The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
12
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
13
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
14
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
15
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
16
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
17
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
18
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
19
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
20
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
21
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
22
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
23
James Holland, 1799–1870
Church of St. Benoist, Paris
ca. 1831
24
Matthew Dubourg, active 1786–1838
[Coaching] Mail Coach
1824
25
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
26
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
27
George Housman Thomas, 1824–1868
Color Guard Order (Soldier wearing busby)
undated
28
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
29
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
30
unknown artist
Plan of the Building in Hyde Park for the Exhibition of 1851
1850
31
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
32
Francesco Bartolozzi, 1728–1815
Venus Recommending Hymen to Cupid
1800
33
Thomas Dighton, ca. 1793–1873
Design for the Gardens in the Regent's Park Belonging to the Zoological Society
undated
34
Samuel William Reynolds, 1773–1835
Sir Samuel Romilly
1818
35
Print made by Charles Shannon, 1863–1937
December
1897
36
Print made by James Tibbits Willmore, 1800–1863
Lochmaben Castle
1834
37
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
38
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
39
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
40
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
41
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
42
William Brockedon, 1787–1854
Mountainous Sketch
43
William Brockedon, 1787–1854
Three Figures Illuminated in Dark Scene
44
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
45
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
46
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
47
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
48
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
49
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
50
William Brockedon, 1787–1854
Grassy Ravine with Grazing Sheep
51
William Brockedon, 1787–1854
Faint Sketch of Mountains and Ravines
52
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
53
William Brockedon, 1787–1854
Landscape with Houses set at the Foot of Hills
54
William Brockedon, 1787–1854
Step Mountain Landscape with Prominent Pine Tree
55
William Brockedon, 1787–1854
Two Sketches of Mountains
56
William Brockedon, 1787–1854
Faint Sketch of Mountains
57
William Brockedon, 1787–1854
Hillside Landscape with River Winding Around Bottom
58
William Brockedon, 1787–1854
View up a River at the Base of a Steep Mountain Range
59
William Brockedon, 1787–1854
Full-length Portrait of Man Holding a Top Hat and Walking Stick
60
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
61
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
62
unknown artist
View of House, taken from across the lake
undated
63
unknown artist
View onto terrace of house, from a higher vantage point; female figure admiring the view
undated
64
unknown artist
View of facade of house, with its adjacent arcade
undated
65
unknown artist
View of house, through trees and shrubbery
undated
66
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
67
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
68
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
69
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
70
unknown artist
View from a grove of trees, across several fields
71
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
72
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
73
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
74
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
75
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
76
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
77
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
78
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
79
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
80
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
81
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
82
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
83
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
84
William Brockedon, 1787–1854
Faint landscape Sketch
85
unknown artist
View up a lane in the park: Man hunting with his three dogs
86
unknown artist
Man walking down lane towards fence and archway
87
unknown artist
Front view of house, with cattle, horse and man in the foreground
88
unknown artist
View Across meadow towards house and chapel
89
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
90
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
91
unknown artist
Study of very large Cedar of Lebanon (?)
92
unknown artist
View Across a meadow from behind a fence and tree
93
unknown artist
Sketch for Ceiling or Bed Canopy
undated
94
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
95
John Bluck, active 1791–1831
Snipe Shooting
1807
96
Frederick Christian Lewis the Elder, 1779–1856
Otter Hunting
1818
97
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
98
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
1826
99
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
100
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV