Period: 18th century - YCBA Collections Search Search Results

12501. Edward Courtney, Earl of Devonshire

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 9 3/16 inches (30.5 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12502. Elevation of the Front for the Register Offices in Scotland

Creator:: Morton, active 1767
Date:: 1767
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 22 inches (44.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12503. Richard Cosway

Creator:: Print made by unknown artist
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured beige laid paper
Dimensions:: Sheet: 8 15/16 x 5 7/8 inches (22.7 x 15 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12504. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12505. Plan of the Mansion House, London

Creator:: Matthew Darly, active 1754–1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/2 x 15in. (26.7 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12506. Elevation of the Mansion House, London

Creator:: Matthew Darly, active 1754–1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/2 x 15in. (26.7 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12507. A pair: 1. Symptoms of Rearing, 2. Moses

Creator:: James Bretherton, ca. 1730–1806
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 16 1/8in. (28.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12508. T. Banks, Sculptor, R. A.

Creator:: Print made by John Condé, 1765–1794
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12509. View from Nature

Creator:: Thomas Vivares, c.1735–c.1790
Materials & Techniques:: Hand colored soft ground etchings
Dimensions:: Sheet: 7 7/16 x 9 3/8in. (18.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12510. View from Nature

Creator:: Thomas Vivares, c.1735–c.1790
Materials & Techniques:: Hand colored soft ground etchings
Dimensions:: Sheet: 7 7/16 x 9 3/8in. (18.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12511. View from Nature

Creator:: Thomas Vivares, c.1735–c.1790
Materials & Techniques:: Hand colored soft ground etchings
Dimensions:: Sheet: 7 7/16 x 9 3/8in. (18.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12512. View from Nature

Creator:: Thomas Vivares, c.1735–c.1790
Materials & Techniques:: Hand colored soft ground etchings
Dimensions:: Sheet: 7 7/16 x 9 3/8in. (18.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12513. View from Nature

Creator:: Thomas Vivares, c.1735–c.1790
Materials & Techniques:: Hand colored soft ground etchings
Dimensions:: Sheet: 7 7/16 x 9 3/8in. (18.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12514. An Academy

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1773
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 19 3/8 inches (31.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12515. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12516. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/8 × 13 1/4 inches (46.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12517. Elizabeth Ann (Linley) Sheridan

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: between 1787 and 1797
Materials & Techniques:: Mezzotint (unpublished) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 1/4 inches (48.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12518. A General Prospect of Vaux Hall Gardens

Creator:: John S. Muller, ca. 1715–1792
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12519. Agostino Carlini, Fransescho Bartolozzi, Giovan Battista Cipriani

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint
Dimensions:: Image: 16 1/8 x 19 7/8in. (41 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12520. Boit. Baker.

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12521. Sir William Beechey

Creator:: William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12522. Francis Bartolozzi Esqr., Ex Academia Regali Artium Londini

Creator:: Robert Marcuard, 1751–1792
Date:: 1788
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12523. Boit. Baker.

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 5/8 inches (28.6 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12524. Thomas Banks, Esqr., R.A.

Creator:: Print made by William S. Leney, 1769–1831
Date:: 1794
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12525. F. Cotes

Creator:: D. P. Pariset, born 1740, active in Britain from 1767
Date:: 1768
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12526. Cibber

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12527. Cibber

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/4 inches (25.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12528. Henry Bunbury, Esq.

Creator:: Thomas Ryder, 1746–1810
Date:: 1789
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12529. Charles De La Fosse

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12530. Antonius Canal Pictor

Creator:: Pietro Monaco, 1707–1763
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12531. Matthew Darly

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: ca. 1771
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 4 3/4 inches (16.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12532. Honorable Anne Damer

Creator:: Thomas Ryder, 1746–1810
Date:: 1793
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12533. Matthew Darly

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1775
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 × 4 1/2 inches (15.3 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12534. William Dobson

Creator:: George White, ca.1684–1732
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12535. Dobson

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12536. Simon Du Bois

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/4 inches (30.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12537. Henry Fuseli Esqr., R. A.

Creator:: Thomas Holloway, 1748–1827
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12538. Thomas Flatman

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12539. William Faithorne

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: between 1765 and 1790
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 8 3/4 inches (27.9 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12540. John Greenhill

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12541. Valentine Green

Creator:: Valentine Green, 1739–1813
Date:: 1788
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 15/16 x 15 13/16 inches (50.6 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12542. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12543. James Gibbs

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12544. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12545. Marc Garrard

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1765
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12546. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12547. Nathaniel Hone

Creator:: Print made by Edward Fisher, 1722–1785
Date:: between 1758 and 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 × 9 5/16 inches (32.6 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12548. Heads: Fancynina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12549. Heads: Epicurum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12550. Heads: Publicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12551. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12552. Heads: Allegora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12553. Heads: Flora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12554. Heads: Virginia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12555. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12556. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12557. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12558. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12559. Heads: Nunina.

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12560. Heads: Battleorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12561. Hounds Throwing-Off

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12562. Hounds in Finding

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12563. Coming-In at the Death

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12564. Cockney-Sportsmen Shooting-Flying

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12565. Cockney-Sportsmen Re-charging

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12566. Cockney-Sportsmen finding a Hare

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12567. Evening or the Sportsman's Return

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1795
Materials & Techniques:: Mezzotint, printed and hand colored
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12568. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12569. View on Lake Maggiore at Evening

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 8 1/4 inches (15.2 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

12570. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12571. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12572. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12573. The Bay of Naples from Capodimonte, Italy

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

12574. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12575. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12576. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12577. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12578. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12579. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12580. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12581. Major General Lambert

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12582. Sir Godfrey Kneller

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12583. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12584. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12585. Thomas Paine

Creator:: William Sharp, 1749–1824
Date:: 1793
Materials & Techniques:: Line engraving, published state
Dimensions:: Sheet: 10 7/8 × 8 3/4 inches (27.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12586. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12587. King John Ratifying the Magna Charta

Creator:: William Wynne Ryland, 1732–1783
Date:: ca. 1783
Materials & Techniques:: Stipple engraving, engraver's proof
Dimensions:: Sheet: 18 5/16 x 23 5/8in. (46.5 x 60cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12588. The Swain's Amusement

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12589. A Triton holding a Fish

Creator:: Bernard Lens II, 1659–1725
Date:: 1700
Materials & Techniques:: Pen and brown ink, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 3/4 × 11 inches (24.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12590. Portrait of Sir Edward Astley

Creator:: Thomas Worlidge, 1700–1766
Date:: 1762
Materials & Techniques:: Etching on silk
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12591. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12592. Ticket for the Theatre Royal, Haymarket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12593. Ticket for the Theatre Royal, Covent Garden

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12594. Ticket for the Benefit of Mr. Sal Pietro

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Stipple engraving and Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 4 7/8 inches (10.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12595. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12596. Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Etching, stipple engraving and line engraving on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12597. Concert Ticket For The Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12598. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12599. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12600. Cupid and Psyche

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

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12501. Edward Courtney, Earl of Devonshire

12502. Elevation of the Front for the Register Offices in Scotland

12503. Richard Cosway

12504. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

12505. Plan of the Mansion House, London

12506. Elevation of the Mansion House, London

12507. A pair: 1. Symptoms of Rearing, 2. Moses

12508. T. Banks, Sculptor, R. A.

12509. View from Nature

12510. View from Nature

12511. View from Nature

12512. View from Nature

12513. View from Nature

12514. An Academy

12515. The Consequence of not Shifting the Leg

12516. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

12517. Elizabeth Ann (Linley) Sheridan

12518. A General Prospect of Vaux Hall Gardens

12519. Agostino Carlini, Fransescho Bartolozzi, Giovan Battista Cipriani

12520. Boit. Baker.

12521. Sir William Beechey

12522. Francis Bartolozzi Esqr., Ex Academia Regali Artium Londini

12523. Boit. Baker.

12524. Thomas Banks, Esqr., R.A.

12525. F. Cotes

12526. Cibber

12527. Cibber

12528. Henry Bunbury, Esq.

12529. Charles De La Fosse

12530. Antonius Canal Pictor

12531. Matthew Darly

12532. Honorable Anne Damer

12533. Matthew Darly

12534. William Dobson

12535. Dobson

12536. Simon Du Bois

12537. Henry Fuseli Esqr., R. A.

12538. Thomas Flatman

12539. William Faithorne

12540. John Greenhill

12541. Valentine Green

12542. Mr. and Mrs. Gibson

12543. James Gibbs

12544. Mr. and Mrs. Gibson

12545. Marc Garrard

12546. Hogarth

12547. Nathaniel Hone

12548. Heads: Fancynina

12549. Heads: Epicurum

12550. Heads: Publicorum

12551. Heads: Physicorum

12552. Heads: Allegora

12553. Heads: Flora

12554. Heads: Virginia

12555. Heads: Hazardorum

12556. Heads: Penserosa

12557. Heads: Barberorum

12558. Heads: Billingsgatina

12559. Heads: Nunina.

12560. Heads: Battleorum

12561. Hounds Throwing-Off

12562. Hounds in Finding

12563. Coming-In at the Death

12564. Cockney-Sportsmen Shooting-Flying

12565. Cockney-Sportsmen Re-charging

12566. Cockney-Sportsmen finding a Hare

12567. Evening or the Sportsman's Return

12568. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

12569. View on Lake Maggiore at Evening

12570. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

12571. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

12572. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

12573. The Bay of Naples from Capodimonte, Italy

12574. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

12575. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.