Period: 18th century - YCBA Collections Search Search Results

unknown artist

A View of the Palace of Marli toward the little Parterre

unknown artist

A View of the Palace of Marli toward the little Parterre

James Scouler, 1741–1812

Portrait of a Lady

1781

I. Pane

A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

Print made by Paul Angier, active 1749

A View of Paris

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Print made by unknown artist

View of one Wing of Fountainebleau, taken from the Court of Fountains

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

Nathaniel Parr, active 1742–1751

A Perspective View of the Cascade of St. Cloud

Print made by John Couse, active 1753–1764

A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs

1789

John Couse A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

John Couse, active 1753–1764

A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

Print made by Nathaniel Parr, active 1742–1751

A Prospect of the Royal Palace of Thuilleries

Nathaniel Parr, active 1742–1751

A General View of the City of Paris taken from an Eminence in the Village of Chaillot

1749

unknown artist

The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..

John Tinney, died 1761

A View of the Chapel of the Palace of Versailles

Print made by John Tinney, died 1761

A View of the Palace of Versailles towards ye Garden

Print made by John Maurer, active 1713–1761

A Perspective View of Covent Garden

Print made by Thomas Bowles III, ca. 1712–1767

The Church of St. Mary Le Bow in Cheapside London

Print made by Thomas Bowles III, ca. 1712–1767

The Inside View of the Royal Exchange at London

James Seymour, 1702–1752

Six Studies of Horses and Riders

undated

unknown artist

Morning

1799

Thomas Bowles III, ca. 1712–1767

The South West Prospect of London, from Somerset Gardens to the Tower

unknown artist

Evening

1799

Print made by unknown artist

The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

unknown artist

Mid-Day

1799

Thomas Bowles III, ca. 1712–1767

An Inside View of the Church of St. Stephen Walbrooke London

Thomas Bowles III, ca. 1712–1767

A View of Somerset House with St. Mary's Church in the Strand London

Print made by John Maurer, active 1713–1761

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746

unknown artist

A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles

John Collet, ca. 1725–1780

Stable Boy Holding a Horse in a Landscape

undated

John Collet, ca. 1725–1780

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

undated

unknown artist

Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

between 1713 and 1718

John Hoppner, 1758–1810

A Young Man with a Horse, with Studies of Hounds and Dead Hare

ca. 1785

Samuel Howitt, 1756–1822

Coursing: Setting Out

1794

Samuel Howitt, 1756–1822

Coursing: The Kill

1794

Henry William Bunbury, 1750–1811

The Sporting Undergraduate

1772

George Morland, 1763–1804

Study of a Hound: Head and Shoulders, Facing Right

1794

Thomas Ross, active from 1753

Figures, Horses and Cows

undated

Thomas Rowlandson, 1756–1827

Breakfast before the Hunt

between 1785 and 1790

Thomas Rowlandson, 1756–1827

An English Postilion

ca. 1785

John Michael Rysbrack, 1694–1770

Two Horses' Heads

undated

Paul Sandby, 1731–1809

Studies of a Carter Pumping Water For His Horses

undated

James Seymour, 1702–1752

A Hare Running, with Ears Laid Back

undated

James Seymour, 1702–1752

Man Leading a Trotting Stallion to Right

undated

James Seymour, 1702–1752

A Racehorse, Bridled and Saddled

undated

James Seymour, 1702–1752

Rider in Armour

undated

James Seymour, 1702–1752

'The Danish Horse' in Training: Standing, with Trainer Holding a Whip

undated

James Seymour, 1702–1752

Two Horses Trotting in Harness

undated

James Seymour, 1702–1752

Studies of a Jockey Whipping-On

undated

James Seymour, 1702–1752

A Boar Hunt

undated

James Seymour, 1702–1752

Sir Sidney Meadows Schooling a Horse

undated

James Seymour, 1702–1752

Riders and Hounds in an Open Landscape

undated

James Seymour, 1702–1752

Sketches of a Gelding

undated

James Seymour, 1702–1752

Rider on a Horse, Rearing to Left

undated

James Seymour, 1702–1752

A Greyhound, Facing Left

undated

James Seymour, 1702–1752

Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar

undated

James Seymour, 1702–1752

Flying Childers Galloping to Left: Bridled but not Saddled

undated

James Seymour, 1702–1752

Smiling Tom, Saddled and Bridled: Standing, Facing Left

undated

James Seymour, 1702–1752

Rider With a Draw-Rein, Walking to Left

undated

James Seymour, 1702–1752

Horse, With Rider Lightly Sketched, Walking to Left

undated

James Seymour, 1702–1752

Schooling Horses: Three Studies on a Page

undated

James Seymour, 1702–1752

Kindly, with Jockey Up

undated

James Seymour, 1702–1752

Victorious, with Jockey Up

undated

James Seymour, 1702–1752

Coursing - After the Kill

undated

James Seymour, 1702–1752

Woman Wearing a Tricorne Hat, Riding to Right

undated

James Seymour, 1702–1752

Flying Childers and Grooms

undated

James Seymour, 1702–1752

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

undated

James Seymour, 1702–1752

Foxhunter, with Jockey Up

undated

James Seymour, 1702–1752

Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth

undated

James Seymour, 1702–1752

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

undated

James Seymour, 1702–1752

Conqueror Going to Start

undated

James Seymour, 1702–1752

Hind Legs and Tail of a Horse

undated

Louis Philippe Boitard, active 1734–1760

The Earthquake Scare in Piccadilly

1750

Louis Philippe Boitard, active 1734–1760

Dosing a Racehorse

undated

John Vanderbank, 1694–1739

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

1729

John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

John Vanderbank, 1694–1739

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

1729