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Period 19th century

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Associated Places Salerno

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Italian Hill Town
Creator:
Samuel Palmer, 1805–1881
Date:
after 1838
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corpo di Cava, 28 June 1838
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:
Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
The Capo Sant' Angelo, Amalfi
Creator:
Edward Lear, 1812–1888
Date:
ca. 1885
Materials & Techniques:
Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Convent at Vietri, near Salerno
Creator:
John Warwick Smith, 1749–1831
Date:
1808
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 inches (24.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge at Corpo di Cava
Creator:
Hannah Linnell Palmer, 1818–1893
Date:
1838
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 8 7/8 inches (32.4 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Classical Landscape
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:
Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection