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Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
William Hoare Seated Lady with Book
William Hoare, 1706/7–1792/99
Seated Lady with Book
undated
Samuel Hieronymus Grimm Putney Church and Bridge
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
Samuel Hieronymus Grimm Landscape with Cottage, Bridge and Figures
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774
Samuel Hieronymus Grimm Greenwich Park
Samuel Hieronymus Grimm, 1733–1794
Greenwich Park
undated
Samuel Hieronymus Grimm Kennington Common
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
Samuel Hieronymus Grimm Between Chiswick and Brentford
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
Samuel Hieronymus Grimm At Mortlake
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
Samuel Hieronymus Grimm Englefield House, Berkshire
Samuel Hieronymus Grimm, 1733–1794
Englefield House, Berkshire
undated
Samuel Hieronymus Grimm On the Thames at Barnes
Samuel Hieronymus Grimm, 1733–1794
On the Thames at Barnes
ca. 1773
Samuel Hieronymus Grimm The Gatehouse, Reading Abbey
Samuel Hieronymus Grimm, 1733–1794
The Gatehouse, Reading Abbey
undated
Capt. Francis Grose Norham Castle, Northumberland
Capt. Francis Grose, 1731–1791
Norham Castle, Northumberland
undated
Samuel Hieronymus Grimm The French Lady in London
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
Samuel Hieronymus Grimm Landscape with a Ruined Norman Church
attributed to Samuel Hieronymus Grimm, 1733–1794
Landscape with a Ruined Norman Church
undated
Samuel Hieronymus Grimm The English Lady at Paris
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
John Fayram Frontispiece design for John Fayram's "Eight Views after Nature"
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
Capt. Francis Grose Northwest View of Castle Church, Hexham, Northumberland
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
James Gandon Elevation for the West Front of Parliament House, Dublin
James Gandon, 1742–1823
Elevation for the West Front of Parliament House, Dublin
ca. 1787
Thomas Gainsborough Wooded Landscape with Peasant and Donkeys
follower of Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant and Donkeys
undated
Daniel Gardner Mrs. Thomas Pownall, née Kennett
Daniel Gardner, 1750–1805
Mrs. Thomas Pownall, née Kennett
1784
Hubert-François Gravelot Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
Daniel Gardner Mrs. Justinian Casamajor and Eight of her Children
Daniel Gardner, 1750–1805
Mrs. Justinian Casamajor and Eight of her Children
1779
Hubert-François Gravelot Design for a Medal: Concordia Victrix
Hubert-François Gravelot, 1699–1773
Design for a Medal: Concordia Victrix
ca. 1767
unknown artist A Georgian Mansion, front and side elevations
unknown artist
A Georgian Mansion, front and side elevations
ca. 1790
Hubert-François Gravelot Layout Design for a Bookplate
Hubert-François Gravelot, 1699–1773
Layout Design for a Bookplate
undated
Hubert-François Gravelot Design for a Frontispiece: Bust of a Roman Man
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Bust of a Roman Man
undated
Hubert-François Gravelot Design for an Engraving: Battle of Troy with the Trojan Horse
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
Hubert-François Gravelot Design for a Vignette: The King of France Surrounded by Courtiers
Hubert-François Gravelot, 1699–1773
Design for a Vignette: The King of France Surrounded by Courtiers
undated
Hubert-François Gravelot Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
Hubert-François Gravelot Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
Hubert-François Gravelot Design for a Frontispiece: Allegorical Landscape
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
Hubert-François Gravelot Design for a Royal Monument
Hubert-François Gravelot, 1699–1773
Design for a Royal Monument
undated
Hubert-François Gravelot Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
Hubert-François Gravelot Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
James Gillray Visiting the Sick
James Gillray, 1756–1815
Visiting the Sick
1806
James Gillray Effusions of a Pot of Porter
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
James Gillray Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
Samuel Egerton Leigh Paille d'Avoine Paille d'Avoine
Print made by Samuel Egerton Leigh, active 1786
Paille d'Avoine Paille d'Avoine
1786
James Gillray Councellor Ego. -i.e: little i, myself i
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
James Gillray Les Membres du Conseil des Cinq Cents. French Habits No. 3
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
James Gillray [ untitled ]
James Gillray, 1756–1815
[ untitled ]
1800
James Gillray Président d'Administration Municipale. French Habits no 5
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
James Gillray Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
James Gillray A Peep into the Cave of Jacobinism
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
James Gillray Taking Physic
James Gillray, 1756–1815
Taking Physic
1800
Isaac Cruikshank General Sorrow, touring the French Directory into Russia
Isaac Cruikshank, 1764–1811
General Sorrow, touring the French Directory into Russia
1799
James Gillray A Standing dish at Boodles
James Gillray, 1756–1815
A Standing dish at Boodles
1800
John Cawse Boreas Effecting what Health & Modesty could not
John Cawse, 1779–1862
Boreas Effecting what Health & Modesty could not
1800
Isaac Cruikshank Royal Recreation
Isaac Cruikshank, 1764–1811
Royal Recreation
1795
Isaac Cruikshank Resignation the Greatest of all Virtues
Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
Isaac Cruikshank The Maid of Bath or Mac in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath or Mac in her Teens
1792
James Gillray A Masonic Anecdote
James Gillray, 1756–1815
A Masonic Anecdote
1786
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
L. Truchy Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
L. Truchy, 1721–1764
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her
William Elliot One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.
William Elliot, active 1774, died 1792
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad
1761
unknown artist A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
unknown artist
A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's
1770
unknown artist Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
unknown artist
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
Francis Jukes Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
James Seymour Profile of a Horse Facing Left
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
Paul Sandby Edward Mason
Paul Sandby, 1731–1809
Edward Mason
between 1755 and 1760
Sarah Stone A Scarlet Ibis
Sarah Stone, active 1786
A Scarlet Ibis
ca. 1786
Gangaram Chintaman Tambat A Rhinoceros in the Peshwa's Menagerie at Poona
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
James Gillray Junction of Parties
James Gillray, 1756–1815
Junction of Parties
1783
James Gillray Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
James Gillray Duke William's Ghost
James Gillray, 1756–1815
Duke William's Ghost
1799
James Gillray Miss, I have a Monstrous Crow to pluck with you!!
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
James Wyatt Projected Design for Fonthill Abbey, Wiltshire
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
unknown artist Plan of Westminster Showing the Coronation Route of George II
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
John Thomas Smith Geometrical Construction of the Freeze and Battlements in the House of Commons
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
unknown artist View of the Office of Ordnance with the Entrance of the House of Lords
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
unknown artist Near Chiavenna
unknown artist
Near Chiavenna
ca. 1796
Monro School Buildings Overlooking Water, near Naples
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
John Collins The North Prospect of Westminster Abbey
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
Thomas Rowlandson Comforts of Bath: The Concert
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798