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Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seated Lady with Book
Creator:
William Hoare, 1706/7–1792/99
Date:
undated
Materials & Techniques:
Red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 6 5/8 inches (25.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Putney Church and Bridge
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1772
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 1/4 x 12 inches (23.5 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Cottage, Bridge and Figures
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 9 1/4 inches (23.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Park
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Gray wash with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 1/4 x 13 3/8 inches (26 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Between Chiswick and Brentford
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with black ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5211. At Mortlake

At Mortlake
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1773
Materials & Techniques:
Gray wash, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Englefield House, Berkshire
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 11 3/4 inches (24.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Thames at Barnes
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1773
Materials & Techniques:
Brown wash, gray wash, and pen and gray ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gatehouse, Reading Abbey
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor with brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The French Lady in London
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1771
Materials & Techniques:
Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with a Ruined Norman Church
Creator:
attributed to Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:
Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The English Lady at Paris
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1771
Materials & Techniques:
Gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece design for John Fayram's "Eight Views after Nature"
Creator:
John Fayram, op.1713–1743
Date:
ca. 1739
Materials & Techniques:
Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Northwest View of Castle Church, Hexham, Northumberland
Creator:
Attributed to Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation for the West Front of Parliament House, Dublin
Creator:
James Gandon, 1742–1823
Date:
ca. 1787
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 15 1/16 inches (25.1 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Peasant and Donkeys
Creator:
follower of Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Brown and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 15 1/8 inches (27.9 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918
Mrs. Thomas Pownall, née Kennett
Creator:
Daniel Gardner, 1750–1805
Date:
1784
Materials & Techniques:
Pastel, gouache, and graphite on moderately thick, slightly textured, cream laid paper mounted to linen
Dimensions:
Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Edward B. Greene, B.A. 1900
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, over graphite with red chalk, incised and squared for transfer on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 × 7 5/8 inches (27.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Justinian Casamajor and Eight of her Children
Creator:
Daniel Gardner, 1750–1805
Date:
1779
Materials & Techniques:
Gouache, pastel and oil on moderately thick, slightly textured, brown laid paper mounted to linen
Dimensions:
Sheet: 31 1/2 × 38 inches (80 × 96.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Medal: Concordia Victrix
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1767
Materials & Techniques:
Graphite and black chalk, incised and squared for transfer on medium, slightly textured, gray laid paper
Dimensions:
Mount: 11 × 7 7/8 inches (27.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Georgian Mansion, front and side elevations
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, white laid paper
Dimensions:
Sheet: 15 3/4 x 30 13/16 inches (40 x 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Layout Design for a Bookplate
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: Bust of a Roman Man
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Red chalk and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Vignette: The King of France Surrounded by Courtiers
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 11 inches (28.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 x 11 inches (39.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1762
Materials & Techniques:
Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: Allegorical Landscape
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Royal Monument
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visiting the Sick
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Effusions of a Pot of Porter
Creator:
James Gillray, 1756–1815
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
Creator:
James Gillray, 1756–1815
Date:
1790
Materials & Techniques:
Etching, aquatint and stipple engraving, proof before letters
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paille d'Avoine Paille d'Avoine
Creator:
Print made by Samuel Egerton Leigh, active 1786
Date:
1786
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Councellor Ego. -i.e: little i, myself i
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Les Membres du Conseil des Cinq Cents. French Habits No. 3
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5244. [ untitled ]

[ untitled ]
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Dimensions:
Image: 9 5/8 x 7 1/16 inches (24.5 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Président d'Administration Municipale. French Habits no 5
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Peep into the Cave of Jacobinism
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Taking Physic
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
General Sorrow, touring the French Directory into Russia
Creator:
Isaac Cruikshank, 1764–1811
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Standing dish at Boodles
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boreas Effecting what Health & Modesty could not
Creator:
John Cawse, 1779–1862
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Royal Recreation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Maid of Bath or Mac in her Teens
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Masonic Anecdote
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
Creator:
L. Truchy, 1721–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
Creator:
William Elliot, active 1774, died 1792
Date:
1761
Materials & Techniques:
Color engraving
Dimensions:
Sheet: 13 1/4 x 20 15/16in. (33.7 x 53.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 x 21 1/2 inches (43.2 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Profile of a Horse Facing Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 7 inches (14.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5266. Edward Mason

Edward Mason
Creator:
Paul Sandby, 1731–1809
Date:
between 1755 and 1760
Materials & Techniques:
Watercolor and graphite on medium, sightly textured, cream laid paper
Dimensions:
Frame: 13 3/8 × 10 1/4 × 13/16 inches (34 × 26 × 2.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scarlet Ibis
Creator:
Sarah Stone, active 1786
Date:
ca. 1786
Materials & Techniques:
Watercolor heightened with white
Dimensions:
Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rhinoceros in the Peshwa's Menagerie at Poona
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
1790
Materials & Techniques:
Pen and black ink, brown ink, gray wash, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 14 5/8 inches (22.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of Parties
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
Creator:
James Gillray, 1756–1815
Date:
1785
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duke William's Ghost
Creator:
James Gillray, 1756–1815
Date:
1799
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss, I have a Monstrous Crow to pluck with you!!
Creator:
James Gillray, 1756–1815
Date:
1794
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Projected Design for Fonthill Abbey, Wiltshire
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Watercolor and graphite on slightly textured, cream wove paper
Dimensions:
Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Office of Ordnance with the Entrance of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Chiavenna
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildings Overlooking Water, near Naples
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection