Period: 18th century - YCBA Collections Search Search Results

1901. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1902. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1903. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1904. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1905. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1906. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1907. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1908. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1909. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1910. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1911. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1912. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1913. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1914. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1915. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1916. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1917. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1918. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1919. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1920. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1921. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1922. Small Sketchbook / Album

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Sketchbook in tooled suede-covered boards with three sketched sheets of twelve leaves, manuscript notes, and nineteen additional drawings inserted
Dimensions:: Spine: 8 1/4 inches (21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

1923. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1924. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1925. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1926. Portrait, James Heath

Creator:: John Raphael Smith, 1752–1812
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1927. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

Creator:: William Alexander, 1767–1816
Date:: ca. 1800
Materials & Techniques:: Aquatint engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1928. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1929. A Man of the Sandwich Islands

Creator:: John Webber, 1752–1793
Date:: ca. 1784
Materials & Techniques:: Monotype on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 3/8 inches (22.9 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1930. Portrait of John Flaxman

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 7/8 x 8 3/4in. (25.1 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1931. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 x 16 3/4in. (27.9 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1932. Ruins of Fountaine's Abbey, Yorkshire

Creator:: unknown artist
Date:: ca. 1811
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 x 21 3/4in. (43.2 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1933. Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

Creator:: unknown artist
Date:: ca. 1772
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 21 3/8in. (41.9 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1934. Statue Hall or the Modern Register Office

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1769
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 x 15 13/16 inches (28 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1935. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1936. A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort

Creator:: unknown artist
Date:: ca. 1760
Materials & Techniques:: Hand-col. engraving
Dimensions:: Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1937. Vue de Pont de Westminster

Creator:: Print made by Pierre Michel Alix, 1762–1817
Date:: ca. 1799
Materials & Techniques:: Mezzotint and line engraving with hand coloring in watercolor
Dimensions:: Sheet: 18 1/2 x 27 7/8in. (47 x 70.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1938. View of Bombay

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: 1734
Materials & Techniques:: Mezzotint, printed in blue ink on paper
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1939. The Alto Relievo

Creator:: Benjamin Smith, 1775–1833
Date:: 1796
Materials & Techniques:: Stipple on medium, slightly textured, cream wove paper
Dimensions:: Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1940. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1941. The Fall of Agandecca

Creator:: Print made by James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1942. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1943. Wanstead House in Essex

Creator:: Victor Marie Picot, 1744–1805
Date:: 1775
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 24 5/16 inches (45.7 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1944. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1945. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: After 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1946. John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich

Creator:: John Simon, 1675–1751
Date:: 1700
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1947. Francis Atterbury, Bishop of Rochester & Dean of Westminster

Creator:: unknown artist
Date:: 1735-1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1948. Henry Bennet, 1st Earl of Arlington

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1739
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1949. Thomas Ashton D.D.

Creator:: James McArdell, ca. 1729–1765
Date:: 1756
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/4 inches (37.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1950. Mademoiselle Baccelli

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 13 15/16 × 10 inches (35.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1951. George Anson, 1st Baron Anson

Creator:: unknown artist
Date:: ca.1755
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 10 inches (35.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1952. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1953. The Schinderlin

Creator:: John Raphael Smith, 1752–1812
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 3/4 × 13 1/8 inches (47.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1954. Louisa Finch (née Thynne), Countess of Aylesford

Creator:: Valentine Green, 1739–1813
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 1/8 × 14 1/8 inches (48.6 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1955. Virgilia and Volumnia Plead with Coriolanus

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1795
Materials & Techniques:: Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1956. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 16 13/16 x 19 13/16in. (42.7 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1957. Views in the Levant: Gateway in a City Wall With Towers

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 19 3/4in. (32.5 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1958. The Society for the Encouragement of the Arts (2 copies)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1959. The Birth of Venus

Creator:: George Siegmund Facius, 1750–1804
Date:: ca. 1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 10 1/4in. (34.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1960. Elysium and Tartarus or the State of Final Retribution

Creator:: James Barry, 1741–1806
Date:: 1791
Materials & Techniques:: Etching strengthened by engraving
Dimensions:: Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1961. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1962. The Conversion of Polemon

Creator:: James Barry, 1741–1806
Date:: 1778
Materials & Techniques:: Etching
Dimensions:: Sheet: 22 3/8 x 29 1/4in. (56.8 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1963. Views in the Levant: Malta

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1964. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1965. King Lear and Cordelia, Act V, Scene 10

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint; touched with india ink
Dimensions:: Plate: 21 7/8 x 20 1/8in. (55.6 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1966. Ticket of Admission for a Performance of Horace's 'Carmen Seculare'

Creator:: James Barry, 1741–1806
Date:: 1779
Materials & Techniques:: Etching
Dimensions:: Sheet: 6 3/4 x 5in. (17.1 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1967. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1968. King Lear and Cordelia

Creator:: Print made by James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint with India ink, published state
Dimensions:: Plate: 21 7/8 x 21 5/8 inches (55.6 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1969. Mercury Inventing the Lyre

Creator:: John Raphael Smith, 1752–1812
Date:: 1775
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 11/16 x 14 1/2in. (32.2 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1970. Philoctetes in the Island of Lemnos

Creator:: James Barry, 1741–1806
Date:: 1777
Materials & Techniques:: Engraving
Dimensions:: Plate: 8 x 14 1/2in. (20.3 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1971. The Phoenix or the Resurrection of Freedom

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Engraving and aquatint , published state
Dimensions:: Plate: 17 x 24 1/8in. (43.2 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1972. Temple of Jupiter Panhellenios at Aegina

Creator:: William Pars, 1742–1782
Date:: between 1764 and 1766
Materials & Techniques:: Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1973. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1974. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1975. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1976. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1977. Semiramis

Creator:: William Smith, active 1775–1776
Date:: ca. 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 6 7/8in. (25.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1978. Temptation of Adam

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching
Dimensions:: Sheet: 28 3/4 x 16 1/8in. (73 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1979. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1980. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Creator:: Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1981. Gates of the Alhambra: Puerta de los Siete Suelos

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1982. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1983. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1984. Architectural Sketches of Sections in Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1985. Entrance of the Torre de las dos Hermanas in the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1986. Column of the Court of Lions

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1987. Cupboard in the Hall of the Embassadors

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, brown ink and black wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1988. Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1989. Six Capitals of Columns in the Court of Lions in the Alambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1990. Measures of Mequita as it was in the Time of the Arabians

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1991. Sketches for Capitals of Columns and Mosaic Squares at Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, gray wash, gray ink, black ink and pen on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1992. Coat of Arms Design

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1993. The Great Bath of the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1994. Tree Study

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1995. Coat of Arms

Creator:: Henry Swinburne, 1743–1803
Date:: 1777
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 4 7/8 inches (7.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1996. Garonne River

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1997. Picturesque Landscape

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1998. Plan of the Ports & Environs of Taranto, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1779
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1999. Landscape with Ruins in the Foreground, Harbor and Village, in Background

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash and graphie on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2000. Gates of the Alhambra: Puerta del Juicio

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Gray wash, graphite, and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

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1901. Sketchbook Drawing

1902. Sketchbook Drawing

1903. Sketchbook Drawing

1904. Sketchbook Drawing

1905. Sketchbook Drawing

1906. Sketchbook Drawing

1907. Sketchbook Drawing

1908. Sketchbook Drawing

1909. Sketchbook Drawing

1910. Sketchbook Drawing

1911. Sketchbook Drawing

1912. Sketchbook Drawing

1913. Sketchbook Drawing

1914. Sketchbook Drawing

1915. Sketchbook Drawing

1916. Sketchbook Drawing

1917. Sketchbook Drawing

1918. Sketchbook Drawing

1919. Sketchbook Drawing

1920. Sketchbook Drawing

1921. Sketchbook Drawing

1922. Small Sketchbook / Album

1923. Sketchbook Drawing

1924. Sketchbook Drawing

1925. Manuscript Notes

1926. Portrait, James Heath

1927. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

1928. Perspective View of the Bridge at Sion

1929. A Man of the Sandwich Islands

1930. Portrait of John Flaxman

1931. The Royal Palace of Windsor

1932. Ruins of Fountaine's Abbey, Yorkshire

1933. Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613

1934. Statue Hall or the Modern Register Office

1935. A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.

1936. A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort

1937. Vue de Pont de Westminster

1938. View of Bombay

1939. The Alto Relievo

1940. Fainasollis, Borbar and Fingal

1941. The Fall of Agandecca

1942. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1943. Wanstead House in Essex

1944. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1945. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

1946. John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich

1947. Francis Atterbury, Bishop of Rochester & Dean of Westminster

1948. Henry Bennet, 1st Earl of Arlington

1949. Thomas Ashton D.D.

1950. Mademoiselle Baccelli

1951. George Anson, 1st Baron Anson

1952. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1953. The Schinderlin

1954. Louisa Finch (née Thynne), Countess of Aylesford

1955. Virgilia and Volumnia Plead with Coriolanus

1956. The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)

1957. Views in the Levant: Gateway in a City Wall With Towers

1958. The Society for the Encouragement of the Arts (2 copies)

1959. The Birth of Venus

1960. Elysium and Tartarus or the State of Final Retribution

1961. Views in the Levant: Paestum

1962. The Conversion of Polemon

1963. Views in the Levant: Malta

1964. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

1965. King Lear and Cordelia, Act V, Scene 10

1966. Ticket of Admission for a Performance of Horace's 'Carmen Seculare'

1967. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

1968. King Lear and Cordelia

1969. Mercury Inventing the Lyre

1970. Philoctetes in the Island of Lemnos

1971. The Phoenix or the Resurrection of Freedom

1972. Temple of Jupiter Panhellenios at Aegina

1973. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

1974. Repose in Egypt

1975. Repose in Egypt