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1. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Creator:
Paul Sandby, 1731–1809
Date:
1802
Materials & Techniques:
Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Falstaff in the Boar's Head

Falstaff in the Boar's Head
Creator:
Robert Smirke, 1752–1845
Date:
1807
Materials & Techniques:
Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. From the Window of the Inn at Lauterbraun

From the Window of the Inn at Lauterbraun
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1811
Materials & Techniques:
Graphite, gray wash, white chalk and black chalk on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Waggoner's Rest

The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Courtyard of an Inn on the Thames

Courtyard of an Inn on the Thames
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dead Hare

Dead Hare
Creator:
Andrew Geddes, 1783–1844
Date:
undated
Materials & Techniques:
Black chalk, verso: black chalk and stump on medium, slightly texuted, cream laid paper
Dimensions:
Sheet: 7 7/8 x 14 3/8in. (20 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Foxhunting: The Refreshment

Foxhunting: The Refreshment
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, blue ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The North Country Mails at The Peacock Inn, Islington

The North Country Mails at The Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1815
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Dr. Syntax Copying the Wit of the Window

Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1812
Materials & Techniques:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Falstaff with Mistress Quickly and Bardolph

Falstaff with Mistress Quickly and Bardolph
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection