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Period 19th century

Remove constraint Period: 19th century

Creator Ward, James, 1769–1859

Remove constraint Creator: Ward, James, 1769–1859

Work Type drawing

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unknown artist Farmers Harvesting
unknown artist
Farmers Harvesting
undated
James Ward Mr. Howard's Large Oak, August 5, 1820
James Ward, 1769–1859
Mr. Howard's Large Oak, August 5, 1820
1820
unknown artist Study of a Thistle and Other Plants, Sept. 8
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
James Ward Mr. Thompson's Wire Mill, Tintern
James Ward, 1769–1859
Mr. Thompson's Wire Mill, Tintern
1807
James Ward Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
James Ward Ralph John Lambton on His Hunter, "Undertaker"
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
James Ward Hereford Boar
James Ward, 1769–1859
Hereford Boar
ca. 1803
James Ward The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
James Ward, 1769–1859
The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
1820
unknown artist Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
James Ward A Wild Boar
James Ward, 1769–1859
A Wild Boar
1814
James Ward A Horseman in a Landscape
James Ward, 1769–1859
A Horseman in a Landscape
1814
James Ward A Satyr's Head
James Ward, 1769–1859
A Satyr's Head
1836
James Ward Ben Lomond, August 17
James Ward, 1769–1859
Ben Lomond, August 17
ca. 1805
James Ward A Study for the Central Character in Ward's Painting "The Deer Stealer"
James Ward, 1769–1859
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
James Ward The Old Double Bridge, Bury St. Edmunds
James Ward, 1769–1859
The Old Double Bridge, Bury St. Edmunds
1833
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
James Ward Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825
James Ward, 1769–1859
Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825
1825
James Ward Studies of Plants, August 2, 1815
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
James Ward The Cossack, Gregory Yelloserf, July 1814
James Ward, 1769–1859
The Cossack, Gregory Yelloserf, July 1814
1814
James Ward Study of a Cossack: Gregory Yellowstuff
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
James Ward A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade
James Ward, 1769–1859
A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade
1814
James Ward Study of Two Headless Classical Statues
James Ward, 1769–1859
Study of Two Headless Classical Statues
undated
James Ward Snowdon, an Approaching Storm
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
James Ward Studies after Anthony van Dyck's Portrait of Arthur Goodwin
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
James Ward A Stunted Oak
James Ward, 1769–1859
A Stunted Oak
1822
James Ward Kenilworth Castle
James Ward, 1769–1859
Kenilworth Castle
1807
James Ward Lea Castle from above the Woods
James Ward, 1769–1859
Lea Castle from above the Woods
1814