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Period 18th century
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1
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
2
- Queen Charlotte
- ca. 1776
- Not on view
3
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
4
- Hudibras Vanquished by Trulla
5
- Mr. Garrick in the Character of Richard III
- 1746
6
- The Distressed Poet
- 1740
7
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
8
- Beer Street
- 1751
9
- Paul before Felix
10
- Fair Scene
- 1733
11
- Simon, Lord Lovat
12
- Pit Ticket
- 1759
13
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
14
- Hudibras Encounters the Skimmington (no.12)
15
- Frontispiece and its Explanation (no.1)
- 1726
16
- Hudibras Sallying Forth (no.2)
17
- Hudibras Triumphant (no.4)
18
- Hudibras Vanquish'd by Trulla (no.5)
19
- Hudibras's First Adventure (no.3)
20
- Hudibras Catechiz'd (no.9)
21
- Burning ye Rumps at Temple-Barr (no.11)
22
- Hudibras in Tribulation (no.6)
23
- Prospectus print "Crown & Mitre"
- 1754
24
- William Hogarth
- 1764
25
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
26
- The Christian Triumph; Title Page
- 1797
27
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
28
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
29
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
30
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
31
- Night the Third. Narcissa; Title Page
- 1797
32
- 'Where sense runs savage broke from reason's chain' (Page 46)
- 1797
33
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
34
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
35
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
36
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
37
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
38
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
39
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
40
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
41
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
42
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
43
- 'Disease invades the chastest temperence' (Page 10)
- 1797
44
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
45
- 'The present moment terminates our sight' (Page 13)
- 1797
46
- 'The longest night though longer far, would fail' (Page 15)
- 1797
47
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
48
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
49
- 'We censure nature for a span too short' (Page 23)
- 1797
50
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
51
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
52
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
53
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
54
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
55
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
56
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
57
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
58
- 'And vapid; sense and reason shew the door' (Page 72)
- 1797
59
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
60
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
61
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
62
- Beggar's Opera, Act III
- 1790
63
- May-Day in London
- 1784
64
- Original Wrapper to The Book of Thel
- 1789
65
- The Complaint, and the Consolation; or, Night Thoughts
- 1797
66
- Figure Composition Study 20
- mid-1790s
67
- Love Songs, Class I. Tailpiece
- 1783
68
- Love Songs, Class I. Headpiece
- 1783
69
- Love Songs, Class II. Headpiece
- 1783
70
- Love Songs, Class II. Tailpiece
- 1783
71
- Love Songs, Class III. Headpiece
- 1783
72
- Love Songs, Class III. Tailpiece
- 1783
73
- Love Songs, Class IV. Headpiece
- 1783
74
- Love Songs, Class IV. Tailpiece
- 1783
75
- Love Songs, Class V. Headpiece
- 1783
76
- Drinking Songs, Headpiece
- 1783
77
- Drinking Songs, Tailpiece
- 1783
78
- Miscellaneous Songs, Headpiece
- 1783
79
- Miscellaneous Songs, Tailpiece
- 1783
80
- Ancient Ballads, Headpiece
- 1783
81
- Ancient Ballads, Tailpiece
- 1783
82
- Portrait, James Heath
- 1796
83
- Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)
- ca. 1800
84
- Foot Soldier
- ca. 1791
85
- The Inflexible Porter, a Tragedy
- 1783
86
- The Beautiful Stranger Poisoned by Her Sister
- 1787
87
- The Origin of Gout
- 1785
88
- Pot Fair Cambridge
- 1777
89
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
90
- The Storm
- 1788
91
- Wynnstay Theatre
- 1781
92
- Distant View of the Fall of Lowdore, with part of Keswick Lake in Cumberland
- 1796
93
- View of the Grange at the Entrance of Borrowdale in Cumberland
- 1796
94
- A South West View of Fort Royal in the Island of Guadaloupe
95
- Mrs. Agneta Yorke
96
- The Accoucheur Macaroni
97
- The Antique Architect
98
- The Auretian Macaroni
99
- The Academic Mac
100
- The Bath Macaroni