna Lily; Indian Shot Plant): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11808. Cyperus species 1: finished drawing of sedge-like plant with roots

Cyperus species 1: finished drawing of sedge-like plant with roots
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11809. ?Chloris (Rhodes Grass): finished drawing of flowering grass

?Chloris (Rhodes Grass): finished drawing of flowering grass
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11810. The Wife's Fortune Told

The Wife's Fortune Told
Creator:
Print made by unknown artist
Date:
ca. 1768
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11811. Scadoxus puniceus (L.) Friss&Nordal (Blood Lily): finished drawing with some detail

Scadoxus puniceus (L.) Friss&Nordal (Blood Lily): finished drawing with some detail
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11812. Mariscus cyperoides (L.) O. Kuntze (Sedge): finished drawing of inflorescence

Mariscus cyperoides (L.) O. Kuntze (Sedge): finished drawing of inflorescence
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11813. The Bruce Archive

The Bruce Archive
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11814. Impatiens rothii Hook. f. (Balsam): finished drawing of flowering plant

Impatiens rothii Hook. f. (Balsam): finished drawing of flowering plant
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11815. Dregea abyssinica (Hochst) K. : finished drawing

Dregea abyssinica (Hochst) K. : finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11816. Aloe macrocarpa Todaro (Aloe): finished drawing without details

Aloe macrocarpa Todaro (Aloe): finished drawing without details
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11817. Peponium vogelii Engl. : finished drawing

Peponium vogelii Engl. : finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11818. Twelve Kneeling Figures

Twelve Kneeling Figures
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1740
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 11 7/8in. (20.3 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11819. Landscape with Five Figures, One Pushing a Wheelbarrow

Landscape with Five Figures, One Pushing a Wheelbarrow
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 7 x 9in. (17.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11820. Racing [set of six]: 5. Running out of the Course

Racing [set of six]: 5. Running out of the Course
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11821. [Horse-racing] Set of six: 2. Brood Mares with their Foles

[Horse-racing] Set of six: 2. Brood Mares with their Foles
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11822. [Horse-racing] Set of six: 3. Catching the Colts

[Horse-racing] Set of six: 3. Catching the Colts
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11823. Samuel Johnson

Samuel Johnson
Creator:
William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 3/4 x 12 3/4in. (45.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11824. Samuel Johnson

Samuel Johnson
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Herman W. Liebert

11825. Samuel Johnson

Samuel Johnson
Creator:
William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 x 13 1/2in. (48.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11826. Samuel Johnson

Samuel Johnson
Creator:
Granger, active 1800
Date:
1799
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 3/4 x 5 1/2in. (14.6 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11827. Samuel Johnson

Samuel Johnson
Creator:
James Heath, 1757–1834
Date:
1786
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11828. Dr. Samuel Johnson

Dr. Samuel Johnson
Creator:
Charles Townley, 1746–c.1800
Date:
1786
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Sheet: 19 x 14in. (48.3 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11829. Samuel Johnson

Samuel Johnson
Creator:
Thomas Trotter, ca. 1750–1803
Date:
1782
Materials & Techniques:
Etching printed in red ink on laid paper
Dimensions:
Sheet: 5 x 4in. (12.7 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11830. Samuel Johnson, L.L.D., Died Decr. 13th 1784

Samuel Johnson, L.L.D., Died Decr. 13th 1784
Creator:
Thomas Trotter, ca. 1750–1803
Date:
1784
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 5 x 4in. (12.7 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

11831. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1770
Materials & Techniques:
Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

11832. Tortoise

Tortoise
Creator:
Print made by James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11833. The Fall of Dagon - or Rare News for Leadenhall Street

The Fall of Dagon - or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11834. Taking Physic

Taking Physic
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11835. A Standing dish at Boodles

A Standing dish at Boodles
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11836. Boreas Effecting what Health & Modesty could not

Boreas Effecting what Health & Modesty could not
Creator:
John Cawse, 1779–1862
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11837. Visiting the Sick

Visiting the Sick
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11838. General Sorrow, touring the French Directory into Russia

General Sorrow, touring the French Directory into Russia
Creator:
Isaac Cruikshank, 1764–1811
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11839. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11840. The Maid of Bath or Mac in her Teens

The Maid of Bath or Mac in her Teens
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11841. The Ins and Outs or the Jesuits treatment of his friends

The Ins and Outs or the Jesuits treatment of his friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11842. A Masonic Anecdote

A Masonic Anecdote
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11843. Royal Recreation

Royal Recreation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11844. A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11845. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11846. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11847. Britania's Assassination or The Republican's Amusement

Britania's Assassination or The Republican's Amusement
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11848. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11849. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11850. Self-portrait of Arthur Pond

Self-portrait of Arthur Pond
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1739
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 11/16 x 6 7/16in. (22.1 x 16.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

11851. The Fall of Dagon or Rare News for Leadenhall Street

The Fall of Dagon or Rare News for Leadenhall Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11852. Angelica and Medoro

Angelica and Medoro
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1768
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 5/16 x 15in. (56.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

11853. David Garrick in the Character of Richard III

David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

11854. The Nabob Rumbled or a Lord Advocates Amusement

The Nabob Rumbled or a Lord Advocates Amusement
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11855. William, Duke of Gloucester

William, Duke of Gloucester
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
ca. 1700
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

11856. Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...

Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11857. Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11858. Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.

Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
Creator:
L. Truchy, 1721–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11859. Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.

Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11860. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.
Creator:
Paul Sandby, 1731–1809
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/8 x 20 15/16in. (34 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11861. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
Creator:
William Elliot, active 1774, died 1792
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 15/16in. (33.7 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11862. One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.
Creator:
James Peak, 1703–1782
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/8 x 20 9/16in. (33.3 x 52.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11863. Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

11864. Views of Montreal and Louisburg: An East View of Montreal in Canada

Views of Montreal and Louisburg: An East View of Montreal in Canada
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1762
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 3/16 x 21 1/16in. (33.5 x 53.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11865. Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
Creator:
unknown artist
Date:
1769-1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11866. Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 22in. (44.8 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11867. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11868. Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins

Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins
Creator:
unknown artist
Date:
1769
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 21 5/8in. (44.8 x 54.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11869. Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations
Creator:
Print made by John Simon, 1675–1751
Date:
ca. 1755
Materials & Techniques:
Mezzotint, third state
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11870. Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 10 x 7 5/8in. (25.4 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11871. Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien

Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien
Creator:
Pieter Schenck I, 1660–1719
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 1/2 x 6 5/16in. (21.6 x 16cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11872. Portraits of Four Indian Kings of Canada: The Four Indian Kings

Portraits of Four Indian Kings of Canada: The Four Indian Kings
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1710
Materials & Techniques:
Mezzotint; four oval busts on one sheet, each with an elaborate frame, incorporating a feathered crown and crossed weapons above.
Dimensions:
Sheet: 17 13/16 x 11 3/8in. (45.2 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11873. Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow
Creator:
John Faber the Elder, ca. 1660–1721
Date:
1710
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 8 x 5 15/16in. (20.3 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11874. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11875. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11876. A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/2 x 22 5/16in. (47 x 56.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11877. Scenographia Americana: Untitled view (perhaps of Boston?)

Scenographia Americana: Untitled view (perhaps of Boston?)
Creator:
unknown artist
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11878. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
Creator:
Print made by Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11879. Two Studies of Tumbler, a Dog

Two Studies of Tumbler, a Dog
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11880. Horse with Rider Wearing Tricorne Hat, Walking to Right

Horse with Rider Wearing Tricorne Hat, Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 3 3/4 inches (11.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11881. A Horse Lying Down

A Horse Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11882. Studies of Stags' Heads

Studies of Stags' Heads
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 6 3/8 inches (8.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11883. Horse and Rider Walking to Right

Horse and Rider Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11884. An Artist Sketching, possibly Paul Sandby

An Artist Sketching, possibly Paul Sandby
Creator:
Attributed to Francis Cotes, 1726–1770
Date:
ca. 1755
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Frame: 13 1/4 × 10 11/16 × 13/16 inches (33.6 × 27.2 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11885. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11886. Plan of Westminster Showing the Coronation Route of George II

Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11887. A Scene on Mount Olympus

A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11888. Mrs. Carnac

Mrs. Carnac
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 25 1/2 × 16 7/8 inches (64.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11889. Painting

Painting
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint; open letter proof on wove paper
Dimensions:
Sheet: 17 1/4 × 13 inches (43.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11890. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11891. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11892. Emma Hart as Bacchante

Emma Hart as Bacchante
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/4 × 12 15/16 inches (42.5 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11893. Lady Hamilton as 'Nature'

Lady Hamilton as 'Nature'
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint, with border in aquatint (first state, Horne.IIa) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 × 11 5/16 inches (37.6 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11894. Thoughts on Matrimony

Thoughts on Matrimony
Creator:
Print made by William Ward, 1766–1826
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 9 3/16 inches (31.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11895. Serena

Serena
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/16 × 15 3/16 inches (53.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11896. The Charmer

The Charmer
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1780
Materials & Techniques:
Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11897. An Evening Walk

An Evening Walk
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1783
Materials & Techniques:
Black chalk, graphite, red chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 8 1/8 inches (21 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11898. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11899. An Audience Watching a Play at Drury Lane Theatre

An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11900. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection