Period: 19th century / Associated Places: Devon - YCBA Collections Search Search Results

1. The Victualling Office, Plymouth

Creator:: Nicholas Condy, 1793–1857
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/16 x 24 1/8 inches (45.9 x 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth

Creator:: John Rogers, active 1812–1813
Date:: 1813
Materials & Techniques:: Oil on canvas
Dimensions:: 23 × 49 5/8 inches (58.4 × 126 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Wreck of the Dutton, An East Indiaman

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1815
Materials & Techniques:: Oil on panel
Dimensions:: 14 3/8 x 19 inches (36.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957
On View:: Not on view

5. View on the River Sid, near Sidmouth

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1852
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Whitchurch, Devonshire

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: 1800
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894

7. Dartmoor: The Source of the Tamar and the Torridge

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1813
Materials & Techniques:: Watercolor, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Crossing the Brook

Creator:: Print made by unknown artist
Date:: ca. 1879
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1838
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. H.M.S. St. Vincent at Plymouth

Creator:: Nicholas Condy, 1793–1857
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/16 × 10 1/16 inches (10.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Southampton and Northam from the River Itchen

Creator:: Jonathan Fisher, active 1763–1809
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Crossing the Brook

Creator:: Print made by William Richardson, active 1842–1877
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 8 7/8 inches (29.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 4 1/8 inches (17.1 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/8 inches (26.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1819-1826
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Exmouth, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Clovelly, North Devon

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plymouth Dockyard after the Fire

Creator:: William Callow, 1812–1908
Date:: 1840
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sidmouth from Offshore

Creator:: Henry Haseler, active 1814–1825
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. River Tamar, near Endsleigh, Devon

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1832
Materials & Techniques:: Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Widecombe Village

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Design for Silverton Park, Devon

Creator:: studio of James Knowles, c. 1806–1884
Date:: between 1839 and 1845
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. At Mrs. Bulley's, Hooe, near Plymouth

Creator:: Henry Perlee Parker, 1795–1873
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Royal Citadel and Cattewater, Plymouth

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving; first published state (2a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof (V) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving; engraver's proof on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/4 inches (24.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Kingsteignton, Devon

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1819
Materials & Techniques:: Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mutton Cove, Plymouth

Creator:: Thomas Sewell Robins, 1814–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Coast Scene near Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:: Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Saltram, Lord Boringdon's House at Plymouth

Creator:: Richard Cooper the Younger, 1740–1814
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 in. (21.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

85. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sidmouth

Creator:: David Roberts, 1796–1864
Date:: 1845
Materials & Techniques:: Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Caricatures of the counties of Devonshire and Gloucestershire

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Lynmouth, on the Coast of North Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Ilfracombe, from Hilsborough

$View of Ilfracombe, from Hilsborough$

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 3/4 inches (16.2 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ilfracomb, on the Coast of North Devon

$Ilfracomb, on the Coast of North Devon$

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Clovely on the Coast of North Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove papr
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Near Combmartin, on the Coast of North Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Near Mullyan Cave, Cornwall

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Near Kingswear, on the Dent, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Mount Edgecombe, from the Citadel, Plymouth

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Babicombe Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Quay at Straddon Point, near Plymouth

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Bovisand, near Plymouth

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sidmouth, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Torbay, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Associated Places Devon

Search Results

1. The Victualling Office, Plymouth

2. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

3. Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth

4. The Wreck of the Dutton, An East Indiaman

5. View on the River Sid, near Sidmouth

6. Whitchurch, Devonshire

7. Dartmoor: The Source of the Tamar and the Torridge

8. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

9. Crossing the Brook

10. Crossing the Brook

11. Crossing the Brook

12. A View of Core's Library, Dawlish, Devon

13. HMS Bellerophon, Plymouth Sound

14. The Bellerophon, Plymouth Sound

15. H.M.S. St. Vincent at Plymouth

16. Southampton and Northam from the River Itchen

17. Crossing the Brook

18. Unloading the Luggage From The Exeter Coach

19. Plymouth, Devonshire

20. HMS Bellerophon, Plymouth Sound

21. The Mew Stone at the Entrance of Plymouth Sound

22. Plymouth Citadel

23. Plymouth Citadel

24. Dartmouth Cove

25. Buckfastleigh Abbey, Devonshire

26. Exeter

27. Exeter

28. Plymouth Citadel

29. Exmouth, Devon

30. Clovelly, North Devon

31. Teignmouth, Devon

32. Coombe-Martin, Devonshire

33. Plymouth Citadel

34. Exeter

35. Exeter

36. Exeter

37. Exeter

38. Plymouth Dockyard after the Fire

39. Dartmouth Cove

40. Dartmouth Cove

41. Sidmouth from Offshore

42. Buckfastleigh Abbey, Devonshire

43. Buckfastleigh Abbey, Devonshire

44. Buckfastleigh Abbey, Devonshire

45. River Tamar, near Endsleigh, Devon

46. Widecombe Village

47. Design for Silverton Park, Devon

48. At Mrs. Bulley's, Hooe, near Plymouth

49. The Royal Citadel and Cattewater, Plymouth

50. Teignmouth, Devon

51. Teignmouth, Devon

52. Dartmouth, Devon

53. Dartmouth, Devon

54. Dartmouth, Devon

55. Dartmouth, Devon

56. The Mew Stone at the Entrance of Plymouth Sound

57. The Mew Stone at the Entrance of Plymouth Sound

58. Plymouth Dock from Mount Edgecumbe

59. Plymouth Dock from Mount Edgecumbe

60. Plymouth from Mount Batten

61. Plymouth from Mount Batten

62. Plymouth from Mount Batten

63. Plymouth from Mount Batten

64. Plymouth Dock from Mount Edgecumbe

65. Ilfracombe, North Devon

66. Ilfracombe, North Devon

67. Torbay from Brixham

68. Torbay from Brixham

69. Torbay from Brixham

70. Clovelly Bay and Lundy Island

71. Clovelly Bay and Lundy Island

72. Clovelly Bay and Lundy Island

73. Coombe-Martin, Devonshire

74. Coombe-Martin, Devonshire