Period: 19th century / Image Available: Unavailable - YCBA Collections Search Search Results

1. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1898
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 3/8 inches (28.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

18. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Illustrations of The Book of Job; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Job and his Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Job Rebuked by His Friends

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. When the Morning Stars Sang Together

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Behemoth and Leviathan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Fall of Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Job and His Daughters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Whirlwind of Lovers (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Pit of Disease: The Falsifiers (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Collecton of seven engravings on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Life, and Posthumous Writings, of William Cowper (volume 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Bound volume with engraved illustrations on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of 21 engravings with chine-collé; proofs on medium, slightly textured, cream wove paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Folio of engravings with covers in cloth box on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

71. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 22 1/4in. (56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. William Cowper, Author of "The Task"

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Peasants' Nest: Cowper's tame Hares

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Corrected and Revised Map of the Country of Allestone

Creator:: Attributed to William Blake, 1757–1827
Date:: 1806
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Canto I. Verse 29

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Canto II. Verse 471

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Dog; Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1805
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 6 1/4 inches (15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Canto V. Verse 43

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Canto III. Verse 201

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Canto IV. Verse 328

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Canto VI. Verse 294

Creator:: Print made by William Blake, 1757–1827
Date:: 1803
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Sketch of a Shipwreck after Romney

Creator:: Print made by William Blake, 1757–1827
Date:: 1809
Materials & Techniques:: Etching and engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. William Cowper

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Mrs Cowper Mother of the Poet

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Pastorals of Virgil, Volume 2

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Pastorals of Virgil, Volume 1

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. El Kab; 2:30 P.M., 25 Jan. 1867

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, white gouache, graphite, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 2 3/16 × 5 1/16 inches (5.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

88. Abou Simbel; 8:10 A.M., 8 Feb. 1867 (369)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 7 11/16 inches (7.3 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

89. Dendoor; 8:45 A.M., 16 Feb. 1867 (493)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 1 7/16 x 6 7/8in. (3.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

90. Boats, 1:00 P.M., 27 May 1867 (175)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 1 1/4 × 5 inches (3.2 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

91. Samata; 6:15 P.M., 28 Feb. 1867 (568)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown inik on medium, smooth, beige wove paper
Dimensions:: Sheet: 1 5/16 x 7 5/8in. (3.3 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

92. Near Massara; 1:30 P.M., 1 Jan. 1867 (12)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 1 5/8 × 7 1/16 inches (4.1 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

93. Near Eb-Bosh; 2:15 P.M., 2 Jan. 1867 (33)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 × 5 7/16 inches (5.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

94. Nestet: 3:30 P.M., 3 Jan. 1867 (50)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 15/16 × 19 inches (7.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

95. Near Colosaneh; 3:45 P.M., 3 Jan. 1867 (51)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 5/8 x 7 1/4in. (6.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

96. Near Colosaneh; 3:45 P.M., 3 Jan. 1867 (52)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 3/8 × 7 inches (6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

97. Near Golosana[sic]; 4:30 P.M., 3 Jan. 1867 (56)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 3/16 × 5 5/8 inches (5.6 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

98. Nesle Melaghara; 5:00 P.M., 4 Jan. 1867 (70)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/16 × 7 3/8 inches (6.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

99. Ye Parienls of ye Welud Sleimann; Assioott [Asyut]; 9 Jan. 1867 (84D)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 6 3/4 inches (7.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

100. Gebel Shk. es Said, near Mellawi; 5:00 P.M., 6 Jan. 1867 (90)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 7 inches (8.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

YCBA Collections Search

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Period 19th century

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1. Horses Threshing, Pont Aven

2. The Meet

3. Huntsman and Hounds

4. The Skylark

5. Opening the Fold

6. The Skylark

7. The Weary Ploughman

8. The Willow

9. Christmas

10. Christmas

11. The Early Ploughman

12. The Early Ploughman

13. The Early Ploughman

14. The Morning of Life

15. Opening the Fold

16. The Skylark

17. Christmas

18. The Early Ploughman

19. London from Greenwich

20. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

21. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

22. Thenot Remonstrates with Colinet; Imitation of Eclogue I

23. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

24. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

25. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

26. The Blighted Corn; Imitation of Eclogue I

27. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

28. Sabrina's Silvery Flood; Imitation of Eclogue I

29. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

30. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

31. Colinet Rests by a Stream at Night; Imitation of Eclogue I

32. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

33. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

34. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

35. Thenot and Colinet at Supper; Imitation of Eclogue I

36. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

37. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

38. Illustrations of The Book of Job; Title Page

39. Satan before the Throne of God

40. Job and his Family

41. Job's Sons and Daughters Overwhelmed by Satan

42. The Messengers Tell Job of His Misfortunes

43. Job's Comforters

44. Satan Smiting Job with Sore Boils

45. Satan Going Forth from the Presence of the Lord and Job's Charity

46. Job's Despair

47. The Vision of Eliphaz

48. Job Rebuked by His Friends

49. Job's Evil Dreams

50. The Wrath of Elihu

51. The Lord Answering Job out of the Whirlwind

52. When the Morning Stars Sang Together

53. Behemoth and Leviathan

54. The Fall of Satan

55. The Vision of Christ

56. Job's Sacrifice

57. Every One also Gave Him a Piece of Money

58. Job and His Daughters

59. Job and His Family Restored to Prosperity

60. The Whirlwind of Lovers (Plate 1)

61. Ciampolo the Barrator Tormented by the Devils (Plate 2)

62. The Baffled Devils Fighting (Plate 3)

63. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

64. The Serpent Attacking Buoso Donati (Plate 5)

65. The Pit of Disease: The Falsifiers (Plate 6)

66. Dante Striking against Bocca Degli Abati (Plate 7)

67. Illustrations to Dante's Divine Comedy

68. The Life, and Posthumous Writings, of William Cowper (volume 2)

69. Illustrations of The Book of Job

70. Illustrations of The Book of Job

71. Illustrations to Dante's Divine Comedy

72. William Cowper, Author of "The Task"

73. The Peasants' Nest: Cowper's tame Hares

74. A Corrected and Revised Map of the Country of Allestone