Period: 18th century - YCBA Collections Search Search Results

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Period 18th century

John Warwick Smith Saint Michael's Mount, Cornwall

John Warwick Smith, 1749–1831

Saint Michael's Mount, Cornwall

undated

John Warwick Smith Castle Point

John Warwick Smith, 1749–1831

Castle Point

undated

Benjamin Smith Sigismonda

Print made by Benjamin Smith, 1775–1833

Sigismonda

1795

John Warwick Smith View of the Early Castle of Diganwy

John Warwick Smith, 1749–1831

View of the Early Castle of Diganwy

undated

John Warwick Smith Salerno

John Warwick Smith, 1749–1831

Salerno

1764-1831

Thomas Sidney Cooper View of Antwerp Cathedral

Thomas Sidney Cooper, 1803–1902

View of Antwerp Cathedral

undated

John Warwick Smith The Junction of Lyon and Tay

John Warwick Smith, 1749–1831

The Junction of Lyon and Tay

1788

Hendrik Frans de Cort Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon

Hendrik Frans de Cort, 1742–1810

Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon

1794

John Warwick Smith Coast Near Sorrento

John Warwick Smith, 1749–1831

Coast Near Sorrento

1764-1831

John Warwick Smith The Pass of Killiecrankie

John Warwick Smith, 1749–1831

The Pass of Killiecrankie

1788

John Warwick Smith Hafod: Upper Part of Cascade

John Warwick Smith, 1749–1831

Hafod: Upper Part of Cascade

1793

John Warwick Smith The Villa Medici, Rome

John Warwick Smith, 1749–1831

The Villa Medici, Rome

1784

William C. Wilson Frontispiece, Monument to John Gay

Print made by William C. Wilson, active 1798–1836

Frontispiece, Monument to John Gay

1793

John Warwick Smith Bay Scene in Moonlight

John Warwick Smith, 1749–1831

Bay Scene in Moonlight

1787

Lovegrove Fable I. The Lion, the Tiger, and the Traveller

Print made by Lovegrove, active 1793

Fable I. The Lion, the Tiger, and the Traveller

1793

William Skelton Fable II. The Spaniel and the Cameleon

Print made by William Skelton, 1763–1848

Fable II. The Spaniel and the Cameleon

1793

Wilson Fable III. The Mother, the Nurse, and the Fairy

Print made by Wilson, active 1793

Fable III. The Mother, the Nurse, and the Fairy

1793

Brown Title Page, Fables by John Gay

Print made by Brown, active 1793

Title Page, Fables by John Gay

1793

William Skelton Fable V. The Wild Boar and the Ram

Print made by William Skelton, 1763–1848

Fable V. The Wild Boar and the Ram

1793

W. Grainger Fable IX. The Bull and the Mastiff

Print made by W. Grainger, active 1793

Fable IX. The Bull and the Mastiff

1793

W. Grainger Fable IV. The Eagle and the Assembly of Animals

Print made by W. Grainger, active 1793

Fable IV. The Eagle and the Assembly of Animals

1793

Lovegrove Fable VIII. The Lady and the Wasp

Print made by Lovegrove, active 1793

Fable VIII. The Lady and the Wasp

1793

William Skelton Fable XII. Cupid, Hymen, and Plutus

Print made by William Skelton, 1763–1848

Fable XII. Cupid, Hymen, and Plutus

1793

Lovegrove Fable XIV. The Monkey Who Had Seen the World

Print made by Lovegrove, active 1793

Fable XIV. The Monkey Who Had Seen the World

1793

Wilson Fable X. The Elephant and the Bookseller

Print made by Wilson, active 1793

Fable X. The Elephant and the Bookseller

1793

W. Grainger Fable XI. The Peacock, the Turkey, and the Goose

Print made by W. Grainger, active 1793

Fable XI. The Peacock, the Turkey, and the Goose

1793

William Skelton Fable XVII. The Shepherd's Dog and the Wolf

Print made by William Skelton, 1763–1848

Fable XVII. The Shepherd's Dog and the Wolf

1793

William Skelton Fable XV. The Philosopher and the Pheasants

Print made by William Skelton, 1763–1848

Fable XV. The Philosopher and the Pheasants

1793

W. Grainger Fable VII. The Lion, the Fox, and the Geese

Print made by W. Grainger, active 1793

Fable VII. The Lion, the Fox, and the Geese

1793

W. Grainger Fable XIX. The Lion and the Cub

Print made by W. Grainger, active 1793

Fable XIX. The Lion and the Cub

1793

Lovegrove Fable XXIII. The Old Woman and Her Cats

Print made by Lovegrove, active 1793

Fable XXIII. The Old Woman and Her Cats

1793

Wilson Fable XXI. The Rat-catcher and Cats

Print made by Wilson, active 1793

Fable XXI. The Rat-catcher and Cats

1793

Wilson Fable XVIII. The Painter Who Pleased No Body and Every Body

Print made by Wilson, active 1793

Fable XVIII. The Painter Who Pleased No Body and Every Body

1793

William Skelton Fable XX. The Old Hen and the Cock

Print made by William Skelton, 1763–1848

Fable XX. The Old Hen and the Cock

1793

Wilson Fable XXVI. The Cur and the Mastiff

Print made by Wilson, active 1793

Fable XXVI. The Cur and the Mastiff

1793

Philip Audinet Fable XXV. The Scold and the Parrot

Print made by Philip Audinet, 1766–1837

Fable XXV. The Scold and the Parrot

1793

W. Grainger Fable XXIX. The Fox at the Point of Death

Print made by W. Grainger, active 1793

Fable XXIX. The Fox at the Point of Death

1793

William Skelton Fable XXVII. The Sick Man and the Angel

Print made by William Skelton, 1763–1848

Fable XXVII. The Sick Man and the Angel

1793

Philip Audinet Fable XXXI. The Universal Apparition

Print made by Philip Audinet, 1766–1837

Fable XXXI. The Universal Apparition

1793

Wilson Fable XXXIII. The Courtier and Proteus

Print made by Wilson, active 1793

Fable XXXIII. The Courtier and Proteus

1793

William Skelton Fable XXXII. The Two Owls and the Sparrow

Print made by William Skelton, 1763–1848

Fable XXXII. The Two Owls and the Sparrow

1793

W. Grainger Fable XXXV. The Barley-mow and the Dunghil

Print made by W. Grainger, active 1793

Fable XXXV. The Barley-mow and the Dunghil

1793

Peter Mazell Fable XXXVII. The Farmer's Wife and the Raven

Print made by Peter Mazell, active 1761–1797

Fable XXXVII. The Farmer's Wife and the Raven

1793

Wilson Fable XXXIX. The Father and Jupiter

Print made by Wilson, active 1793

Fable XXXIX. The Father and Jupiter

1793

William Skelton Fable XXXVIII. The Turkey and the Ant

Print made by William Skelton, 1763–1848

Fable XXXVIII. The Turkey and the Ant

1793

Wilson Fable XL. The Two Monkeys

Print made by Wilson, active 1793

Fable XL. The Two Monkeys

1793

George Smith of Chichester Landscape with Footbridge and Large Tree

George Smith of Chichester, 1714–1776

Landscape with Footbridge and Large Tree

undated

Sir William Chambers Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

Sir William Chambers, 1723–1796

Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan

1765

Sir William Chambers Headfort House: Chamber Floor Plan

Sir William Chambers, 1723–1796

Headfort House: Chamber Floor Plan

1765

Sir William Chambers Headfort House: Plan of the Cellar Story

Sir William Chambers, 1723–1796

Headfort House: Plan of the Cellar Story

1765

Sir William Chambers Headfort House: Alterations in the Cellar

Sir William Chambers, 1723–1796

Headfort House: Alterations in the Cellar

1765

Sir William Chambers Monument to Shakespeare

Sir William Chambers, 1723–1796

Monument to Shakespeare

ca. 1763

Sir William Chambers Headfort House: Alterations in the Ground Floor

Sir William Chambers, 1723–1796

Headfort House: Alterations in the Ground Floor

1765

Sir William Chambers Headfort House, Ireland: Elevations of the North and South Fronts

Sir William Chambers, 1723–1796

Headfort House, Ireland: Elevations of the North and South Fronts

1765

Sir William Chambers The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway

Sir William Chambers, 1723–1796

The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway

ca. 1760-1764

Sir William Chambers Headfort House, Ireland: Sections of the House and Offices

Sir William Chambers, 1723–1796

Headfort House, Ireland: Sections of the House and Offices

1765

Sir William Chambers Headfort House, Ireland: Plan of Principal Floor

Sir William Chambers, 1723–1796

Headfort House, Ireland: Plan of Principal Floor

ca. 1765

Sir William Chambers Facade for a Temple of Peace, Kew Gardens, Surrey

Sir William Chambers, 1723–1796

Facade for a Temple of Peace, Kew Gardens, Surrey

ca. 1763

Jean B. C. Chatelain The Grotto and the Temple of Contemplation, Stowe

Jean B. C. Chatelain, 1710–1771

The Grotto and the Temple of Contemplation, Stowe

1752

Jean B. C. Chatelain A View of the Rotunda in the Garden at Stowe, Buckinghamshire

Jean B. C. Chatelain, 1710–1771

A View of the Rotunda in the Garden at Stowe, Buckinghamshire

1753

Jean B. C. Chatelain Classical Landscape with Figures

Jean B. C. Chatelain, 1710–1771

Classical Landscape with Figures

undated

Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape

Jean B. C. Chatelain, 1710–1771

View with a Cart and Figures in a Wooded Landscape

undated

unknown artist Copy of Self-Portrait of John Opie

unknown artist

Copy of Self-Portrait of John Opie

undated

unknown artist Design for a Ceiling

unknown artist

Design for a Ceiling

undated

unknown artist Study of a Female Bust

unknown artist

Study of a Female Bust

ca. 1769

unknown artist Bush Hill, Edmonton, London: Plan of a Knot Garden

unknown artist

Bush Hill, Edmonton, London: Plan of a Knot Garden

1713

Thomas Chippendale Designs for Gothic Chairs

Thomas Chippendale, 1718–1779

Designs for Gothic Chairs

undated

Thomas Chippendale Design for a Writing Table

Thomas Chippendale, 1718–1779

Design for a Writing Table

1754

Jean B. C. Chatelain Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

Jean B. C. Chatelain, 1710–1771

Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

undated

Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins

Jean B. C. Chatelain, 1710–1771

View with Figures in a Classical Landscape with Ruins

undated

Edward Dayes Kelso Abbey, Rosburghshire

Edward Dayes, 1763–1804

Kelso Abbey, Rosburghshire

ca. 1792

George Francis Joseph Gentleman from a Pair of Miniatures, Possibly Husband and Wife

George Francis Joseph, 1764–1846

Gentleman from a Pair of Miniatures, Possibly Husband and Wife

ca. 1798

James Basire The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

Print made by James Basire, 1730–1802

The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

1780

James Basire The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

Print made by James Basire, 1730–1802

The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

1780

Jacob C. Schnebbelie An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

Jacob C. Schnebbelie, 1760–1792

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

1791

James Basire The North Front of the Monument of King Sebert, Plate IV

Print made by James Basire, 1730–1802

The North Front of the Monument of King Sebert, Plate IV

1780

James Basire The Figures Supposed to be those of King Sebert and King Henry III, Plate V

Print made by James Basire, 1730–1802

The Figures Supposed to be those of King Sebert and King Henry III, Plate V

1780

James Basire The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III

Print made by James Basire, 1730–1802

The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III

1780

James Basire Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI

Print made by James Basire, 1730–1802

Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI

1780

James Basire The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

Print made by James Basire, 1730–1802

The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

1780

George Vertue The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

George Vertue, 1684–1756

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

1742

Rosalba Carriera Portrait of Henry Fiennes Pelham-Clinton, ninth Earl of Lincoln and second Duke of Newcastle

Rosalba Carriera, 1675–1757

Portrait of Henry Fiennes Pelham-Clinton, ninth Earl of Lincoln and second Duke of Newcastle

1741

Joseph Wood The View of One-Tree Hill in Greenwich Park

Print made by Joseph Wood, 1720–1763 or 1764

The View of One-Tree Hill in Greenwich Park

1740-1749

John Stevens A View of London and Westminster from One-Tree Hill in Greenwich Park

John Stevens, active 1745–1746

A View of London and Westminster from One-Tree Hill in Greenwich Park

1752

Joseph Constantine Stadler View of London from Greenwich Park

Engraved by Joseph Constantine Stadler, active 1780–1812

View of London from Greenwich Park

1796

Paul Sandby Lady Francis Scott and Lady Elliot

Paul Sandby, 1731–1809

Lady Francis Scott and Lady Elliot

ca. 1770

William Walker Scene in the East Indies

Print made by William Walker, 1729–1793

Scene in the East Indies

1782

Robert Mabon Ground Plan for a Bungalow

Robert Mabon, died 1798

Ground Plan for a Bungalow

undated

Rev. William Gilpin Forest Scene

Rev. William Gilpin, 1724–1804

Forest Scene

1771

Rev. William Gilpin Mountainous Landscape with Two Figures overlooking a Lake

Rev. William Gilpin, 1724–1804

Mountainous Landscape with Two Figures overlooking a Lake

between 1780 and 1790

Rev. William Gilpin Classical Landscape with Ruin on Left, Two Figures on Right

Rev. William Gilpin, 1724–1804

Classical Landscape with Ruin on Left, Two Figures on Right

between 1745 and 1748

Rev. William Gilpin Classical Landscape with Two Figures on Horseback at Right

Rev. William Gilpin, 1724–1804

Classical Landscape with Two Figures on Horseback at Right

between 1745 and 1748

Rev. William Gilpin A Rocky Landscape

Rev. William Gilpin, 1724–1804

A Rocky Landscape

between 1745 and 1748

Rev. William Gilpin Landscape with Two Horsemen on a Road

Rev. William Gilpin, 1724–1804

Landscape with Two Horsemen on a Road

between 1745 and 1748

Rev. William Gilpin Two Figures on Shore with Mountain Rising Behind

Rev. William Gilpin, 1724–1804

Two Figures on Shore with Mountain Rising Behind

between 1745 and 1748

Rev. William Gilpin Shipping Scene with Three Figures on shore

Rev. William Gilpin, 1724–1804

Shipping Scene with Three Figures on shore

between 1745 and 1748

Rev. William Gilpin The Artist's Bookplate and Pen Inscription from a Drawing Album

Rev. William Gilpin, 1724–1804

The Artist's Bookplate and Pen Inscription from a Drawing Album

between 1745 and 1748

Rev. William Gilpin Landscape with Mountain in Center Distance

Rev. William Gilpin, 1724–1804

Landscape with Mountain in Center Distance

between 1745 and 1748

Rev. William Gilpin Landscape with a Ruined Castle

Rev. William Gilpin, 1724–1804

Landscape with a Ruined Castle

between 1745 and 1748

Rev. William Gilpin Landscape with a Ruined Castle on the Right

Rev. William Gilpin, 1724–1804

Landscape with a Ruined Castle on the Right

between 1745 and 1748