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Period 18th century

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George Romney Iphigenia Kneeling over an Altar
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
George Romney Loosely Described Figures
George Romney, 1734–1802
Loosely Described Figures
undated
George Romney Standing Figure with Arm Upraised
George Romney, 1734–1802
Standing Figure with Arm Upraised
undated
George Romney Two Figures
George Romney, 1734–1802
Two Figures
undated
George Romney Charging Figure with Shield
George Romney, 1734–1802
Charging Figure with Shield
undated
George Romney The Croquet Match Gone Awry
George Romney, 1734–1802
The Croquet Match Gone Awry
ca. 1770
George Romney Seated Classical Figure
George Romney, 1734–1802
Seated Classical Figure
ca. 1777
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Three Lamenting Women
George Romney, 1734–1802
Three Lamenting Women
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Learning to Walk
George Romney, 1734–1802
Learning to Walk
undated
George Romney The Wave
George Romney, 1734–1802
The Wave
undated
George Romney Achilles Wounded
George Romney, 1734–1802
Achilles Wounded
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
George Romney Profile of a Grotesque Head Facing Right
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Laocoon
George Romney, 1734–1802
Laocoon
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Three Young Witches
George Romney, 1734–1802
Three Young Witches
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney Standing Male Nude
George Romney, 1734–1802
Standing Male Nude
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The Book of Thel
William Blake, 1757–1827
The Book of Thel
1789
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake The Death of Juliet
Print made by William Blake, 1757–1827
The Death of Juliet
1799
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake The [First] Book of Urizen
William Blake, 1757–1827
The [First] Book of Urizen
1794
William Blake For Children. The Gates of Paradise, London, by William Blake
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798