Period: 19th century / Image Available: Available / Subject Terms: vegetation

1. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "To the Jews..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Elevate into the Region of Brotherhood..." (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Reuben return'd to his place, in vain..." (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "With one accord in love sublime..." (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "And formed into Four precious stones..." (Plate 59)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "O Skofield why art thou cruel?..." (Plate 68)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "To the Christians..." (Plate 77)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Segni, 6 October 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite, black chalk, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 x 13 11/16 inches (25.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

17. Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 x 13 7/8 inches (24.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

18. Plains of Bengal, from above Siligoree

Creator:: Edward Lear, 1812–1888
Date:: 1874
Materials & Techniques:: Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

19. Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 7/8 inches (9.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Santa Decca, Corfu, 28 May 1848 (126)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 14 x 19 7/8 inches (35.6 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. La Cava

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and watercolor on moderately thick, slightly textured, beige-brown wove paper
Dimensions:: Sheet: 4 13/16 x 9 13/16 inches (12.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Reggio

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/8 x 11 7/16 inches (41.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Philae, 5:20 pm, 30 January 1867 (275)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 x 7 1/4 inches (9 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Wady Halfeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 12 7/16 inches (11.7 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Amada, 6:50 am, 12 February 1867 (419)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 3 5/8 x 6 7/8 inches (9.2 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 8 1/2 inches (10.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. People on the Road Near Kalicut, Malabar

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Narcissus and Echo

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Frame:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Shere Mill Pond, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

33. The Three Sisters

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1867
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 12 3/16 inches (24.7 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

34. Encombe Woods, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881-1882
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 11/16 x 17 inches (29.7 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

35. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Riverside, St. Joseph

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View from Laventille Hill

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Reservoir at Maraval

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Pitch Lake

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Netley Abbey

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Study from Nature: Inveruglas

Creator:: Joseph Noel Paton, 1821–1901
Date:: 1857
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund, and Mr. and Mrs. Bart T. Tiernan, Yale LLB 1968, with additional support from: Mr. and Mrs. Ronald R. Atkins; Elizabeth Ballantine, Yale BA 1971, MA 1974, MSL 1982, PhD 1986; Mr. and Mrs. Henry E. Bartels; The Ajax Foundation on behalf of Mr. and Mrs. Richard Bressler; Bruce Budd; Homer Byington, III, Yale BA 1956; Mr. and Mrs. Norman C. Cross, Jr.; Lee MacCormick Edwards; The Forbes Foundation; Mr. and Mrs. Brian Hopkinson; Mr. and Mrs. Thomas Israel, Yale BA 1966; Katherine Haskins; Mr. and Mrs. Lowell Libson; Mr. and Mrs. Robert A. Martin, Yale BA 1954; Virginia Mattern; Mona Pierpaoli and David Adler; and Mr. and Mrs. Ross D. Siragusa, Jr., Yale BA 1953

44. Study of Bracken

Creator:: Robert Hills, 1769–1844
Date:: 1802
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Period 19th century

Image Available Available

Subject Terms vegetation

Search Results

1. Procris and Cephalus

2. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

3. "To the Jews..." (Plate 27)

4. "Elevate into the Region of Brotherhood..." (Plate 34)

5. "Reuben return'd to his place, in vain..." (Plate 36)

6. "His face and bosom with petrific hardness..." (Plate 38)

7. "Los shudder'd at beholding Albion..." (Plate 40)

8. "With one accord in love sublime..." (Plate 44)

9. "Bath, healing City!..." (Plate 45)

10. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

11. "And formed into Four precious stones..." (Plate 59)

12. "O Skofield why art thou cruel?..." (Plate 68)

13. "Was living: panting like a frighted wolf..." (Plate 7)

14. "To the Christians..." (Plate 77)

15. Segni, 6 October 1838

16. Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

17. Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

18. Plains of Bengal, from above Siligoree

19. Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)

20. Santa Decca, Corfu, 28 May 1848 (126)

21. La Cava

22. Reggio, 26 July 1847

23. Reggio

24. Philae, 5:20 pm, 30 January 1867 (275)

25. Wady Halfeh

26. Amada, 6:50 am, 12 February 1867 (419)

27. Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

28. People on the Road Near Kalicut, Malabar

29. Narcissus and Echo

30. Dido and Aeneas; The Morning of the Chase

31. Florence, from the Chiesa al Monte

32. Shere Mill Pond, no. 1 (small plate)

33. The Three Sisters

34. Encombe Woods, no. 2

35. Florence, from the Chiesa al Monte

36. Florence, from the Chiesa al Monte

37. Riverside, St. Joseph

38. On the Cimaronero River

39. View from Laventille Hill

40. The Reservoir at Maraval

41. The Pitch Lake

42. Netley Abbey

43. Study from Nature: Inveruglas

44. Study of Bracken