<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Period 18th century

Remove constraint Period: 18th century

Search Results

George Siegmund Facius Faith
George Siegmund Facius, 1750–1804
Faith
1781
George Siegmund Facius Justice
George Siegmund Facius, 1750–1804
Justice
1782
George Siegmund Facius Temperance
George Siegmund Facius, 1750–1804
Temperance
1782
George Siegmund Facius Fortitude
George Siegmund Facius, 1750–1804
Fortitude
1782
George Siegmund Facius Charity
George Siegmund Facius, 1750–1804
Charity
1781
George Engleheart Portrait of a Gentleman
George Engleheart, 1753–1829
Portrait of a Gentleman
1787
Alexander Bannerman William Kent
Alexander Bannerman, ca. 1730–1780
William Kent
1762
Thomas Trotter George Jameson
Thomas Trotter, ca. 1750–1803
George Jameson
undated
Robert Laurie David Garrick, Esq.
Robert Laurie, 1755?–1836
David Garrick, Esq
1779
Luigi Balugani Cordia abyssinica: finished drawing
Luigi Balugani, 1737–1770
Cordia abyssinica: finished drawing
undated
unknown artist View of Sir William Hamilton's Villa at Posilipo
unknown artist
View of Sir William Hamilton's Villa at Posilipo
undated
John Opie Standing Classical Male Figure with Spear
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
Alexander Bannerman James Gibbs
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
Edward Fisher Nathaniel Hone
Edward Fisher, 1722–1785
Nathaniel Hone
between 1758 and 1782
Alexander Bannerman William Faithorne
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
Thomas Rowlandson Heads: Fancynina
Thomas Rowlandson, 1756–1827
Heads: Fancynina
1800
Thomas Rowlandson Heads: Barberorum
Thomas Rowlandson, 1756–1827
Heads: Barberorum
1800
Thomas Rowlandson Heads: Allegora
Thomas Rowlandson, 1756–1827
Heads: Allegora
1800
Thomas Rowlandson Heads: Publicorum
Thomas Rowlandson, 1756–1827
Heads: Publicorum
1800
Thomas Rowlandson Heads: Virginia
Thomas Rowlandson, 1756–1827
Heads: Virginia
1800
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Thomas Rowlandson Heads: Flora
Thomas Rowlandson, 1756–1827
Heads: Flora
1800
Thomas Rowlandson Heads: Physicorum
Thomas Rowlandson, 1756–1827
Heads: Physicorum
1800
James Gillray Coming-In at the Death
James Gillray, 1756–1815
Coming-In at the Death
1800
James Gillray Cockney-Sportsmen Shooting-Flying
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
Joseph Grozer Evening or the Sportsman's Return
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
James Gillray Cockney-Sportsmen finding a Hare
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
John Robert Cozens The Bay of Naples from Capodimonte, Italy
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
Francis Towne View on Lake Maggiore at Evening
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
John Faber the Younger Sir Godfrey Kneller
John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
William Sharp Thomas Paine
William Sharp, 1749–1824
Thomas Paine
1793
William Wynne Ryland King John Ratifying the Magna Charta
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
John Faber the Younger The Swain's Amusement
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
John Faber the Younger The Housewife's Employment
Print made by John Faber the Younger, ca. 1695–1756
The Housewife's Employment
undated
John Faber the Younger Young Male Shearing a Sheep
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
John Faber the Younger A Girl Spinning Thread
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
Bernard Lens II A Triton holding a Fish
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
Thomas Worlidge Portrait of Sir Edward Astley
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Alexander Bannerman Marc Garrard
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
Charles Townley Hogarth
Charles Townley, 1746–c.1800
Hogarth
1781
Thomas Rowlandson Heads: Epicurum
Thomas Rowlandson, 1756–1827
Heads: Epicurum
1800
Thomas Rowlandson Heads: Hazardorum
Thomas Rowlandson, 1756–1827
Heads: Hazardorum
1800
Thomas Rowlandson Heads: Billingsgatina
Thomas Rowlandson, 1756–1827
Heads: Billingsgatina
1800
Thomas Rowlandson Heads: Penserosa
Thomas Rowlandson, 1756–1827
Heads: Penserosa
1800
Thomas Rowlandson Heads: Battleorum
Thomas Rowlandson, 1756–1827
Heads: Battleorum
1800
Thomas Rowlandson Heads: Nunina.
Thomas Rowlandson, 1756–1827
Heads: Nunina
1800
James Gillray Hounds in Finding
James Gillray, 1756–1815
Hounds in Finding
1800
James Gillray Hounds Throwing-Off
James Gillray, 1756–1815
Hounds Throwing-Off
1800
James Gillray Cockney-Sportsmen Re-charging
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
William Pether Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
William Pether, ca. 1738–1821
Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
1789
John Faber the Younger Philippe Mercier
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
Francesco Bartolozzi Ticket for the Theatre Royal, Haymarket
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Theatre Royal, Covent Garden
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822
James McArdell
1771
Francesco Bartolozzi Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
Francesco Bartolozzi Cupid and Psyche
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
Thomas Rowlandson The Love Letter
Thomas Rowlandson, 1756–1827
The Love Letter
ca. 1790
Thomas Gainsborough Study of a Woman in a Mob Cap
Thomas Gainsborough, 1727–1788
Study of a Woman in a Mob Cap
undated
Thomas Girtin Figure Costume Study: French Lady of Quality in 1501
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
Thomas Rowlandson Set of Six Views in London, (Turn Pike series)
Thomas Rowlandson, 1756–1827
Set of Six Views in London, (Turn Pike series)
1797
Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
Thomas Girtin Rievaulx Abbey, Yorkshire
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
Thomas Girtin A Village in a Wood
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
Thomas Girtin View of Kingswear, from Dartmouth, Devon
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
Thomas Girtin Ripon Minster, Yorkshire
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
unknown artist Habit of an Arabian Soldier
Print made by unknown artist
Habit of an Arabian Soldier
between 1757 and 1772
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
Thomas Girtin Guisborough Priory
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
George Siegmund Facius George III
George Siegmund Facius, 1750–1804
George III
1791
Samuel Scott Westminster Bridge under Construction
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
John Skippe Title page, Le Blanc
John Skippe, 1741–1812
Title page, Le Blanc
1781
Thomas Rowlandson Newport High Street, Isle of Wight
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
Thomas Rowlandson A Worn Out Debauchée
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767
George Smith Landscape
George Smith, 1714–1776
Landscape
1767