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Period 19th century

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C. Hacker Arcades: of Interlaced Mouldings
C. Hacker
Arcades: of Interlaced Mouldings
1830
Joseph Michael Gandy Design for a Farm House. Elevations of Two Fronts
Joseph Michael Gandy, 1771–1843
Design for a Farm House. Elevations of Two Fronts
between 1794 and 1797
John White Abbott Canonteign
John White Abbott, 1763–1851
Canonteign
1808
John White Abbott Figures on a Rocky River Bank at Canonteign, Devon
John White Abbott, 1763–1851
Figures on a Rocky River Bank at Canonteign, Devon
1801
John White Abbott The Courtyard of Mr. Bank's House, Northernhay, Exeter
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
John White Abbott Trees Overhanging a Lake
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
John White Abbott The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
unknown artist Baudins Cockatoo
unknown artist
Baudins Cockatoo
1832
unknown artist Blue & Yellow Maccaw
unknown artist
Blue & Yellow Maccaw
1832
John Ruskin Study of an Oak Leaf
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
John Glover St. Davids Head, Pembrokeshire
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
David Cox Landscape with a Man Washing His Feet at a Fountain, after Poussin
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
Sir John Soane Section of the Court of Common Pleas and the Robery Room
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
unknown artist Plan of the Old Parliament Houses, Westminster
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
unknown artist Mr. Lee's House After the Fire, House of Lords
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
unknown artist Grave of the Supposed William Lyndewode
unknown artist
Grave of the Supposed William Lyndewode
1852
Sir John Soane Part of the Construction in the Old House of Lords
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
George Harley Ruins of Westminster Palace
George Harley, 1791–1871
Ruins of Westminster Palace
1834
John Carter Plan of Princes Chamber, One Pair
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
John Carter East Front of Princes Chamber
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
John Carter Princes Chamber, East Side with the Old House of Lords
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
John Carter Princes Chamber
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
John Carter South Side of Princes Chamber West
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
John Carter Window Detail, Princes Chamber
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
John Carter Door near Painted Chamber
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
Frederick Mackenzie Old Palace Yard
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
Charles James Richardson Drawing Room Ceiling, No. 3 Old Palace Yard
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
Charles James Richardson Ceiling of Front Parlor House in Old Palace Yard
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
unknown artist Henry VII Chapel, Westminster Abbey
unknown artist
Henry VII Chapel, Westminster Abbey
undated
John Carter Buildings on East Side of Dean's Yard
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
unknown artist Sky study
unknown artist
Sky study
undated
unknown artist Sky study
unknown artist
Sky study
undated
Thomas Rowlandson The Vicar Selling his Horse
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
Thomas Rowlandson The Surprise
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
Thomas Rowlandson The Family Picture
Thomas Rowlandson, 1756–1827
The Family Picture
1817
unknown artist Sky study
unknown artist
Sky study
undated
Thomas Rowlandson The Fair Penitent
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
Thomas Rowlandson Attendance on a Nobleman
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
Thomas Rowlandson The Scold, with News of Olivia
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
Thomas Rowlandson The Vicar Preaching to the Prisoners
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
Ambrose Poynter Sketches from Life in Paris: Seated Woman and Standing Man
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Standing Man
ca. 1835
Peter DeWint Houses at Teddington on the Thames
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
Peter DeWint View of the Thames at Kingston
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
Richard Redgrave Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837
Richard Redgrave, 1804–1888
Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837
1837
Thomas Rowlandson Butterfly Hunting
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
David Cox Pirate's Isle
David Cox, 1783–1859
Pirate's Isle
1826
David Cox The Poplar Avenue, after Hobbema
David Cox, 1783–1859
The Poplar Avenue, after Hobbema
ca. 1835
George Alken Foxhunting: Rider, Taking a Fence
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
Henry Thomas Alken "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken Horse and Dog
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken Hooded Damascene Cavalryman Riding
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken Wounded Turkish Cavalryman in Danger of Failling From His Horse...
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
Henry Thomas Alken Head of a Foxhound, in Profile Right
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
Henry Thomas Alken Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
Henry Thomas Alken Head of a Pointer, in Profile Left
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
Henry Thomas Alken Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat
Henry Thomas Alken, 1785–1851
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat
undated
Henry Thomas Alken Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
Henry Thomas Alken Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
Henry Thomas Alken Head and Neck of a Horse, Profile Left
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse, Profile Left
undated
Henry Thomas Alken Poachers Surprised
Henry Thomas Alken, 1785–1851
Poachers Surprised
undated
Henry Thomas Alken Head and Shoulders of a Boxer Dog, Profile Right
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Right
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Down Leap
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it No How
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it Somehow
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818