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1. Chepstow Castle on the Wye

Chepstow Castle on the Wye
Creator:
Francis Danby, 1793–1861
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 17 5/8 inches (21 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. At Hailsham, Sussex: a Storm Approaching

At Hailsham, Sussex: a Storm Approaching
Creator:
Samuel Palmer, 1805–1881
Date:
1821
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Europe. A Prophecy; Frontispiece

Europe. A Prophecy; Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Albion thy fear has made me tremble..." (Plate 22)

"Albion thy fear has made me tremble..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "Highgates heights & Hampsteads..." (Plate 84)

"Highgates heights & Hampsteads..." (Plate 84)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Became a Space & an Allegory..." (Plate 85)

"Became a Space & an Allegory..." (Plate 85)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

"I see thy Form O lovely mild Jerusalem..." (Plate 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Repelling weeping Enion blind & age-bent..." (Plate 87)

"Repelling weeping Enion blind & age-bent..." (Plate 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "The Feminine separates from the Masculine..." (Plate 90)

"The Feminine separates from the Masculine..." (Plate 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "It is easier to forgive an enemy..." (Plate 91)

"It is easier to forgive an enemy..." (Plate 91)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Albion cold lays on his Rock..." (Plate 94)

"Albion cold lays on his Rock..." (Plate 94)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "Awake! Awake Jerusalem..." (Plate 97)

"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Then each an Arrow flaming from his Quiver..." (Plate 98)

"Then each an Arrow flaming from his Quiver..." (Plate 98)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "And the Two that escaped..." (Plate 30)

"And the Two that escaped..." (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "Elevate into the Region of Brotherhood..." (Plate 34)

"Elevate into the Region of Brotherhood..." (Plate 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "Reuben return'd to his place, in vain..." (Plate 36)

"Reuben return'd to his place, in vain..." (Plate 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "With one accord in love sublime..." (Plate 44)

"With one accord in love sublime..." (Plate 44)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

"The secret coverts of Albion & the hidden places of America..." (Plate 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "In Great Eternity every particular Form..." (Plate 54)

"In Great Eternity every particular Form..." (Plate 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "When those who disregard all Mortal Things..." (Plate 55)

"When those who disregard all Mortal Things..." (Plate 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "In beauty the Daughters of Albion divide..." (Plate 58)

"In beauty the Daughters of Albion divide..." (Plate 58)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "The clouds of Albions Druid Temples..." (Plate 60)

"The clouds of Albions Druid Temples..." (Plate 60)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "Repose on me till the morning of the Grave..." (Plate 62)

"Repose on me till the morning of the Grave..." (Plate 62)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

"By those who drink their blood & the blood of their Covenant..." (Plate 67)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. "O Skofield why art thou cruel?..." (Plate 68)

"O Skofield why art thou cruel?..." (Plate 68)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. "Then all the Males conjoined into One Male..." (Plate 69)

"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "I have mock'd those who refused cruelty..." (Plate 81)

"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Harvesters Resting in a Corn Field

Harvesters Resting in a Corn Field
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Haymakers

Haymakers
Creator:
Louisa Anne Beresford, 1818–1891
Date:
undated
Materials & Techniques:
Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Cockatoo

A Cockatoo
Creator:
James de Carle Sowerby, 1787–1871
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Launce with his Dog Crab

Launce with his Dog Crab
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 1/2in. (20.6 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Near Saint Lawrence, Isle of Wight

Near Saint Lawrence, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 13 1/4 inches (20.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire

West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
Creator:
unknown artist
Date:
1805
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 3/8 inches (21.3 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Specimens of the Private Houses of Venice

Specimens of the Private Houses of Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 1/2 inches (21.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Another Specimen of the Same Style

Another Specimen of the Same Style
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 5 1/2 inches (21.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Specimens of a Private House in Venice

Specimens of a Private House in Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 5 1/2 inches (21.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. At Ancona, Italy

At Ancona, Italy
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 5 1/2 inches (20.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Gateway to a House in Ancona

Gateway to a House in Ancona
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 7/16 inches (21.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. View of the Interior of One of the Churches in Ancona

View of the Interior of One of the Churches in Ancona
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 7/16 inches (21.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. In One of the Churches of Ancona

In One of the Churches of Ancona
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 1/2 inches (21.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Plains of Senta

The Plains of Senta
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Ruins of the Temple of Jupiter on the Plains of Nemea

Ruins of the Temple of Jupiter on the Plains of Nemea
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 11 3/8 inches (21.4 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Kalamata, Greece

Kalamata, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 7/16 inches (20.5 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Kalamata, Greece

Kalamata, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wasn and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/2 inches (20.5 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. One of the Lions Taken From the Piraeus Port of Athens

One of the Lions Taken From the Piraeus Port of Athens
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Study of an Older Palace in Venice

Study of an Older Palace in Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/16 × 5 1/2 inches (20.8 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Carita - On the Walls of a Hospital or Public School, Venice

A Carita - On the Walls of a Hospital or Public School, Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance

Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/16 × 10 inches (20.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Amphitheatre at Nîmes

The Amphitheatre at Nîmes
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Sketch of a Lion, From a Sculpture

Sketch of a Lion, From a Sculpture
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on thin, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 1/8 inches (21.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Pass in the Mountains Between Nisa and Villa Velha

Pass in the Mountains Between Nisa and Villa Velha
Creator:
William Bradford, active 1809
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Study of a Nude Figure

Study of a Nude Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1806 to 1816
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 12 11/16 inches (20.6 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Study of a Man with Outstretched Arm

Study of a Man with Outstretched Arm
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Boats and Men on Beach

Boats and Men on Beach
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and scratching out on thick, rough, cream wove paper
Dimensions:
Sheet: 8 7/16 × 7 1/2 inches (21.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Woman with Square Hat

Woman with Square Hat
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, white chalk, and red chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 8 7/16 × 6 9/16 inches (21.4 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Elevation of a Proposed Design for Cambridge Colleges

Elevation of a Proposed Design for Cambridge Colleges
Creator:
William Wilkins, 1778–1839
Date:
ca. 1823
Materials & Techniques:
Watercolor, pen and black ink, and gray wash on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 1/4 × 15 3/4 inches (21 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Portrait of Samuel Palmer, February 5, 1828

Portrait of Samuel Palmer, February 5, 1828
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:
Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. On the Whippingham Road, Isle of Wight

On the Whippingham Road, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
between 1826 and 1830
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Government House from St. Andrew's Library - Calcutta

Government House from St. Andrew's Library - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
between 1833 and 1838
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:
Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. A Parrot

A Parrot
Creator:
James de Carle Sowerby, 1787–1871
Date:
undated
Materials & Techniques:
Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. A Storm Damaged Windmill

A Storm Damaged Windmill
Creator:
John Middleton, 1826–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 11 7/8in. (21.3 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. A Rowing Boat at Twickenham

A Rowing Boat at Twickenham
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. In the Friedrich's Shape

In the Friedrich's Shape
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/16 × 5 3/4 inches (20.8 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Sketch of a Monument in the Basilica of Saint Anthony of Padua

Sketch of a Monument in the Basilica of Saint Anthony of Padua
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/2 inches (21.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Lincoln Cathedral From Brayford Pool

Lincoln Cathedral From Brayford Pool
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. A Struggle With a Load of Clay

A Struggle With a Load of Clay
Creator:
James Abbott Pasquier, active 1851–1872
Date:
1855
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown wove paper
Dimensions:
Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Exercising a Racehorse

Exercising a Racehorse
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 11/16 inches (21.3 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Two Riders Taking a Double Fence

Two Riders Taking a Double Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. "Fanny's Colt", July 26, 1886

"Fanny's Colt", July 26, 1886
Creator:
John Frederick Tayler, 1802–1889
Date:
1886
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 × 10 3/16 inches (21.4 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Study of a Hound, Running

Study of a Hound, Running
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 3/8 inches (16.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

St. George's Chapel, Windsor, West End, July 19, 1832, 10 am
Creator:
Dr. William Crotch, 1775–1847
Date:
1832
Materials & Techniques:
Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Gentleman and a Lady

Gentleman and a Lady
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 8 1/4 × 7 1/4 inches (21 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

87. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 7/16 inches (21.1 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Four Ponies on a Welsh Moor

Four Ponies on a Welsh Moor
Creator:
Thomas Creswick, 1811–1869
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 13/16 inches (20.6 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 13/16 inches (20.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 7/8 inches (20.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. "The National Sports of Great Britain," 1821: Owling

"The National Sports of Great Britain," 1821: Owling
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Two Turkish Cavalrymen

Two Turkish Cavalrymen
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 1/2 inches (21.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Riders Taking a Fence

Riders Taking a Fence
Creator:
Samuel Henry Gordon Alken, 1810–1894
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Foxhunting: Hunt Servants Leading Out Hounds

Foxhunting: Hunt Servants Leading Out Hounds
Creator:
Samuel Henry Gordon Alken, 1810–1894
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 9 5/16 inches (21.4 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Back View of Stout Rider on a Chestnut Horse

Back View of Stout Rider on a Chestnut Horse
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, smooth, blue, wove paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Wrestling

Wrestling
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 5/8 × 14 3/4 inches (29.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Ile de la Cite

Ile de la Cite
Creator:
Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 11 3/8 inches (20.6 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection