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13801. Mad Tom's First Practical Essay on the Rights of Man

Mad Tom's First Practical Essay on the Rights of Man
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 1/2in. (22.2 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13802. The Unitarian Arms

The Unitarian Arms
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 7 1/4in. (23.2 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13803. Edgar's Tower

Edgar's Tower
Creator:
John Daniel Bond, ca. 1725–1803
Date:
1778
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 10 1/4in. (41.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13804. The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again

The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 7/8in. (21.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13805. A View of the Garden at Carlton House in Pall Mall, a Palace of H.R.H. the Princess Dowager of Wales

A View of the Garden at Carlton House in Pall Mall, a Palace of H.R.H. the Princess Dowager of Wales
Creator:
William Woollett, 1735–1785
Date:
ca. 1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/4 × 21 3/8 inches (37.5 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13806. Glaucus and Scylla or the Monster in Full Cry

Glaucus and Scylla or the Monster in Full Cry
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13807. The Maid of Bath, or 'Mac' in her Teens

The Maid of Bath, or 'Mac' in her Teens
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 9/16 x 12 5/8in. (21.7 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13808. A View from the West Side of the Island in the Garden of the Hon. Charles Hamilton Esq. at Painshill near Cobham in Surrey

A View from the West Side of the Island in the Garden of the Hon. Charles Hamilton Esq. at Painshill near Cobham in Surrey
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13809. The East View of the Seat of Sir Gregory Page Turner on the Blackheath in the County of Kent

The East View of the Seat of Sir Gregory Page Turner on the Blackheath in the County of Kent
Creator:
Thomas Morris, born 1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13810. The Pleasure of Being Kick'd Out of Company

The Pleasure of Being Kick'd Out of Company
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 13 7/8in. (23.5 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13811. Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay

Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13812. A Peep at the Plenipo ____!!!

A Peep at the Plenipo ____!!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 14 1/2in. (29.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13813. A View of Esher in Surrey the Seat of the Rt. Hon. Henry Pelham Esq.

A View of Esher in Surrey the Seat of the Rt. Hon. Henry Pelham Esq.
Creator:
Luke Sullivan, 1705–1771
Date:
1759
Materials & Techniques:
Engraving
Dimensions:
Plate: 14 3/8 x 20 1/2in. (36.5 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13814. Edgar's Tower

Edgar's Tower
Creator:
Print made by Richard Bernard Godfrey, 1728–op.1794
Date:
1778
Materials & Techniques:
Engraving on medium, slightly textured cream wove paper
Dimensions:
Sheet: 7 1/4 x 10 3/4in. (18.4 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13815. Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes

Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/2 x 9 1/8in. (31.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13816. Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)

Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 14 7/8in. (22.5 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13817. Bachelor's Hall

Bachelor's Hall
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 13/16 x 9 1/16in. (17.3 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13818. A View of Wanstead in the County of Essex, the Seat of the Rt. Hon. Earl of Tylney

A View of Wanstead in the County of Essex, the Seat of the Rt. Hon. Earl of Tylney
Creator:
James Fittler, 1758–1835
Date:
1781
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13819. The Political Pawn Brokers

The Political Pawn Brokers
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 14 7/8in. (21.3 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13820. A View of the Ranger's House in the Park and of the Town of Greenwich

A View of the Ranger's House in the Park and of the Town of Greenwich
Creator:
Thomas Morris, born 1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13821. Mr. Grose's House at Wandsworth

Mr. Grose's House at Wandsworth
Creator:
Capt. Francis Grose, 1731–1791
Date:
1767
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 10 1/8 inches (23.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13822. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13823. Scrub and Bonniface, or Three Brave Lads against One Poor Roscius

Scrub and Bonniface, or Three Brave Lads against One Poor Roscius
Creator:
unknown artist
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13824. The Pot calling the Kettle Black A - Or Two of a Trade can never Agree

The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 14 5/8in. (22.5 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13825. A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.

A View of the Great Room etc. at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13826. Getting the Length of the Duchess's Foot

Getting the Length of the Duchess's Foot
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13827. The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)

The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 22 9/16in. (18.4 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13828. A View of the Garden at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.

A View of the Garden at Hall-Barn near Beckonsfield in Buckinghamshire, a seat of Edmund Waller Esq.
Creator:
William Woollett, 1735–1785
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13829. Malbrouke

Malbrouke
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13in. (21.3 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13830. The Windmill, Wandsworth Surrey

The Windmill, Wandsworth Surrey
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 × 21 inches (28.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13831. The Quornites Disturb'd or Startling the Game

The Quornites Disturb'd or Startling the Game
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 7/8in. (36.5 x 47.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13832. A View of Cliefden on Buckinghamshire the Seat of the Rt. Hon. Earl of Inchiquin

A View of Cliefden on Buckinghamshire the Seat of the Rt. Hon. Earl of Inchiquin
Creator:
Luke Sullivan, 1705–1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13833. The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture

The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 5/8in. (21.3 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13834. Assassination-Versailles, October 6, 1789

Assassination-Versailles, October 6, 1789
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 7/8in. (22.9 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13835. A View of Saltwood Castle at Hythe Kent

A View of Saltwood Castle at Hythe Kent
Creator:
James Mason, 1710–1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13836. A View of Wilton in Wiltshire the Seta of the Rt. Hon. Earl of Pembrooke

A View of Wilton in Wiltshire the Seta of the Rt. Hon. Earl of Pembrooke
Creator:
Luke Sullivan, 1705–1771
Date:
1759
Materials & Techniques:
Engraving
Dimensions:
Plate: 14 3/8 x 20 3/8in. (36.5 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13837. A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire

A View of the Gardens of Thomas Hart Esq. at Warfield in Berkshire
Creator:
John Wood, 1728–1781
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 9/16 x 25 1/2in. (47.1 x 64.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13838. Canterbury Cathedral, Kent

Canterbury Cathedral, Kent
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 × 21 1/2 inches (38.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13839. Lilford the Seat of Thomas Powis Esq. near Oundle in Northamptonshire, taken from Ay-Church

Lilford the Seat of Thomas Powis Esq. near Oundle in Northamptonshire, taken from Ay-Church
Creator:
Robert Pranker, active 1761
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13840. A View in Newstead Park, belonging to the Rt. Hon. Lord Byron

A View in Newstead Park, belonging to the Rt. Hon. Lord Byron
Creator:
Print made by James Mason, 1710–1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13841. A View of New Waterworks at Belton in Lincolnshire belonging to the Rt. Hon. Lord Vis. Tryconnel

A View of New Waterworks at Belton in Lincolnshire belonging to the Rt. Hon. Lord Vis. Tryconnel
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13842. A View of Stour Head in the County of Wiltshire, The Seat of Henry Hoare Esq. [The Temple of Flora]

A View of Stour Head in the County of Wiltshire, The Seat of Henry Hoare Esq. [The Temple of Flora]
Creator:
Francois Vivares, 1709–1780
Date:
1777
Materials & Techniques:
Engraving
Dimensions:
Plate: 17 1/2 x 21 7/8in. (44.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13843. South East View of Netley Abbey near Southampton

South East View of Netley Abbey near Southampton
Creator:
William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13844. A View in Lime Park

A View in Lime Park
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13845. A View of Dunnington Cliff on the River Trent...belonging to the Earl of Huntingdon

A View of Dunnington Cliff on the River Trent...belonging to the Earl of Huntingdon
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13846. A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart

A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart
Creator:
Francois Vivares, 1709–1780
Date:
1748
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/4 × 21 5/8 inches (38.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13847. A View of Hopping Hill Ware on the River Derwent belonging to His Grace the Duke of Devonshire

A View of Hopping Hill Ware on the River Derwent belonging to His Grace the Duke of Devonshire
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13848. The Lavatory Tower, Canterbury, Kent

The Lavatory Tower, Canterbury, Kent
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

13849. A View of Anchor Church...Seat of Sir Robert Burdett Bart

A View of Anchor Church...Seat of Sir Robert Burdett Bart
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13850. A North West View of Haddon, an Ancient Seat belonging to his Grace the Duke of Rutland

A North West View of Haddon, an Ancient Seat belonging to his Grace the Duke of Rutland
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13851. A View in Exton Park belonging to the Rt. Hon. Earl of Gainsborough

A View in Exton Park belonging to the Rt. Hon. Earl of Gainsborough
Creator:
James Mason, 1710–1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13852. A View of Amazing Rock in Craven Yorkshire, witha Rivlet flowing from the bottom called Malham Cove in the Lordship of Thomas Lister, Esq.

A View of Amazing Rock in Craven Yorkshire, witha Rivlet flowing from the bottom called Malham Cove in the Lordship of Thomas Lister, Esq.
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13853. A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington

A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13854. A View of the Petrifying Spring commonly called The Dropping well, at Knaresborough in Yorkshire...

A View of the Petrifying Spring commonly called The Dropping well, at Knaresborough in Yorkshire...
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13855. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13856. Design for the Mansion House of the Rt. Hon. The Lord Mayor

Design for the Mansion House of the Rt. Hon. The Lord Mayor
Creator:
Paul Fourdrinier, 1698–1758
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 24 x 17 3/4in. (61 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13857. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1775
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13858. An Iron Forge

An Iron Forge
Creator:
Richard Earlom, 1743–1822
Date:
1773
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 x 23 1/2in. (48.3 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13859. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13860. Life School at the Royal Academy

Life School at the Royal Academy
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1773
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13861. Destruction of the French Collossus

Destruction of the French Collossus
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/16 x 9 7/8in. (33.5 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13862. The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)

The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
Creator:
James Gillray, 1756–1815
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 7/16in. (24.1 x 34.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13863. Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings

Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14in. (24.1 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13864. The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe

The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe
Creator:
unknown artist
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 5/16in. (20 x 31.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13865. Hay Makers in a Storm

Hay Makers in a Storm
Creator:
Charles Knight, 1743–c.1826
Date:
1798
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 20 1/4 x 15 1/2in. (51.4 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13866. All's Well that Ends Well

All's Well that Ends Well
Creator:
George Siegmund Facius, 1750–1804
Date:
1794
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13867. The Amorous Sportsman

The Amorous Sportsman
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1786
Materials & Techniques:
Mezzotint, printed in color and hand-colored
Dimensions:
Plate: 17 5/8 x 21 1/2in. (44.8 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13868. Credulity

Credulity
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13869. The Deserted Village

The Deserted Village
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Hand colored stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13870. The Departure from Brighton

The Departure from Brighton
Creator:
John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13871. Evening Return from the Fair

Evening Return from the Fair
Creator:
John Yeatherd, active 1795–1796
Materials & Techniques:
Colored mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13872. Henry Grattan

Henry Grattan
Creator:
Valentine Green, 1739–1813
Date:
1782
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 × 10 13/16 inches (37.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13873. The Woodman's Return

The Woodman's Return
Creator:
John Whessell, 1760–ca. 1823
Date:
1797
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 24 1/4 × 18 7/8 inches (61.6 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13874. The Volunteers of the City and County of Dublin

The Volunteers of the City and County of Dublin
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1784
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Image: 16 1/2 x 25in. (41.9 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13875. Sir Barnard Turner

Sir Barnard Turner
Creator:
James Walker, 1748–1808
Date:
1783
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 23 5/8 × 15 inches (60 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13876. The Winter's Tale, Act IV, Scene III

The Winter's Tale, Act IV, Scene III
Creator:
Print made by James Fittler, 1758–1835
Date:
1792
Materials & Techniques:
Engraving
Dimensions:
Plate: 19 3/8 x 24 7/8in. (49.2 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13877. Resurrection or the Frightened Nurse

Resurrection or the Frightened Nurse
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/4 x 14 1/2in. (29.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13878. Pyrrhus when a Child

Pyrrhus when a Child
Creator:
Print made by John Hall, 1739–1797
Date:
1769
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13879. Pylades and Orestes

Pylades and Orestes
Creator:
James Basire the younger, 1769–1822
Date:
1771
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 22 1/4in. (45.7 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13880. Peter and John Going to the Sepulchre

Peter and John Going to the Sepulchre
Creator:
Print made by Valentine Green, 1739–1813
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13881. King Lear: Act III, Scene IV

King Lear: Act III, Scene IV
Creator:
William Sharp, 1749–1824
Date:
1793
Materials & Techniques:
Line-engraving and etching, engraver's proof
Dimensions:
Plate: 19 1/2 x 24 5/8in. (49.5 x 62.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13882. Venus relating to Adonis the Story of Hippomenes and Atlanta

Venus relating to Adonis the Story of Hippomenes and Atlanta
Creator:
Print made by John Hall, 1739–1797
Date:
1769
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13883. William Penn's Treaty with the Indians

William Penn's Treaty with the Indians
Creator:
Print made by John Hall, 1739–1797
Date:
1775
Materials & Techniques:
Line-engraving and etching, published state
Dimensions:
Plate: 16 3/4 x 23 1/4in. (42.5 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13884. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth
Creator:
William Ward, 1766–1826
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 23 5/8 × 32 11/16 inches (60 × 83 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13885. The Three Marys Going to the Sepulchre

The Three Marys Going to the Sepulchre
Creator:
Print made by Valentine Green, 1739–1813
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 9 5/8 inches (46.9 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13886. The Affectionate Daughter

The Affectionate Daughter
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13887. Anthony Webster as Comus

Anthony Webster as Comus
Creator:
Print made by Henry Kingsbury, active 1750–1780
Date:
1781
Materials & Techniques:
Mezzotint, printed in colors, with hand coloring
Dimensions:
Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13888. The Benevolent Cottager

The Benevolent Cottager
Creator:
William Nutter, 1754–1802
Date:
1788
Materials & Techniques:
Stipple
Dimensions:
Sheet: 21 3/4 x 16in. (55.2 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13889. The Benevolent Cottager

The Benevolent Cottager
Creator:
William Nutter, 1754–1802
Date:
1788
Materials & Techniques:
Stipple
Dimensions:
Sheet: 21 1/2 x 15 7/8in. (54.6 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13890. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13891. Setting out for the Fair

Setting out for the Fair
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13892. The Fairings

The Fairings
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13893. Taming of the Shrew, Act II Scene II

Taming of the Shrew, Act II Scene II
Creator:
Peter Simon, 1750–1810
Date:
1795
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 7/16 × 28 inches (57 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13894. Winter

Winter
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13895. Grandpappa in his Glory!!!

Grandpappa in his Glory!!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/4 x 9 3/4in. (34.9 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13896. Interrogatories, or an Examination before the Commissioners

Interrogatories, or an Examination before the Commissioners
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/16 x 15 13/16in. (23.7 x 40.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13897. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
Creator:
John Finlayson, 1730–1776
Date:
1768
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13898. Garrick, In the Character of Abel Drugger

Garrick, In the Character of Abel Drugger
Creator:
Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/8 x 15 7/8 inches (58.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13899. Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III.

Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III.
Creator:
Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 23 1/4 inches (47.9 x 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13900. A View of Ditchley in Oxfordshire, Seat of the Earl of Litchfield

A View of Ditchley in Oxfordshire, Seat of the Earl of Litchfield
Creator:
Luke Sullivan, 1705–1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection