Period: 18th century - YCBA Collections Search Search Results

1901. A Bridge Over the River Wye

Creator:: John Taylor of Bath, 1735–1806
Date:: 1776
Materials & Techniques:: Oil on copper
Dimensions:: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1902. Jacob's Dream

Creator:: Sir James Thornhill, 1675–1734
Date:: 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 64 1/2 x 27 1/2 inches (163.8 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1903. St. Paul before Agrippa

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1710
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/4 x 29 1/4 inches (81.9 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1904. Scarlet Macaw, Yellow-naped Amazon, Eurasian Bullfinch, Blue Tit, Eurasian Jay, and Red Squirrel with Fruit

Creator:: Tobias Stranover, 1684–after 1735
Date:: between 1710 and 1724
Materials & Techniques:: Oil on canvas
Dimensions:: 44 1/2 x 62 1/2 inches (113 x 158.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1905. The Reverend Jemmet Browne at a meet of foxhounds

Creator:: Peter Tillemans, 1684–1734
Date:: 1730 to 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1906. The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate

Creator:: Peter Tillemans, 1684–1734
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/4 × 49 1/2 inches (87 × 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1907. Landscape with a Shepherd

Creator:: Charles Towne, 1763–1840
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 32 1/4 inches (62.2 × 81.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1908. A Scene from Don Quixote (Vol.II, Ch.XXIII)

Creator:: John Vanderbank, 1694–1739
Date:: between 1730 and 1736
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 11 3/4 inches (40 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1909. A Young Gentleman Riding a Schooled Horse

Creator:: John Vanderbank, 1694–1739
Date:: between 1728 and 1729
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/8 × 12 3/4 inches (48.6 × 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

1910. Portrait, James Heath

Creator:: John Raphael Smith, 1752–1812
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1911. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

Creator:: William Alexander, 1767–1816
Date:: ca. 1800
Materials & Techniques:: Aquatint engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1912. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1913. A Man of the Sandwich Islands

Creator:: John Webber, 1752–1793
Date:: ca. 1784
Materials & Techniques:: Monotype on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 3/8 inches (22.9 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1914. Portrait of John Flaxman

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 7/8 x 8 3/4in. (25.1 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1915. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 x 16 3/4in. (27.9 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1916. Ruins of Fountaine's Abbey, Yorkshire

Creator:: unknown artist
Date:: ca. 1811
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 x 21 3/4in. (43.2 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1917. Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

Creator:: unknown artist
Date:: ca. 1772
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/8in. (41.9 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1918. Statue Hall or the Modern Register Office

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1769
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 x 15 13/16 inches (28 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1919. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1920. A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort

Creator:: unknown artist
Date:: ca. 1760
Materials & Techniques:: Hand-col. engraving
Dimensions:: Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1921. Vue de Pont de Westminster

Creator:: Print made by Pierre Michel Alix, 1762–1817
Date:: ca. 1799
Materials & Techniques:: Mezzotint and line engraving with hand coloring in watercolor
Dimensions:: Sheet: 18 1/2 x 27 7/8in. (47 x 70.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1922. View of Bombay

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: 1734
Materials & Techniques:: Mezzotint, printed in blue ink on paper
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1923. The Alto Relievo

Creator:: Benjamin Smith, 1775–1833
Date:: 1796
Materials & Techniques:: Stipple on medium, slightly textured, cream wove paper
Dimensions:: Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1924. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1925. The Fall of Agandecca

Creator:: Print made by James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1926. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1927. Wanstead House in Essex

Creator:: Victor Marie Picot, 1744–1805
Date:: 1775
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 24 5/16 inches (45.7 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1928. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1929. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: After 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1930. John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich

Creator:: John Simon, 1675–1751
Date:: 1700
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1931. Francis Atterbury, Bishop of Rochester & Dean of Westminster

Creator:: unknown artist
Date:: 1735-1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1932. Henry Bennet, 1st Earl of Arlington

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1739
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1933. Thomas Ashton D.D.

Creator:: James McArdell, ca. 1729–1765
Date:: 1756
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/4 inches (37.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1934. Mademoiselle Baccelli

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 13 15/16 × 10 inches (35.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1935. George Anson, 1st Baron Anson

Creator:: unknown artist
Date:: ca.1755
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 10 inches (35.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1936. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1937. The Schinderlin

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 3/4 × 13 1/8 inches (47.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1938. Louisa Finch (née Thynne), Countess of Aylesford

Creator:: Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/8 × 14 1/8 inches (48.6 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1939. Virgilia and Volumnia Plead with Coriolanus

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1795
Materials & Techniques:: Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1940. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 16 13/16 x 19 13/16in. (42.7 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1941. Views in the Levant: Gateway in a City Wall With Towers

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 19 3/4in. (32.5 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1942. The Society for the Encouragement of the Arts (2 copies)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1943. The Birth of Venus

Creator:: George Siegmund Facius, 1750–1804
Date:: ca. 1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 10 1/4in. (34.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1944. Elysium and Tartarus or the State of Final Retribution

Creator:: James Barry, 1741–1806
Date:: 1791
Materials & Techniques:: Etching strengthened by engraving
Dimensions:: Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1945. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1946. The Conversion of Polemon

Creator:: James Barry, 1741–1806
Date:: 1778
Materials & Techniques:: Etching
Dimensions:: Sheet: 22 3/8 x 29 1/4in. (56.8 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1947. Views in the Levant: Malta

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1948. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1949. King Lear and Cordelia, Act V, Scene 10

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint; touched with india ink
Dimensions:: Plate: 21 7/8 x 20 1/8in. (55.6 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1950. Ticket of Admission for a Performance of Horace's 'Carmen Seculare'

Creator:: James Barry, 1741–1806
Date:: 1779
Materials & Techniques:: Etching
Dimensions:: Sheet: 6 3/4 x 5in. (17.1 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1951. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1952. King Lear and Cordelia

Creator:: Print made by James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint with India ink, published state
Dimensions:: Plate: 21 7/8 x 21 5/8 inches (55.6 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1953. Mercury Inventing the Lyre

Creator:: John Raphael Smith, 1752–1812
Date:: 1775
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 11/16 x 14 1/2in. (32.2 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1954. Philoctetes in the Island of Lemnos

Creator:: James Barry, 1741–1806
Date:: 1777
Materials & Techniques:: Engraving
Dimensions:: Plate: 8 x 14 1/2in. (20.3 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1955. The Phoenix or the Resurrection of Freedom

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Engraving and aquatint , published state
Dimensions:: Plate: 17 x 24 1/8in. (43.2 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1956. Temple of Jupiter Panhellenios at Aegina

Creator:: William Pars, 1742–1782
Date:: between 1764 and 1766
Materials & Techniques:: Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1957. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1958. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1959. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1960. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1961. Semiramis

Creator:: William Smith, active 1775–1776
Date:: ca. 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 6 7/8in. (25.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1962. Temptation of Adam

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching
Dimensions:: Sheet: 28 3/4 x 16 1/8in. (73 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1963. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1964. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Creator:: Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1965. Gates of the Alhambra: Puerta de los Siete Suelos

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1966. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1967. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1968. Architectural Sketches of Sections in Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1969. Entrance of the Torre de las dos Hermanas in the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1970. Column of the Court of Lions

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1971. Cupboard in the Hall of the Embassadors

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, brown ink and black wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1972. Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1973. Six Capitals of Columns in the Court of Lions in the Alambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1974. Measures of Mequita as it was in the Time of the Arabians

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1975. Sketches for Capitals of Columns and Mosaic Squares at Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, gray wash, gray ink, black ink and pen on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1976. Coat of Arms Design

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1977. The Great Bath of the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1978. Tree Study

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1979. Coat of Arms

Creator:: Henry Swinburne, 1743–1803
Date:: 1777
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 4 7/8 inches (7.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1980. Garonne River

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1981. Picturesque Landscape

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1982. Plan of the Ports & Environs of Taranto, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1779
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1983. Landscape with Ruins in the Foreground, Harbor and Village, in Background

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash and graphie on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1984. Gates of the Alhambra: Puerta del Juicio

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Gray wash, graphite, and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1985. Door of the New Palace at the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Gray wash, brown wash, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1986. Châteaux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1987. Nisida, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1779
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1988. Near Terracina

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1989. From Tynemouth

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1990. Bay of Margals

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1991. Lozère Near Montpellier

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, blue laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1992. Montmélian, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1993. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1994. Tomb of the Scipios near Tarragona

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1995. Granada, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1996. Castle of Sax

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1997. Saint-Hilaire, Bord du Loiret

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1998. Castle of Las Navas de Tolosa, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1999. Crypt of St. Oswald's Church, Malpas, England

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2000. Gavarnie, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

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1901. A Bridge Over the River Wye

1902. Jacob's Dream

1903. St. Paul before Agrippa

1904. Scarlet Macaw, Yellow-naped Amazon, Eurasian Bullfinch, Blue Tit, Eurasian Jay, and Red Squirrel with Fruit

1905. The Reverend Jemmet Browne at a meet of foxhounds

1906. The Round Course at Newmarket, Cambridgeshire, Preparing for the King's Plate

1907. Landscape with a Shepherd

1908. A Scene from Don Quixote (Vol.II, Ch.XXIII)

1909. A Young Gentleman Riding a Schooled Horse

1910. Portrait, James Heath

1911. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

1912. Perspective View of the Bridge at Sion

1913. A Man of the Sandwich Islands

1914. Portrait of John Flaxman

1915. The Royal Palace of Windsor

1916. Ruins of Fountaine's Abbey, Yorkshire

1917. Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

1918. Statue Hall or the Modern Register Office

1919. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

1920. A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort

1921. Vue de Pont de Westminster

1922. View of Bombay

1923. The Alto Relievo

1924. Fainasollis, Borbar and Fingal

1925. The Fall of Agandecca

1926. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1927. Wanstead House in Essex

1928. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1929. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

1930. John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich

1931. Francis Atterbury, Bishop of Rochester & Dean of Westminster

1932. Henry Bennet, 1st Earl of Arlington

1933. Thomas Ashton D.D.

1934. Mademoiselle Baccelli

1935. George Anson, 1st Baron Anson

1936. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1937. The Schinderlin

1938. Louisa Finch (née Thynne), Countess of Aylesford

1939. Virgilia and Volumnia Plead with Coriolanus

1940. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

1941. Views in the Levant: Gateway in a City Wall With Towers

1942. The Society for the Encouragement of the Arts (2 copies)

1943. The Birth of Venus

1944. Elysium and Tartarus or the State of Final Retribution

1945. Views in the Levant: Paestum

1946. The Conversion of Polemon

1947. Views in the Levant: Malta

1948. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1949. King Lear and Cordelia, Act V, Scene 10

1950. Ticket of Admission for a Performance of Horace's 'Carmen Seculare'

1951. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

1952. King Lear and Cordelia

1953. Mercury Inventing the Lyre

1954. Philoctetes in the Island of Lemnos

1955. The Phoenix or the Resurrection of Freedom

1956. Temple of Jupiter Panhellenios at Aegina

1957. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

1958. Repose in Egypt

1959. Repose in Egypt

1960. Views in the Levant: The Sacred Cave of Archidamus

1961. Semiramis

1962. Temptation of Adam

1963. The Revolt of the Fleet, 1642

1964. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

1965. Gates of the Alhambra: Puerta de los Siete Suelos

1966. Court of the Lions in the Alhambra of Granada

1967. Court of the Lions in the Alhambra of Granada

1968. Architectural Sketches of Sections in Alhambra of Granada

1969. Entrance of the Torre de las dos Hermanas in the Alhambra

1970. Column of the Court of Lions

1971. Cupboard in the Hall of the Embassadors

1972. Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada

1973. Six Capitals of Columns in the Court of Lions in the Alambra of Granada

1974. Measures of Mequita as it was in the Time of the Arabians

1975. Sketches for Capitals of Columns and Mosaic Squares at Alhambra