Period: 19th century / Genre: literary theme / Height [cm]: 23

1. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "To the Public. After my three years slumber..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Turning his back to the Divine Vision..." (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "By Satan's Watch-fiends tho' they search..." (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "Thus Albion sat, studious of others..." (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Bath, mild Physician of Eternity..." (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "The banks of the Thames are clouded..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "And formed into Four precious stones..." (Plate 59)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Such are Cathedrons golden Halls..." (Plate 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "And Rahab Babylon the Great..." (Plate 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "The Four Zoa's clouded rage..." (Plate 74)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. O Evening thou Bringest All

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Justice

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. The Infant

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. The School-Boy

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. A Great Actor between Tragedy and Comedy

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 5/16 inches (28.4 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Falstaff and his Friends

Creator:: William Greatbach, Born 1802
Date:: ca. 1868
Materials & Techniques:: Etching and stipple engraving on moderately thick, smooth, cream card
Dimensions:: Sheet: 8 7/8 × 11 inches (22.5 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. An Ancient Inscription in the Post House at Argos

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 7/8 inches (28.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Drowning Slave

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1837
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Abbotsford

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. St. Michael's Mount, Shipwreck of Lycidas

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Scio (Fontana de Melek, Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

61. The Goddess of Discord

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 7/16 inches (27.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The School of Homer, Scio

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; third state on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Michael's Mount, Shipwreck of Lycidas

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 11 1/4 inches (40.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. O'Connor's Child

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Penance

Creator:: Print made by William Strang, 1859–1921
Date:: 1896
Materials & Techniques:: Etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

67. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

69. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Studies for Shylock

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:: Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Cristina

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Murder on the Thames

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

73. Bauldy, Symon and Sir William Worthy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

74. Bemerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Judith, or Cowper's Oak

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Mutiny of the Mavericks

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 8 inches (23.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

83. The Wilderness

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Elms

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Olney Bridge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Shrubbery

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Temple in the Wilderness

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Weston House

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Rustic Bridge.

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Weston Lodge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Views from the Alcove

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Alcove from the Avenue

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Cowper's Summer House

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Olney Church

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Peasant's Nest

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Genre literary theme

Height [cm] 23

Search Results

1. The Deluge

2. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

3. Jerusalem, Tailpiece (Plate 100)

4. "To labours mighty, with vast strength..." (Plate 11)

5. "Why wilt thou give to her a Body..." (Plate 12)

6. "One hair nor particle of dust..." (Plate 14)

7. "From every-one of the Four Regions..." (Plate 18)

8. "His Children exil'd from his breast..." (Plate 19)

9. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

10. "But when they saw Albion fall'n..." (Plate 20)

11. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

12. "What have I said? What have I done?..." (Plate 24)

13. Dante Striking against Bocca Degli Abati (Plate 7)

14. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

15. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

16. "To the Public. After my three years slumber..." (Plate 3)

17. "Turning his back to the Divine Vision..." (Plate 33)

18. "Then the Divine hand found the Two Limits..." (Plate 35)

19. "And One stood forth from the Divine Family..." (Plate 37)

20. "His face and bosom with petrific hardness..." (Plate 38)

21. "By Satan's Watch-fiends tho' they search..." (Plate 39)

22. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

23. "Los shudder'd at beholding Albion..." (Plate 40)

24. "Bath who is Legions..." (Plate 41)

25. "Thus Albion sat, studious of others..." (Plate 42)

26. "Bath, healing City!..." (Plate 45)

27. "Bath, mild Physician of Eternity..." (Plate 46)

28. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

29. "The banks of the Thames are clouded..." (Plate 5)

30. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

31. Chapter 3 Frontispiece (Plate 51)

32. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

33. "And formed into Four precious stones..." (Plate 59)

34. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

35. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

36. "Jehovah stood among the Druids..." (Plate 63)

37. "Was living: panting like a frighted wolf..." (Plate 7)

38. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

39. "Such are Cathedrons golden Halls..." (Plate 73)

40. "And Rahab Babylon the Great..." (Plate 75)

41. "The Four Zoa's clouded rage..." (Plate 74)

42. Chapter 4 Frontispiece (Plate 76)

43. O Evening thou Bringest All

44. The Justice

45. The Infant

46. The School-Boy

47. A Great Actor between Tragedy and Comedy

48. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

49. Falstaff and his Friends

50. An Ancient Inscription in the Post House at Argos

51. Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras

52. The Drowning Slave

53. Abbotsford

54. Jedburgh Abbey

55. Berwick-upon-Tweed

56. St. Michael's Mount, Shipwreck of Lycidas

57. Christ Descending into the Grave

58. The Field of Waterloo from Hougoumont

59. Scio (Fontana de Melek, Mehmet Pasha)

60. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

61. The Goddess of Discord

62. St. Sophia, Constantinople

63. The School of Homer, Scio

64. St. Michael's Mount, Shipwreck of Lycidas

65. O'Connor's Child

66. The Penance

67. Scott's Birthplace, No. 39, Castle Street, Edinburgh

68. Jack Sheppard Accuses Thames Darrell of the Theft

69. Window West End, South Aisle, Saint Vincent

70. Studies for Shylock

71. Cristina

72. The Murder on the Thames

73. Bauldy, Symon and Sir William Worthy