Period: 18th century - YCBA Collections Search Search Results

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Robert Blyth, 1750–1784

Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)

1781

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Samuel Ireland, 1744–1800

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

Samuel Ireland, 1744–1800

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

Joseph Haynes, 1760–1829

Death on a Pale Horse

1784

Joseph Haynes, 1760–1829

A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)

1784

Joseph Haynes, 1760–1829

Saint Paul Preaching to the Britons

1780

Charles Reuben Ryley, 1752–1798

Two Women at Toilette

1780

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Robert Blyth, 1750–1784

Silenus

1779

John Hall, 1739–1797

Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)

John Hall, 1739–1797

Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)

John Hall, 1739–1797

Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)

1780

John Hall, 1739–1797

Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)

1780

Simon François Ravenet, 1706–1774

The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)

1781

Josiah Wedgwood, 1730–1795

Samuel Johnson

ca. 1784

Robert Blyth, 1750–1784

Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)

1781

Robert Blyth, 1750–1784

Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)

1781

Robert Blyth, 1750–1784

Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)

1781

unknown artist

Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

Joseph Haynes, 1760–1829

Banditti

1780

Jacob Hogg, active 1751

Department of the Canterbury Pilgrims: Prologue, The Canterbury Tales (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

1787

George Vertue, 1684–1756

William Shakespeare

1719

Print made by William Doughty, 1757–1782

Mr. Thomas Gray

undated

George Vertue, 1684–1756

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'

1750

unknown artist

A Perspective View of Hatfield House. The Seat of the Right Hon. the Lord Salisbury

George Vertue, 1684–1756

Mr. John Stow, Historian

undated

George Vertue, 1684–1756

Edward IV King of England and France, Lord of Ireland

1732

Henry Hulsberg, active 1700s–died 1729

Bulstrodus Whitlocke, Eques. Aurat

undated

unknown artist

Portrait of a Man

undated

George Vertue, 1684–1756

Queen Mary I

1732

George Vertue, 1684–1756

Philip II King of Spain

1735

$Joseph Sympson Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster$

Joseph Sympson, active 1725–died 1736

Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster

undated

John Raphael Smith, 1752–1812

Joseph Warton, D.D. Master of Winchester College

1777

George Vertue, 1684–1756

His Excellency Thomas Earl of Strafford

1714

George Vertue, 1684–1756

King Henry VI

1732

Robert Blyth, 1750–1784

Caius Marius Sitting on the Ruins of Carthage

1781

Jacob Hogg, active 1751

Canterbury Tales: The Sompnour Devil and the Old Woman (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

1787

John Keyse Sherwin, c.1751–1790

Lancelot Brown Esq

ca. 1769

George Vertue, 1684–1756

King William the Conquerer

1745

George Vertue, 1684–1756

Edward III, King of England and France

1732

Print made by James Basire, 1730–1802

Mr. Thomas Gray

ca. 1771

Jacob Hogg, active 1751

Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

1787

John Keyse Sherwin, c.1751–1790

Canterbury Tales: January and May (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

George Vertue, 1684–1756

Richard III, King of England

1732

Print made by George Vertue, 1684–1756

King Henry VII and Elizabeth of York, Queen of England

Jacob Hogg, active 1751

Canterbury Tales: The Frere and Thomas (Notes to number 77-78 of Catalogue Mortimer Exhibition 1968)

1787

George Vertue, 1684–1756

Edward I, King of England, Lord of Ireland and Duke of Aquitaine

undated

George Vertue, 1684–1756

Edward Prince of Wales and Aquitaine, Duke of Cornwall

undated

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)

1775

John Hamilton Mortimer, 1740–1779

Edgar, from King Lear, Act III, Scene iii

John Hamilton Mortimer, 1740–1779

'Poet, from A Midsummer Night's Dream, Act V, Scene i'

1775

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)

Print made by George F. Schmidt, 1712–1775

Felice Salimbeni

1751

John Hamilton Mortimer, 1740–1779

Ophelia, from Hamlet, Act IV, Scene 7

1775

Giovanni Battista Cipriani, 1727–1785

John Milton

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."

1776

Charles Howard Hodges, 1764–1837

Rev. Thomas Warton

1784

Print made by Robert Blyth, 1750–1784

The Captive

1781

John Hamilton Mortimer, 1740–1779

Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)

unknown artist

Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)

1782

Charleton Nesbit, 1775–1838

Prospectus for the largest engraving on wood ever attempted

John Hamilton Mortimer, 1740–1779

Tragedy

1778

attributed to John Russell, 1745–1806

Portrait of a Gent Called Edmund Burke

undated

Print made by Samuel William Reynolds, 1773–1835

Death of Captain Alexander Hood

1798

Print made by Philip Dawe, ca.1750–ca.1790

Gadshill

1796

Print made by Henry Kingsbury, active 1750–1780

Samuel, Lord Hood

1783

Print made by James Walker, 1748–1808

The Spell, or Hobnelia

1783

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787

Charles Mosley An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751

Charles Mosley, c.1720–c.1770

An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751