Period: 18th century - YCBA Collections Search Search Results

Monro School

Rowborough Priory, Suffolk

ca. 1795

Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

Rev. William Gilpin, 1724–1804

These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

undated

Rev. William Gilpin, 1724–1804

These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

undated

Thomas Sandby, 1721–1798

The Horse Race at Rome During the Carnival

ca. 1781

unknown artist

Hey Day, is this My Daughter Ann

ca. 1774

Jonathan Hall

The Right Honorable Edward, Lord Hawke

1795

Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Rev. William Gilpin, 1724–1804

The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

undated

Rev. William Gilpin, 1724–1804

The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

undated

Rev. William Gilpin, 1724–1804

The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

undated

Rev. William Gilpin, 1724–1804

The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

undated

Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

Rev. William Gilpin, 1724–1804

The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

undated

Rev. William Gilpin, 1724–1804

As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

undated

Rev. William Gilpin, 1724–1804

The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

undated

Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

Rev. William Gilpin, 1724–1804

As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

undated

Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

Rev. William Gilpin, 1724–1804

As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

undated

Valentine Green, 1739–1813

Portrait of David Garrick

Joseph Goupy, 1689–1769

Romanus sum Civis

1726

Print made by Charles Grignion, 1717–1810

History of England, Subscription Receipt

1750

Print made by Simon François Ravenet, 1706–1774

The Landing of Julius Caesar

1751

Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755

Alfred in the Isle of Athelny

1751

Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755

Vortigren and Rowena, or the Settlement of the Saxons in England

1751

Print made by Simon François Ravenet, 1706–1774

The Druids: or, the Conversion of the Britons to Christianity

1752

Valentine Green, 1739–1813

Ludlow Castle, Shropshire

Valentine Green, 1739–1813

Wigmore Castle, Herefordshire

1778

Gerard Sibelius, died 1785

William van de Velde II

Thomas Gaugain, 1748–1812

Dancing Dogs

1790

Thomas Gaugain, 1748–1812

Guinea Pigs

1789

Thomas Watson, 1743–1781

Frances Brooke, Lady Whitmore

1778

Joseph Grozer, ca. 1755–1798

The Gypsie's Tent

Print made by William Ward, 1766–1826

The Kite Entangled

1790

Thomas Gaugain, 1748–1812

Louisa

1789

William Ward, 1766–1826

The Pledge of Love

1788

John Goldar, 1729–1795

The French Admiral Count dr Grasse Bearing Down to Succour the 'Zele'...12th April 1782

1782

unknown artist

Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

Thomas Medland, 1755–1823

Temple of Friendship

1797

after Richard Bernard Godfrey, 1728–op.1794

George, Duke of Clarence

Print made by Robert Thew, 1758–1802

First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

1793

unknown artist

View of the South Sea House

undated

Thomas Bowles III, ca. 1712–1767

A View of Covent Garden, London

1751

unknown artist