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Period 19th century

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Samuel William Reynolds Meditation
Samuel William Reynolds, 1773–1835
Meditation
1827
Samuel Cousins Mrs. Wolff
Print made by Samuel Cousins, 1801–1887
Mrs. Wolff
1831
unknown artist The Bay of Baiae - Apollo and the Sibyl
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
Henry Pyall Mail Coach Behind Time
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
James Holland Church of St. Benoist, Paris
James Holland, 1799–1870
Church of St. Benoist, Paris
ca. 1831
Matthew Dubourg [Coaching] Mail Coach
Matthew Dubourg, active 1786–1838
[Coaching] Mail Coach
1824
James Gillray Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
James Gillray The Apotheosis of the Corsican Phoenix
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
George Housman Thomas Color Guard Order (Soldier wearing busby)
George Housman Thomas, 1824–1868
Color Guard Order (Soldier wearing busby)
undated
James Gillray Delicious Dreams! Castles in the Air! Glorious Prospects!
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
unknown artist Plan of the Building in Hyde Park for the Exhibition of 1851
unknown artist
Plan of the Building in Hyde Park for the Exhibition of 1851
1850
Jean Marie Delatre The Death of Mark Antony
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
Francesco Bartolozzi Venus Recommending Hymen to Cupid
Francesco Bartolozzi, 1728–1815
Venus Recommending Hymen to Cupid
1800
Thomas Dighton Design for the Gardens in the Regent's Park Belonging to the Zoological Society
Thomas Dighton, ca. 1793–1873
Design for the Gardens in the Regent's Park Belonging to the Zoological Society
undated
Samuel William Reynolds Sir Samuel Romilly
Samuel William Reynolds, 1773–1835
Sir Samuel Romilly
1818
Charles Shannon December
Print made by Charles Shannon, 1863–1937
December
1897
James Tibbits Willmore Lochmaben Castle
Print made by James Tibbits Willmore, 1800–1863
Lochmaben Castle
1834
William Brockedon Landscape with Houses Set into a Hillside
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
William Brockedon Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon Landscape with Grazing Cows and Watermill
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
William Brockedon Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon Mountainous Sketch
William Brockedon, 1787–1854
Mountainous Sketch
William Brockedon Three Figures Illuminated in Dark Scene
William Brockedon, 1787–1854
Three Figures Illuminated in Dark Scene
William Brockedon Landscape with Crumbling Building atop a Cliff
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
William Brockedon Mountain Landscape with Building on one Peak
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
William Brockedon Landscape of Steep Hills with Building on one Summit
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
William Brockedon Mountain Landscape with Building on one Peak
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
William Brockedon Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon Sketch of Mountains, with House in the Foreground on right
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
William Brockedon Grassy Ravine with Grazing Sheep
William Brockedon, 1787–1854
Grassy Ravine with Grazing Sheep
William Brockedon Faint Sketch of Mountains and Ravines
William Brockedon, 1787–1854
Faint Sketch of Mountains and Ravines
William Brockedon Hillside Entrance to a Mine, with Figure Standing in Front
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
William Brockedon Landscape with Houses set at the Foot of Hills
William Brockedon, 1787–1854
Landscape with Houses set at the Foot of Hills
William Brockedon Step Mountain Landscape with Prominent Pine Tree
William Brockedon, 1787–1854
Step Mountain Landscape with Prominent Pine Tree
William Brockedon Two Sketches of Mountains
William Brockedon, 1787–1854
Two Sketches of Mountains
William Brockedon Faint Sketch of Mountains
William Brockedon, 1787–1854
Faint Sketch of Mountains
William Brockedon Hillside Landscape with River Winding Around Bottom
William Brockedon, 1787–1854
Hillside Landscape with River Winding Around Bottom
William Brockedon View up a River at the Base of a Steep Mountain Range
William Brockedon, 1787–1854
View up a River at the Base of a Steep Mountain Range
William Brockedon Full-length Portrait of Man Holding a Top Hat and Walking Stick
William Brockedon, 1787–1854
Full-length Portrait of Man Holding a Top Hat and Walking Stick
unknown artist View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
unknown artist View of lake surrounded by trees, with waterfowl flying over head
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
unknown artist View of House, taken from across the lake
unknown artist
View of House, taken from across the lake
undated
unknown artist View onto terrace of house, from a higher vantage point; female figure admiring the view
unknown artist
View onto terrace of house, from a higher vantage point; female figure admiring the view
undated
unknown artist View of facade of house, with its adjacent arcade
unknown artist
View of facade of house, with its adjacent arcade
undated
unknown artist View of house, through trees and shrubbery
unknown artist
View of house, through trees and shrubbery
undated
unknown artist View of terrace on one side of the house, including two men with scythes in foreground
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
unknown artist View of river with rowboat beached on one side, and several ducks flying overhead
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
unknown artist View through a modest gate up a lane, where a man is leading two saddled horses
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
unknown artist Man with two dogs standing under a very large Cedar of Lebanon (?)
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
unknown artist View from a grove of trees, across several fields
unknown artist
View from a grove of trees, across several fields
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Richard Banks Harraden Corpus Christi College, Cambridge
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
Thomas Creswick Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
Sir John Everett Millais Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
George Bernard O'Neill Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
Charles West Cope Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
John Frederick Tayler Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
Richard Ansdell Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
James Clarke Hook Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
John Frederick Tayler Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
Richard Ansdell Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
William Brockedon Faint landscape Sketch
William Brockedon, 1787–1854
Faint landscape Sketch
unknown artist View up a lane in the park: Man hunting with his three dogs
unknown artist
View up a lane in the park: Man hunting with his three dogs
unknown artist Man walking down lane towards fence and archway
unknown artist
Man walking down lane towards fence and archway
unknown artist Front view of house, with cattle, horse and man in the foreground
unknown artist
Front view of house, with cattle, horse and man in the foreground
unknown artist View Across meadow towards house and chapel
unknown artist
View Across meadow towards house and chapel
unknown artist View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist View of Several Small Buildings on the estate with cattle in the foreground
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
unknown artist Study of very large Cedar of Lebanon (?)
unknown artist
Study of very large Cedar of Lebanon (?)
unknown artist View Across a meadow from behind a fence and tree
unknown artist
View Across a meadow from behind a fence and tree
unknown artist Sketch for Ceiling or Bed Canopy
unknown artist
Sketch for Ceiling or Bed Canopy
undated
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
John Bluck Snipe Shooting
John Bluck, active 1791–1831
Snipe Shooting
1807
Frederick Christian Lewis the Elder Otter Hunting
Frederick Christian Lewis the Elder, 1779–1856
Otter Hunting
1818
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
1826
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827