Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
3
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
4
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
5
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
6
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
7
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
8
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
9
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
10
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
11
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
12
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
13
Print made by Robert Barnes, 1840–1895
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
14
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
15
Print made by John Doyle ('H.B.'), 1797–1868
Rather a Dangerous Kind of Hug
1847
16
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"