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1. Ploughing Scene in Suffolk

Ploughing Scene in Suffolk
Creator:
John Constable, 1776–1837
Date:
1824 to 1825
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 x 30 inches (42.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Greenwich Fair

Greenwich Fair
Creator:
Attributed to Maria Spilsbury, 1777–1820
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 × 23 inches (42.5 × 58.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Gilbert W. Chapman, transfer from the Yale University Art Gallery
On View:
Not on view

3. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
Creator:
James Pollard, 1792–1867
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 13 inches (43.2 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. A Street Scene in Granada on the Day of the Bullfight

A Street Scene in Granada on the Day of the Bullfight
Creator:
John Frederick Lewis, 1804–1876
Date:
1833
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Clare College, Cambridge

Clare College, Cambridge
Creator:
Richard Banks Harraden, 1778–1862
Date:
1841
Materials & Techniques:
Watercolor, pen and gray ink, gouache, black chalk, gum and graphite on wove paper
Dimensions:
Sheet: 16 3/4 × 24 1/8 inches (42.5 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Greek Girl Standing on a Balcony

A Greek Girl Standing on a Balcony
Creator:
John Frederick Lewis, 1804–1876
Date:
1840
Materials & Techniques:
Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount
Dimensions:
Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Disobedient Prophet

The Disobedient Prophet
Creator:
William Mulready, 1786–1863
Date:
1848, retouched 1863
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Study for a Block on the Road

Study for a Block on the Road
Creator:
Gustave Doré, 1832–1883
Date:
between 1869 and 1872
Materials & Techniques:
Pen and brown ink, black ink, black chalk, gray wash, brown wash, graphite, and white gouache on thick, rough, beige wove paper
Dimensions:
Sheet: 17 1/16 × 13 3/16 inches (43.3 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Peasant Girl Shading Her Eyes

A Peasant Girl Shading Her Eyes
Creator:
Joshua Cristall, 1768–1847
Date:
1812
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, rough, beige wove paper
Dimensions:
Sheet: 16 3/4 x 10 9/16 inches (42.5 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Crying Forfeits

Crying Forfeits
Creator:
Print made by Charles Turner, 1774–1857
Date:
1826
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 1/16 × 12 3/8 inches (43.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. The Cottar's Door

The Cottar's Door
Creator:
Print made by William Say, 1768–1834
Date:
1802
Materials & Techniques:
Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. La rue des Prouvaires et l'église saint Eustache, Paris

La rue des Prouvaires et l'église saint Eustache, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Woman Burning Weeds

Woman Burning Weeds
Creator:
Print made by William Strang, 1859–1921
Date:
1889
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

14. The Haymakers

The Haymakers
Creator:
William Woollett, 1735–1785
Date:
ca. 1800
Materials & Techniques:
Line engraving and etching on wove paper
Dimensions:
Sheet: 17 x 20 3/8in. (43.2 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Pont du Manzanaria pres Madrid, (Bridge under Construction near Madrid)

No cover image available
Creator:
Charles Clifford, ca. 1800–1863
Date:
ca. 1858
Materials & Techniques:
Albumen print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

16. Countess Grey and Children

No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 1/2 × 19 7/8 inches (64.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund