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Period 18th century-19th century

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Width [cm] 22

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Subject Terms buildings

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Ruins on the Coast
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
Riverscape with Buildings
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Windsor Castle
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 8 5/8 inches (11.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rock Bridge at the Scuola di Virgilio
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Farmyard
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection