Period: 19th century / Associated Places: Europe - YCBA Collections Search Search Results

1901. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1902. Gorge du Mont Terrible

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 5/8 x 16 5/16 inches (29.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1903. At Oxford

Creator:: Edna Kaulbach, active 1874
Date:: 1874
Materials & Techniques:: Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward I. Elicofon

1904. View of Pont Neuf, The Mint etc.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1905. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1906. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1907. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1908. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1909. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1910. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1911. Near Honfleur

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1823
Materials & Techniques:: Watercolor and graphitre on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1912. Clapham Manor-House, Surry

Creator:: John Hassell, 1767–1825
Date:: between 1804 and 1822
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1913. Pool of London

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 6 9/16 inches (11.1 × 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1914. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1915. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1916. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1917. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1918. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1919. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1920. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1921. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1922. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1923. Knowle Park, the Seat of the Earl of Plymouth

Creator:: John Graham, 1754–1817
Date:: 1837
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 3/16 inches (14.9 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1924. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1925. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1926. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1927. On the Seine

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1831
Materials & Techniques:: Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:: Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1928. Cowdray

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1882
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 x 12 3/16 inches (23.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1929. Fish Market, Rotterdam

Creator:: Print made by W. Floyd, active 1845
Date:: 1834-1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1930. Regent's Canal Basin, City Road

Creator:: Charles Heath, 1785–1848
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/4 × 5 7/16 inches (9.5 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1931. Statue of Achilles in Hyde Park

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1827
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 7 7/8 x 5 5/16 inches (20 x 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1932. Malta

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 15/16 × 8 9/16 inches (15.1 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1933. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1934. The Bending Pillars at Staffa (from Smith's Geography)

Creator:: Alfred William Warren, active 1791–1809
Date:: 1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1935. Red-Scar, the Residence of William Cross, Esquire

Creator:: Thomas Higham, 1796–1844
Date:: 1832
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1936. The Tower from the River

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1937. Tower Hill

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1938. Green Park

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1939. The Penitentiary and Distant View of Westminster Bridge

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1940. Lough Foyle, Londonerry

Creator:: John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 × 7 3/8 inches (16.4 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1941. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1942. Barge on the Medway with Warships Grampian and Dreadnaugh in the Background

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1838
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 × 8 1/16 inches (11.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1943. River Scene, Aldercar

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1837
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 8 inches (8.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1944. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1945. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1946. View of the Gate of the St. Denis taken from the Suburbs

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1947. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1948. Arborfield Hall, the Seat of Sir John Conroy

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 x 14 15/16 inches (28.7 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1949. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1950. View of the Pont Neuf, The Mint & etc.

Creator:: Thomas Girtin, 1775–1802
Date:: c.1802
Materials & Techniques:: Soft-ground etching, drypoint with watercolor, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 28in. (20.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1951. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1952. View of the Old Corn Market and Tuns Inn, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1953. Cremorne Gardens: Chelsea Bandstand

Creator:: Walter Greaves, 1846–1930
Date:: 1871
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 5/16 x 10 1/2 inches (33.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1954. Benevento, Kingdom of Naples

Creator:: Print made by Charles Heath, 1785–1848
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1955. A Fort Near Montmartre

Creator:: Augustus William Reeve, active 1831–1888
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 8 7/8 inches (10.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1956. Chatsworth House, Derbyshire

Creator:: William Henry Bartlett, 1809–1854
Date:: between 1823 and 1830
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1957. Herstmonceux Castle

Creator:: Print made by unknown artist
Date:: 1858
Materials & Techniques:: Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 3/16 inches (9.5 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1958. Rushton Hall, Northamptonshire

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Pen and black ink, wash on smooth, thick, white card
Dimensions:: Sheet: 3 5/8 × 5 3/16 inches (9.2 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1959. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1828
Materials & Techniques:: Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1960. Newbattle Abbey, Scotland

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Brown wash and graphite on smooth, medium, white laid paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1961. Great Oakley Hall, Northamptonshire

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Pen and black ink, wash; (verso) graphite and pen and brown ink on smooth, thick, white card
Dimensions:: Sheet: 3 11/16 × 5 3/16 inches (9.4 × 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1962. The Moray Minstrels

Creator:: Print made by Frederick Walker, 1840–1875
Date:: 1866
Materials & Techniques:: Etching printed in brown ink on thick, slightly textured cream wove paper
Dimensions:: Sheet: 5 1/4 × 8 inches (13.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

1963. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1964. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1965. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 3/4 × 26 1/8 inches (55.2 × 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1966. Design for Grosvenor House, London: Ground Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 34 3/4 × 24 inches (88.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1967. The Temple of Aphaia at Aegina: Structural Details

Creator:: Charles Robert Cockerell, 1788–1863
Date:: after 1832
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 14 1/2 inches (22.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1968. The Temple of Aphaia at Aegina: View of Landscape

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 5/16 × 8 13/16 inches (13.5 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1969. The Temple of Aphaia at Aegina: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Proof engraving on textured, thick, white wove paper
Dimensions:: Sheet: 13 1/16 × 13 1/2 inches (33.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1970. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, medium, white wove paper and smooth, thin, brown wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1971. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 11 5/16 inches (32.4 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1972. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 20 11/16 × 29 inches (52.5 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1973. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 33 1/4 × 25 1/2 inches (84.5 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1974. Design for Grosvenor House, London: Principal Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and red, black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 5/8 × 26 inches (54.9 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1975. Design for Grosvenor House, London: Plan for Rebuilding the South Front

Creator:: Thomas Cundy, 1790–1867
Date:: 1834
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 20 7/16 × 30 3/4 inches (51.9 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1976. Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House

Creator:: Thomas Cundy, 1790–1867
Date:: 1842
Materials & Techniques:: Graphite, pen and black ink and wash on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 29 7/16 × 25 3/16 inches (74.8 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1977. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 26 × 36 5/8 inches (66 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1978. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 34 1/2 × 26 1/4 inches (87.6 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1979. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 29 1/2 × 21 5/8 inches (74.9 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1980. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Watercolor with pen and black ink over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 × 29 inches (53.3 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1981. Design for Grosvenor House, London: Principal Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Graphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/8 × 25 1/8 inches (53.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1982. Design for Grosvenor House, London: Principal Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1830
Materials & Techniques:: Watercolor, pen and brown ink, and black ink; verso: graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 25 1/8 × 33 inches (63.8 × 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1983. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1984. Le Pont de Waterloo a Londres

Creator:: John Postle Heseltine, 1843–1929
Date:: 1897
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

1985. Plas Crug, near Aberystwith, Cardiganshire; page fifteen (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 7 x 9 1/2in. (17.8 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1986. Stables at Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Graphite, watercolor, pen and black ink on medium, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 7 1/4 inches (20 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1987. Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink, watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1988. Stables at Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Graphite, watercolor, pen and black ink on medium, smooth, white wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1989. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1990. Dedham Vale

Creator:: Print made by David Lucas, 1802–1881
Date:: 1838
Materials & Techniques:: Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1991. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1992. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1993. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1994. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 x 23 inches (73.7 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1995. Corporal Violette!!

Date:: [1815?]
Physical Description:: 1 sheet ([1] page) ; 31 x 21 cm
Collection:: Rare Books and Manuscripts

1996. Album of cartes-de-visite depicting royalty of Britain and Europe and other contemporary notables.

Date:: 1860-1862
Physical Description:: 1 album (50 photographs) ; 15 x 12 cm
Collection:: Rare Books and Manuscripts

1997. Crowned heads, or, Contemporary sovereigns : an instructive game.

Date:: [ca. 1845?]
Physical Description:: 1 game : hand-colored lithograph ; 56 x 76 cm
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957

1998. A selection of maps / by Mary Anne Ball ; completed Novbr. 26th, 1818.

Creator:: Ball, Mary Anne
Date:: 1818
Physical Description:: 1 atlas : 25 maps ; 24 cm
Collection:: Rare Books and Manuscripts

1999. Flora : an album of pressed floral arrangements.

Date:: approximately 1860
Physical Description:: 1 volume ([12] leaves) ; 28 cm
Collection:: Rare Books and Manuscripts

2000. Les capitales de l'Europe : promenades pittoresques / par M. Charles Malo.

Creator:: Malo, Charles, 1790–1871
Date:: [1829]
Physical Description:: 8 v. : 8 col. ill. ; 16 cm.
Collection:: Rare Books and Manuscripts

YCBA Collections Search

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Period 19th century

Associated Places Europe

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1901. Vue Generale de l'Eglise de l'Abbaye de Tournus

1902. Gorge du Mont Terrible

1903. At Oxford

1904. View of Pont Neuf, The Mint etc.

1905. River Stour, Suffolk

1906. Principal Entrance to the Gas Works, Westminster

1907. View of the Palace and Village of Choisi on the Banks of the Seine

1908. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

1909. The Water Works at Marli and St. German en Laye seen in the distance

1910. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1911. Near Honfleur

1912. Clapham Manor-House, Surry

1913. Pool of London

1914. View of the Tuilleries and Bridge taken from the Quay D'Orsai

1915. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

1916. On the Banks of the Marne below the Bridge at Charenton

1917. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

1918. View of the City with the Louvre taken from Pont Marie

1919. A View of Pont Neuf, the Mint and etc.

1920. View of Pont Neuf, part of the Louvre and the College of Four Nations

1921. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1922. Plan of the West India Docks

1923. Knowle Park, the Seat of the Earl of Plymouth

1924. Yarmouth, Norfolk

1925. View of the Pantheon taken from the Arsenal

1926. On the Banks of the Marne below the Bridge at Charenton

1927. On the Seine

1928. Cowdray

1929. Fish Market, Rotterdam

1930. Regent's Canal Basin, City Road

1931. Statue of Achilles in Hyde Park

1932. Malta

1933. Plymouth Citadel

1934. The Bending Pillars at Staffa (from Smith's Geography)

1935. Red-Scar, the Residence of William Cross, Esquire

1936. The Tower from the River

1937. Tower Hill

1938. Green Park

1939. The Penitentiary and Distant View of Westminster Bridge

1940. Lough Foyle, Londonerry

1941. Manse and Church of Cults, the Birthplace of Wilkie

1942. Barge on the Medway with Warships Grampian and Dreadnaugh in the Background

1943. River Scene, Aldercar

1944. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

1945. View of Pont St. Michael taken from Pont Neuf

1946. View of the Gate of the St. Denis taken from the Suburbs

1947. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

1948. Arborfield Hall, the Seat of Sir John Conroy

1949. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

1950. View of the Pont Neuf, The Mint & etc.

1951. The Water Mill above the Bridge at Charenton

1952. View of the Old Corn Market and Tuns Inn, Guildford

1953. Cremorne Gardens: Chelsea Bandstand

1954. Benevento, Kingdom of Naples

1955. A Fort Near Montmartre

1956. Chatsworth House, Derbyshire

1957. Herstmonceux Castle

1958. Rushton Hall, Northamptonshire

1959. The Temple of Aphaia at Aegina: Sections

1960. Newbattle Abbey, Scotland

1961. Great Oakley Hall, Northamptonshire

1962. The Moray Minstrels

1963. The Temple of Apollo Epikourios: Distant View

1964. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1965. Design for Grosvenor House, London: Chamber Floor Plan

1966. Design for Grosvenor House, London: Ground Floor Plan

1967. The Temple of Aphaia at Aegina: Structural Details

1968. The Temple of Aphaia at Aegina: View of Landscape

1969. The Temple of Aphaia at Aegina: Front Elevation

1970. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

1971. Design for Grosvenor House, London: Plan

1972. Design for Grosvenor House, London: Chamber Floor Plan

1973. Design for Grosvenor House, London: Plan

1974. Design for Grosvenor House, London: Principal Floor Plan