A critical dissertation on the nature and principles of taste
1823
5
An essay on the objects of taste
1823
6
Hay, D. R. (David Ramsay), 1798–1866
The laws of harmonious colouring,
1844
7
Hay, D. R. (David Ramsay), 1798–1866
The laws of harmonious colouring
1828
8
Mackenzie, George Steuart, Sir, 1780–1848
An essay on some subjects connected with taste
1817
9
Shee, Martin Archer, 1769–1850
Rhymes on art;
1805
10
Hay, D. R. (David Ramsay), 1798–1866
On the science of those proportions by which the human head and countenance as represented in works of ancient Greek art are distinguished from those of ordinary nature
1849
11
Cousin, Victor, 1792–1867
The philosophy of the beautiful
1849
12
Hay, D. R. (David Ramsay), 1798–1866
An attempt to define aesthetical taste
1844
13
Schimmelpenninck, Mary Anne, 1778–1856
Theory on the classification of beauty and deformity, and their correspondence with physiognomic expression
1815
14
Adam, Joseph Denovan, 1841 or 2–1896
Mountain, loch and glen
1869
15
Price, Uvedale, Sir, 1747–1829
Essays on the picturesque, as compared with the sublime and the beautiful;
1810
16
Macvicar, John Gibson, 1800–1884
The philosophy of the beautiful
1855
17
Hay, D. R. (David Ramsay), 1798–1866
The science of beauty
1856
18
Quatremère de Quincy, M. (Antoine-Chrysostome), 1755–1849
The destination of works of art and the use to which they are applied
1821
19
Shee, Martin Archer, 1769–1850
Rhymes on art;
1805
20
Alison, Archibald, 1757–1839
Essays on the nature and principles of taste
1815
21
Whistler, James McNeill, 1834–1903
The gentle art of making enemies
MDCCCXC [1890]
22
Ruskin, John, 1819–1900
Ruskin on music
1894
23
Ruskin, John, 1819–1900
Letter to young girls
[1876]
24
Harris, George, 1809–1890
The theory of the arts;
1869
25
Price, Uvedale, Sir, 1747–1829
A dialogue on the distinct characters of the picturesque and the beautiful
1801
26
Webb, Francis, 1735–1815
Panharmonicon
[1815]
27
Symonds, John Addington, 1840–1893
The principles of beauty
1857
28
Pictor, Fabius, pseud
The hand-book of taste, or, How to observe works of art